[fusion_builder_container hundred_percent=»yes» overflow=»visible»][fusion_builder_row][fusion_builder_column type=»1_5″ last=»no» spacing=»yes» center_content=»no» hide_on_mobile=»no» background_color=»» background_image=»https://blog.uclm.es/escueladetraductores/wp-content/uploads/sites/203/2016/05/estrellas.jpg» background_repeat=»no-repeat» background_position=»left top» hover_type=»none» link=»» border_position=»all» border_size=»0px» border_color=»» border_style=»solid» padding=»» margin_top=»» margin_bottom=»» animation_type=»0″ animation_direction=»down» animation_speed=»0.1″ animation_offset=»» class=»» id=»»][/fusion_builder_column][fusion_builder_column type=»4_5″ last=»yes» spacing=»yes» center_content=»no» hide_on_mobile=»no» background_color=»» background_image=»» background_repeat=»no-repeat» background_position=»left top» hover_type=»none» link=»» border_position=»all» border_size=»0px» border_color=»» border_style=»» padding=»» margin_top=»» margin_bottom=»» animation_type=»» animation_direction=»» animation_speed=»0.1″ animation_offset=»» class=»» id=»»][fusion_text]Castilla-La Mancha Editions has in its publications’ catalogue the “Escuela de Traductores de Toledo” collection, in which several meetings, congresses and conferences are periodically held in Toledo School of Translators, as well as some theorical and practical works (researches, dictionaries, essays, etc.) that are linked to the translation field. This collection has fifteen works at this moment, which are the result of a research activity done by Toledo School of Translators.
Initially, the principal purpose of this collection is to portray an ample space of diffusion and publication of those works related with the theoretical basis of Translation. The main interest was focus on the combination of AR-SP, although it has been increasing its attention to all those works that provide both students and professionals of Translation with useful tools to study and practice this profession.
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1. Sobre la imposibilidad de la traducción. López García, Dámaso. Cuenca: Ediciones de la Universidad de Castilla-La Mancha, 1991. ISBN: 84-7729-101-2
This work compiles some essays about translation written for several decades. Some of them have previously appeared in magazines, and others have been published in this book for the first time. Those essays previously published have been edited and revised, considering their first edition just as a mere remembrance. Among these, there are essays written when he was young, in which the author states that he has not edited exaggerations, but on the contrary, just some lack of initiative that made the essays too cautious for the ideas that he wanted to express. López García cherishes the conviction that certain facts are true, although they are whispered, meanwhile others will never be true unless they are impetuously outlined.[/fusion_toggle][/fusion_accordion][/fusion_builder_column][fusion_builder_column type=»1_4″ last=»no» spacing=»yes» center_content=»no» hide_on_mobile=»no» background_color=»» background_image=»» background_repeat=»no-repeat» background_position=»left top» hover_type=»none» link=»» border_position=»all» border_size=»0px» border_color=»» border_style=»solid» padding=»» margin_top=»» margin_bottom=»» animation_type=»0″ animation_direction=»down» animation_speed=»0.1″ animation_offset=»» class=»» id=»»][fusion_text]
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2. Traducir al Otro: traducción, exotismo, poscolonialismo. Carbonell i Cortés, Ovidi. Cuenca: Ediciones de la Universidad de Castilla-La Mancha, 1997. ISBN: 84-89492-98-0
The author focuses on how Translatology has been influenced by the culture of a language in recent years. The author describes the ambivalent tension that occurs when transcribing a culture to different languages. Sometimes this transcription points to a familiar environment and others to an exotic one, taking post-colonial translation as an example. Post-colonial translation, which is one of the tendencies in translation theory and practice, has become essential to the world of languages and concretely English, which was the dominant language and has recently become the common code of communication among cultures. “Traducir al otro” might be an interesting piece of work for translators, Translation and Arabic Philology students, as well as those who are interested in knowing about foreign cultures.[/fusion_toggle][/fusion_accordion][/fusion_builder_column][fusion_builder_column type=»1_4″ last=»no» spacing=»yes» center_content=»no» hide_on_mobile=»no» background_color=»» background_image=»» background_repeat=»no-repeat» background_position=»left top» hover_type=»none» link=»» border_position=»all» border_size=»0px» border_color=»» border_style=»solid» padding=»» margin_top=»» margin_bottom=»» animation_type=»0″ animation_direction=»down» animation_speed=»0.1″ animation_offset=»» class=»» id=»»][fusion_text]
