{"id":6302,"date":"2007-06-25T14:24:00","date_gmt":"2007-06-25T12:24:00","guid":{"rendered":"http:\/\/blog.uclm.es\/symolina\/?p=6302"},"modified":"2007-06-25T14:24:00","modified_gmt":"2007-06-25T12:24:00","slug":"mi-mo-2007","status":"publish","type":"post","link":"https:\/\/blog.uclm.es\/sylviamolina\/2007\/06\/25\/mi-mo-2007\/","title":{"rendered":"Mi.MO 2007"},"content":{"rendered":"\n<h5 class=\"wp-block-heading\"><strong>ISSN <\/strong>1887-5033<\/h5>\n\n\n\n<h4 class=\"wp-block-heading\"><a href=\"http:\/\/bellasartes.uclm.es\/mimo\">http:\/\/bellasartes.uclm.es\/mimo<\/a><\/h4>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"452\" height=\"203\" src=\"https:\/\/blog.uclm.es\/sylviamolina\/wp-content\/uploads\/sites\/84\/2021\/04\/logo-1.png\" alt=\"\" class=\"wp-image-7756\" srcset=\"https:\/\/blog.uclm.es\/sylviamolina\/wp-content\/uploads\/sites\/84\/2021\/04\/logo-1.png 452w, https:\/\/blog.uclm.es\/sylviamolina\/wp-content\/uploads\/sites\/84\/2021\/04\/logo-1-300x135.png 300w\" sizes=\"auto, (max-width: 452px) 100vw, 452px\" \/><\/figure>\n\n\n\n<p><strong>Mi.MO<\/strong> es una revista digital inicializada en el a\u00f1o 2005 como espacio de encuentro de diferentes trabajos de la profesora Sylvia Molina y sus alumnos. Diferentes colaboraciones y co-ediciones (Prof. Ana Navarrete) es, desde sus inicios, la ex-alumna Olivia Caro quien ha estado ah\u00ed, adaptando las propuestas a la evoluci\u00f3n del tiempo, las necesidades, las diferentes corrientes e ideas planteadas y desde el 2011 se incorpora como co-editor Javier Osona y Daniel del Saz. En el 2013 se incorpora al equipo de dise\u00f1o e interacci\u00f3n Javier Alonso.<strong><br><\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"640\" src=\"https:\/\/blog.uclm.es\/sylviamolina\/wp-content\/uploads\/sites\/84\/2021\/03\/pantallazos2_05-a-09_06-1024x640.png\" alt=\"\" class=\"wp-image-6747\" srcset=\"https:\/\/blog.uclm.es\/sylviamolina\/wp-content\/uploads\/sites\/84\/2021\/03\/pantallazos2_05-a-09_06-1024x640.png 1024w, https:\/\/blog.uclm.es\/sylviamolina\/wp-content\/uploads\/sites\/84\/2021\/03\/pantallazos2_05-a-09_06-300x188.png 300w, https:\/\/blog.uclm.es\/sylviamolina\/wp-content\/uploads\/sites\/84\/2021\/03\/pantallazos2_05-a-09_06-768x480.png 768w, https:\/\/blog.uclm.es\/sylviamolina\/wp-content\/uploads\/sites\/84\/2021\/03\/pantallazos2_05-a-09_06-1536x960.png 1536w, https:\/\/blog.uclm.es\/sylviamolina\/wp-content\/uploads\/sites\/84\/2021\/03\/pantallazos2_05-a-09_06.png 1680w\" sizes=\"auto, (max-width: 767px) 89vw, (max-width: 1000px) 54vw, (max-width: 1071px) 543px, 580px\" \/><figcaption>2007<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"640\" src=\"https:\/\/blog.uclm.es\/sylviamolina\/wp-content\/uploads\/sites\/84\/2021\/03\/pantallazos2_05-a-09_07-1024x640.png\" alt=\"\" class=\"wp-image-6748\" srcset=\"https:\/\/blog.uclm.es\/sylviamolina\/wp-content\/uploads\/sites\/84\/2021\/03\/pantallazos2_05-a-09_07-1024x640.png 1024w, https:\/\/blog.uclm.es\/sylviamolina\/wp-content\/uploads\/sites\/84\/2021\/03\/pantallazos2_05-a-09_07-300x188.png 300w, https:\/\/blog.uclm.es\/sylviamolina\/wp-content\/uploads\/sites\/84\/2021\/03\/pantallazos2_05-a-09_07-768x480.png 768w, https:\/\/blog.uclm.es\/sylviamolina\/wp-content\/uploads\/sites\/84\/2021\/03\/pantallazos2_05-a-09_07-1536x960.png 1536w, https:\/\/blog.uclm.es\/sylviamolina\/wp-content\/uploads\/sites\/84\/2021\/03\/pantallazos2_05-a-09_07.png 1680w\" sizes=\"auto, (max-width: 767px) 89vw, (max-width: 1000px) 54vw, (max-width: 1071px) 543px, 580px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-gallery columns-2 is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"733\" src=\"https:\/\/blog.uclm.es\/sylviamolina\/wp-content\/uploads\/sites\/84\/2015\/10\/2007a_Pa\u0301gina_1-1024x733.png\" alt=\"\" data-id=\"8251\" data-full-url=\"https:\/\/blog.uclm.es\/sylviamolina\/wp-content\/uploads\/sites\/84\/2015\/10\/2007a_Pa\u0301gina_1.png\" data-link=\"https:\/\/sylviamolina.es\/2015\/10\/revista-mi-mo\/2007a_pagina_1\/\" class=\"wp-image-8251\" srcset=\"https:\/\/blog.uclm.es\/sylviamolina\/wp-content\/uploads\/sites\/84\/2015\/10\/2007a_Pa\u0301gina_1-1024x733.png 1024w, https:\/\/blog.uclm.es\/sylviamolina\/wp-content\/uploads\/sites\/84\/2015\/10\/2007a_Pa\u0301gina_1-300x215.png 300w, https:\/\/blog.uclm.es\/sylviamolina\/wp-content\/uploads\/sites\/84\/2015\/10\/2007a_Pa\u0301gina_1-768x550.png 768w, https:\/\/blog.uclm.es\/sylviamolina\/wp-content\/uploads\/sites\/84\/2015\/10\/2007a_Pa\u0301gina_1-1536x1100.png 1536w, https:\/\/blog.uclm.es\/sylviamolina\/wp-content\/uploads\/sites\/84\/2015\/10\/2007a_Pa\u0301gina_1-2048x1467.png 2048w\" sizes=\"auto, (max-width: 767px) 89vw, (max-width: 1000px) 54vw, (max-width: 1071px) 543px, 580px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"733\" src=\"https:\/\/blog.uclm.es\/sylviamolina\/wp-content\/uploads\/sites\/84\/2015\/10\/2007b-1024x733.png\" alt=\"\" data-id=\"8263\" data-full-url=\"https:\/\/blog.uclm.es\/sylviamolina\/wp-content\/uploads\/sites\/84\/2015\/10\/2007b.png\" data-link=\"https:\/\/sylviamolina.es\/2015\/10\/revista-mi-mo\/2007b\/\" class=\"wp-image-8263\" srcset=\"https:\/\/blog.uclm.es\/sylviamolina\/wp-content\/uploads\/sites\/84\/2015\/10\/2007b-1024x733.png 1024w, https:\/\/blog.uclm.es\/sylviamolina\/wp-content\/uploads\/sites\/84\/2015\/10\/2007b-300x215.png 300w, https:\/\/blog.uclm.es\/sylviamolina\/wp-content\/uploads\/sites\/84\/2015\/10\/2007b-768x550.png 768w, https:\/\/blog.uclm.es\/sylviamolina\/wp-content\/uploads\/sites\/84\/2015\/10\/2007b.png 1240w\" sizes=\"auto, (max-width: 767px) 89vw, (max-width: 1000px) 54vw, (max-width: 1071px) 543px, 580px\" \/><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p><strong>Direcci\u00f3n, coordinaci\u00f3n y edici\u00f3n <\/strong>Sylvia Molina.<\/p>\n\n\n\n<p><strong>Coedici\u00f3n (2\u00aa ed) <\/strong>Ana Navarrete <\/p>\n\n\n\n<p><strong>Dise\u00f1o e Interacci\u00f3n: <\/strong>Olivia Caro<\/p>\n\n\n\n<p><strong>Copyright: sus autores<\/strong><\/p>\n\n\n\n<p><a href=\"http:\/\/bellasartes.uclm.es\/mimo\/\">http:\/\/bellasartes.uclm.es\/mimo\/<\/a><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>Mi.Mo, es en su m\u00e1xima expresi\u00f3n una interfaz digital, que tiene como fin com\u00fan en todas sus publicaciones, que el usuario navegue cual paseante que camina por primera vez en un h\u00e1bitat desconocido.<\/p>\n\n\n\n<p>La caracter\u00edstica principal de sus interfaces se basa en la filosof\u00eda rizom\u00e1tica de Deleuze y las enso\u00f1aciones que abarca hacen que sus recovecos sean infinitos y se autogeneren autom\u00e1ticamente.<\/p>\n\n\n\n<p>El cerebro humano almacena las ideas, entes, o conceptos de una forma no lineal y por tanto muy similar a como se accede a la misma informaci\u00f3n almacenada previamente. La forma en que se localiza esta informaci\u00f3n, a nivel funcional, ha sido ampliamente estudiada a lo largo de la historia de la humanidad y parece basarse en lo que los psic\u00f3logos denominan \u2018asociaci\u00f3n de ideas\u2019. Tambi\u00e9n en el hipertexto la informaci\u00f3n se almacena de manera similar a como lo hace el cerebro humano, en una secuencia no lineal, y se recupera tambi\u00e9n con mecanismos similares, es decir, mediante asociaci\u00f3n de ideas y relaci\u00f3n al contexto [Giordano Bruno].<\/p>\n\n\n\n<p>Cuando releo los autores de MI.MO es como si me tomara la Magdalena de Proust, las obras toman vida, olores, momentos, sensaciones que vuelven a un primer plano y evocan un mundo m\u00e1s all\u00e1 del espacio-tiempo que denominan \u2018espacio real\u2019 y al que quiz\u00e1s debi\u00e9ramos acercarnos de forma m\u00e1s \u2018implicada\u2019 como si de la pecera de David Bohm se tratara.