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3. Teorías de la Traducción: Antología de textos. López García, Dámaso. Cuenca: Ediciones de la Universidad de Castilla-La Mancha, 1996. ISBN: 84- 88255-88-8
Undoubtedly, the ways of translation have greatly changed. Throughout the ages, the historian, the linguist, the philosopher and even the novelist or the poet have been called to take part in this task, and have also observed how these attitudes have been reconciled when they had been fiercely confronted in former years. As a result of several studies about translation issues, this book compiles a representation of what translation theory has been over the time, and throughout different cultures in which the necessity to comprehend this phenomenon has been expressed. Teorías de la traducción: Antología de textos introduces the most striking moments of a debate that has raised with this theory by means of selected contributions belonging to cultural heritages or languages that have been scarcely spoken or misrepresented before.[/fusion_toggle][/fusion_accordion][/fusion_builder_column][fusion_builder_column type=»1_4″ last=»yes» spacing=»yes» center_content=»no» hide_on_mobile=»no» background_color=»» background_image=»» background_repeat=»no-repeat» background_position=»left top» hover_type=»none» link=»» border_position=»all» border_size=»0px» border_color=»» border_style=»solid» padding=»» margin_top=»» margin_bottom=»» animation_type=»0″ animation_direction=»down» animation_speed=»0.1″ animation_offset=»» class=»» id=»»][fusion_text]
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4. Pensamiento y circulación de las ideas en el Mediterráneo: el papel de la traducción. Hernando de Larramendi, Miguel y Fernández Parrilla, Gonzalo (Coords.). Cuenca: Ediciones de la Universidad de Castilla-La Mancha, 1997. ISBN: 84-89492-90-5
This book traverses, from Middle Ages to our current days, a fruitful blend among different Mediterranean cultures, with initiatives such as that of Toledo School of Translators. This work also includes a reflection on future Inter-Mediterranean relationships and cultural dialogue in a century whose end is characterized by the phenomenon of globalization. Translation is – and will always be – and ideal compass to indicate the vitality and openness of a culture. The study and analysis of translation flows and exchange ideas and thoughts, which is explicit in this work, is one of the major concerns of Toledo School of Translators.[/fusion_toggle][/fusion_accordion][/fusion_builder_column][fusion_builder_column type=»1_4″ last=»no» spacing=»yes» center_content=»no» hide_on_mobile=»no» background_color=»» background_image=»» background_repeat=»no-repeat» background_position=»left top» hover_type=»none» link=»» border_position=»all» border_size=»0px» border_color=»» border_style=»» padding=»» margin_top=»» margin_bottom=»» animation_type=»» animation_direction=»» animation_speed=»0.1″ animation_offset=»» class=»» id=»»][fusion_text]
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5. Traducción, emigración y culturas. Hernando de Larramendi, Miguel y Arias, Juan Pablo (Coords.). Cuenca: Ediciones de la Universidad de Castilla-La Mancha, 1999. ISBN: 84-89958-62-9
Any sort of immigration, including exile, is the phenomenon that brings together different peoples and cultures, and the cause of social and cultural changes that affect both the home society and the host society. This work considers the challenges that multicultural societies imply. Is there any cultural and/or educational policy for Immigration in Europe? How much impact has immigration on cultural markets? These and another questions articulate the reflection of a considerable group of writers, translators, intellectuals, interpreters and researchers from both sides of the Mediterranean Sea. Traducción, emigración y culturas: ficción y realidad was the title for a conference held in Toledo School of Translators in 1996 with the support of the European Cultural Foundation.[/fusion_toggle][/fusion_accordion][/fusion_builder_column][fusion_builder_column type=»1_4″ last=»no» spacing=»yes» center_content=»no» hide_on_mobile=»no» background_color=»» background_image=»» background_repeat=»no-repeat» background_position=»left top» hover_type=»none» link=»» border_position=»all» border_size=»0px» border_color=»» border_style=»» padding=»» margin_top=»» margin_bottom=»» animation_type=»» animation_direction=»» animation_speed=»0.1″ animation_offset=»» class=»» id=»»][fusion_text]
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6. El Magreb y Europa: literatura y traducción. Fernández Parrilla, Gonzalo y Montoro, Rosario (Coords.). Cuenca: Ediciones de la Universidad de Castilla-La Mancha, 2000. ISBN: 84-89958-93-9
The purpose of this book is to provide first-hand information about one of the least known sides of our Mediterranean colleagues: their culture. Writers, teachers, critics and literary translators reflect on the last literary and cultural tendencies in Magreb and the Mediterranean Europe. Literature written by women, the strength of new narrative genres as autobiographies, and novels are the mainstreaming axis on which these essays are based. Representatives from Algeria, France, Tunisia, Italy, Morocco and Spain participate in this work, which also collects most of the papers presented by the participants on the conference in Toledo School of Translators in 1996, with the support of the European Cultural Foundation and the Agencia Española de cooperación Internacional (AECI).[/fusion_toggle][/fusion_accordion][/fusion_builder_column][fusion_builder_column type=»1_4″ last=»no» spacing=»yes» center_content=»no» hide_on_mobile=»no» background_color=»» background_image=»» background_repeat=»no-repeat» background_position=»left top» hover_type=»none» link=»» border_position=»all» border_size=»0px» border_color=»» border_style=»» padding=»» margin_top=»» margin_bottom=»» animation_type=»» animation_direction=»» animation_speed=»0.1″ animation_offset=»» class=»» id=»»][fusion_text]
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7. Diccionario económico-jurídico francés-español. Cantera Ortiz de Urbina, Jesús; Campos Plaza, Nicolás; Sansano Espinosa, M. Dolores y García Calero, A. Manuel. Cuenca: Ediciones de la Universidad de Castilla-La Mancha, 1999. ISBN: 84-8427-005-X
This French-Spanish bilingual dictionary allows the reader to reach the comprehension and translation of economic and legal texts that have been proposed as an indispensable tool for translators, lawyers, economists, journalists, cultured people, not to mention teachers and graduates in French Philology or translation or undergraduates of this field. The influx of economic and legal texts has overpassed literary texts, which implies the appearance of a little-known field which is difficult to understand and provokes misinterpretations. With this dictionary the author wants to satisfy the scarcity of Spanish lexicography, offering a wide range of current economic and legal terminologies.[/fusion_toggle][/fusion_accordion][/fusion_builder_column][fusion_builder_column type=»1_4″ last=»yes» spacing=»yes» center_content=»no» hide_on_mobile=»no» background_color=»» background_image=»» background_repeat=»no-repeat» background_position=»left top» hover_type=»none» link=»» border_position=»all» border_size=»0px» border_color=»» border_style=»» padding=»» margin_top=»» margin_bottom=»» animation_type=»» animation_direction=»» animation_speed=»0.1″ animation_offset=»» class=»» id=»»][fusion_text]
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8. Orientalismo, exotismo y traducción. Fernández Parrilla, Gonzalo y Feria García, Manuel C. (Coords.). Cuenca: Ediciones de la Universidad de Castilla-La Mancha, 2000. ISBN: 84-8427-024-6
This work delves into the reflection on translation as mean of intellectual contact, bearing in mind the reception of the Arab-Islamic culture in Europe and its role in various traditions of Arabic and Islamic studies. The disciplines usually categorised as Orientalism –Arabism and Africanism in Spain– have been influenced in our country by two factors that have provoked their divergence from other European Orientalists traditions. In response to the increasing interest on this issue in Spain, Toledo School of Translators and the Translation Studies Research Group of Andalusia, in collaboration with the European Cultural Foundation, organized on the 13th and 15th of November, 1997, a conference called Orientalismo, exotismo y traducción.[/fusion_toggle][/fusion_accordion][/fusion_builder_column][fusion_builder_column type=»1_4″ last=»no» spacing=»yes» center_content=»no» hide_on_mobile=»no» background_color=»» background_image=»» background_repeat=»no-repeat» background_position=»left top» hover_type=»none» link=»» border_position=»all» border_size=»0px» border_color=»» border_style=»solid» padding=»» margin_top=»» margin_bottom=»» animation_type=»0″ animation_direction=»down» animation_speed=»0.1″ animation_offset=»» class=»» id=»»][fusion_text]
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9. La traducción de literatura árabe contemporánea: antes y después de Naguib Mahfuz. Hernando de Larramendi, Miguel y Cañada, Luis Miguel (Coords.) Cuenca: Ediciones de la Universidad de Castilla-La Mancha, 2000. ISBN: 84-8427-050-5
This book purposes a reflection on the influence that Modern Arabic literature has had in Europe when Naguib Mahfuz won the Literature Nobel Prize in 1988. Mahfuz promoted the publishing companies awareness, seeking specialists and translators, and promoted an increased interest of modern Arabic literature translation. Toledo School of Translators considered it was a prosperous moment to carry out an assessment of the situation of modern Arabic literature in Europe. This work compiles several solutions that translators, teachers, narrators and editors from different Mediterranean countries discussed in this international congress, which has the same title as this present book, and that took place in the Toledo School of Translators in collaboration with the European Cultural Foundation in 1998.[/fusion_toggle][/fusion_accordion][/fusion_builder_column][fusion_builder_column type=»1_4″ last=»no» spacing=»yes» center_content=»no» hide_on_mobile=»no» background_color=»» background_image=»» background_repeat=»no-repeat» background_position=»left top» hover_type=»none» link=»» border_position=»all» border_size=»0px» border_color=»» border_style=»solid» padding=»» margin_top=»» margin_bottom=»» animation_type=»0″ animation_direction=»down» animation_speed=»0.1″ animation_offset=»» class=»» id=»»][fusion_text]
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10. El mensaje de las monedas almohades: Numismática, traducción y pensamiento islámico. Peña Martín, Salvador; Feria García, Manuel C. y Vega Martín, Miguel. Cuenca: Ediciones de la Universidad de Castilla-La Mancha, 2002. ISBN: 84-8427-211-7
Apart from its importance in economy and arts, the medieval Islamic coins were important means of expression of religious and political ideologies in those States that promoted them. During the second half of the 12th and 13rd Century, the Almohad dynasty’s Empire reached the Magreb and great part of the Iberian Peninsula. In addition, there were a lot of cultural developments under its command, including its Theocratic Legitimation discourse on which its power was based. The main purpose of this book is to show how the inscriptions and other semiotic elements in these Almohad coins illustrate their own vision of God, religion and politics, likewise how these coins culminated the Islamization and Arabization process of the numismatic forms.[/fusion_toggle][/fusion_accordion][/fusion_builder_column][fusion_builder_column type=»1_4″ last=»no» spacing=»yes» center_content=»no» hide_on_mobile=»no» background_color=»» background_image=»» background_repeat=»no-repeat» background_position=»left top» hover_type=»none» link=»» border_position=»all» border_size=»0px» border_color=»» border_style=»solid» padding=»» margin_top=»» margin_bottom=»» animation_type=»0″ animation_direction=»down» animation_speed=»0.1″ animation_offset=»» class=»» id=»»][fusion_text]
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11. Autobiografía y literatura árabe. Hernando de Larramendi, Miguel; Fernández Parrilla, Gonzalo y Azaola Piazza, Bárbara (Coords.). Cuenca: Ediciones de la Universidad de Castilla-La Mancha, 2002. ISBN: 84-8427-210-9
This volume gathers some reflections about the current situation of the autobiographical writing in the Arab world, taking into account the growth of this new modality and new studies focused on it around the world. This work compiles several solutions that translators, teachers, narrators and editors from different Mediterranean countries gave during an international meeting “La Memoria del Futuro. Literatura Árabe y Autobiografía” which took place in the Toledo School of Translators on the 23rd, 25th of November, 2000, in collaboration with European Cultural Foundation and Biographical Studies Unit at the University of Barcelona.[/fusion_toggle][/fusion_accordion][/fusion_builder_column][fusion_builder_column type=»1_4″ last=»yes» spacing=»yes» center_content=»no» hide_on_mobile=»no» background_color=»» background_image=»» background_repeat=»no-repeat» background_position=»left top» hover_type=»none» link=»» border_position=»all» border_size=»0px» border_color=»» border_style=»» padding=»» margin_top=»» margin_bottom=»» animation_type=»» animation_direction=»» animation_speed=»0.1″ animation_offset=»» class=»» id=»»][fusion_text]
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12. Esbozo gramatical del árabe marroquí. Moscoso García, Francisco. Cuenca: Ediciones de la Universidad de Castilla-La Mancha, 2004. ISBN: 84-8427-335-0
This essay is an approach to the Arabic dialect spoken in Casablanca and Rabat and which is being imposed in Morocco in general. This essay is classified in five parts: Phonetics, phonology, verbal morphology, nominal morphology and bibliography. This method is based on forty two dialogues in Standard Moroccan Arabic. It has grammar contents, exercises, a glossary, and a CD-ROM with spelling exercises and dialogues. This book is aimed to those students who have already started Moroccan Arabic studies and want to improve their skills in this language. This draft constitutes the first Moroccan Arabic grammar with a sophisticated system of transcription, adjusted to the rich nuances of the Arabic dialect spoken in Morocco.[/fusion_toggle][/fusion_accordion][/fusion_builder_column][fusion_builder_column type=»1_4″ last=»no» spacing=»yes» center_content=»no» hide_on_mobile=»no» background_color=»» background_image=»» background_repeat=»no-repeat» background_position=»left top» hover_type=»none» link=»» border_position=»all» border_size=»0px» border_color=»» border_style=»solid» padding=»» margin_top=»» margin_bottom=»» animation_type=»0″ animation_direction=»down» animation_speed=»0.1″ animation_offset=»» class=»» id=»»][fusion_text]
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13. La literatura marroquí contemporánea. La novela y la crítica literaria. Fernández Parrilla, Gonzalo. Cuenca: Ediciones de la Universidad de Castilla-La Mancha, 2006. ISBN: 84-8427-336-9
Morocco has a huge linguistic and cultural diversity. Nevertheless, its current society and culture are highly unknown beyond its frontiers. The period of Colonialism implied the reaffirmation of an identity around a language: Arabic, related to its identity and the Arabo-Islamic civilization. With its independence, a national Arabic literature emerged, whose canon was forged in the colonial epoch. The classification of genres of the contemporary Moroccan literature is similar to other literatures of the world. New narratives such as novels and autobiographies have joined poetry, theatre and tales. The main goal of this volume has been to focus on the development of the contemporary Moroccan literature through novels and literary criticism.[/fusion_toggle][/fusion_accordion][/fusion_builder_column][fusion_builder_column type=»1_4″ last=»no» spacing=»yes» center_content=»no» hide_on_mobile=»no» background_color=»» background_image=»» background_repeat=»no-repeat» background_position=»left top» hover_type=»none» link=»» border_position=»all» border_size=»0px» border_color=»» border_style=»solid» padding=»» margin_top=»» margin_bottom=»» animation_type=»0″ animation_direction=»down» animation_speed=»0.1″ animation_offset=»» class=»» id=»»][fusion_text]
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14. La traducción periodística. Cortés Zaborras, C. y Hernández Guerrero, Mª José (Coords.). Cuenca: Ediciones de la Universidad de Castilla-La Mancha, 2005. ISBN: 84-8427-379-2
Its content, its approaches and its methodological orientations make this work a collective and plural one. It draws a broad overview in journalistic translation, characterized by the convergence of two factors: the use of a specific type of discourse – journalese – existence of professional practices. The complexity of these two factors resides in the diversity of the media, ideological differences, functional changes, textual types and variations introduced by the media or by cultural conventions. All these phenomena, along with an immense variety of languages, make this kind of specialized translation an unexplored field of study.[/fusion_toggle][/fusion_accordion][/fusion_builder_column][fusion_builder_column type=»1_4″ last=»yes» spacing=»yes» center_content=»no» hide_on_mobile=»no» background_color=»» background_image=»» background_repeat=»no-repeat» background_position=»left top» hover_type=»none» link=»» border_position=»all» border_size=»0px» border_color=»» border_style=»solid» padding=»» margin_top=»» margin_bottom=»» animation_type=»0″ animation_direction=»down» animation_speed=»0.1″ animation_offset=»» class=»» id=»»][fusion_text]
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15. La traducción narrada: el recurso narrativo de la traducción ficticia. Hagedorn, Hans Christian. Cuenca: Ediciones de la Universidad de Castilla-La Mancha, 2006. ISBN: 84-8427-402-0
One of the most significant ways of “narrated translation” is “fictitious translation”, which is basically the way in which an author pretends his work or half of it to be a translation of another author’s work, originally written in a foreign language. The present study describes and analyses the history of this traditional artifice, starting with Don Quixote and its origins in Calvary novels, followed by Manuscrit trouvé á Saragosse by Jean Potocki and few novels from the 20th Century, such as Die Gelehrtenrepublik, by Arno Schimdt, and Se una notte d’inverno un viaggiatore, by Italo Calvino. This volume helps us to understand how narrative techniques have improved and how and why authors have gained importance in translation.[/fusion_toggle][/fusion_accordion][/fusion_builder_column][/fusion_builder_row][/fusion_builder_container][fusion_builder_container hundred_percent=»yes» overflow=»visible» margin_top=»» margin_bottom=»» background_color=»rgba(255,255,255,0)»][fusion_builder_row][fusion_builder_column type=»1_1″ background_position=»left top» background_color=»» border_size=»» border_color=»» border_style=»solid» spacing=»yes» background_image=»» background_repeat=»no-repeat» padding=»» margin_top=»0px» margin_bottom=»0px» class=»» id=»» animation_type=»» animation_speed=»0.3″ animation_direction=»left» hide_on_mobile=»no» center_content=»no» min_height=»none»][fusion_separator style_type=»none» sep_color=»» border_size=»» icon=»» icon_circle=»» icon_circle_color=»» width=»» alignment=»» class=»» id=»»/][/fusion_builder_column][/fusion_builder_row][/fusion_builder_container]