<\/p>\n\n\n\n<p>Esta edici\u00f3n simboliza una construcci\u00f3n, un desarrollo y una madurez al hablar de Mi.MO. Recopilamos el proceso de todas las ediciones anteriores, como recolecci\u00f3n de muchas alegr\u00edas y esfuerzo que ha costado llevar a cabo este proyecto.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>[English version]<\/p>\n\n\n\n<p><strong>Direction, coordination &amp; edition <\/strong>Sylvia Molina.<\/p>\n\n\n\n<p><strong>Coedition (2\u00baed)<\/strong> Ana Navarrete <\/p>\n\n\n\n<p><strong>Design &amp; interaction: <\/strong>Olivia Caro<\/p>\n\n\n\n<p><strong>Copyright:<\/strong> authors<\/p>\n\n\n\n<p><a href=\"http:\/\/bellasartes.uclm.es\/mimo\/\">http:\/\/bellasartes.uclm.es\/mimo\/<\/a><\/p>\n\n\n\n<p>ISSN 1887-5033<\/p>\n\n\n\n<p>Mi.Mo is in it&#8217;s fullest explanation is a digital interface that has endless connected links in all of it&#8217;s publications. As a result each time a user navigates around Mi.Mo (the interface) he or she walks for the first time in an unknown habitat.<\/p>\n\n\n\n<p>The principal characteristic of it&#8217;s interfaces are based on rhizomatic philosophy, you slip into reverie where your direction of thought twists and turns infinitely, in a self generating way.<\/p>\n\n\n\n<p>The human brain stores ideas, entities or concepts in a non-lineal fashion and therefore it is a very similar process to how one accesses information already stored. The way in which you locate this information at a functional level has been widely studied throughout the history of humanity and it seems to base itself on that which the psychologists call; association of ideas. In the hypertext, information is stored in a similar way to how the human brain stores it, in a non-lineal sequence. This information is retrieved with similar mechanisms, recovered by means of association of ideas and it&#8217;s relation to the context.<\/p>\n\n\n\n<p>When I re-read the authors of Mi.Mo it was as if I had tasted the madeleine of Proust, the works gained life, smells, created sensations that returned again to the foreground of my mind and evoked a world beyond that of time and space but which is called &#8216;real space&#8217;. This perhaps we must approach in a more &#8216;involved&#8217; way as if it were the fish bowl of David Bohm.<\/p>\n\n\n\n<p>This edition symbolizes a construction, a development and a new maturity with reference to Mi.Mo. We re-compiled the processes of all the previous editions, it was a compilation of many happy times and all the effort it has taken to get this project to arrive where we are today.<\/p>\n\n\n\n<p>Desde 2005, momentos complejos ponen a Mi.MO en la cuerda floja de la continuidad, de su existencia, todo parece desdibujarse. Este es un intento de recuperar lo perdido y de homenajear a aquellos que de forma voluntaria y sin \u00e1nimo de lucro quieren seguir ah\u00ed, defendiendo un proyecto que va m\u00e1s all\u00e1 del cat\u00e1logo, m\u00e1s all\u00e1 de la docencia, m\u00e1s all\u00e1 de la frontera del archivismo exacerbado o las exposiciones por doquier. Mi.MO quiere seguir vivo y a pesar de las dificultades, aqu\u00ed sigue, intentando contrariarnos en sus navegaciones sin rumbo fijo, pero con emociones y sentimientos expresados con todos los sentidos.<\/p>\n\n\n\n<p>Sylvia Molina. Directora, editora y coordinadora de MI.MO.<\/p>\n\n\n\n<p>Olivia Caro. Dise\u00f1o de Interacci\u00f3n y creatividad Mi.Mo.<\/p>\n\n\n\n<p>Since 2005, difficult situations put the future of Mi.MO in the balance. With regards to it&#8217;s continuing existence everything seemed hazy.It is in an attempt to recup\u00e9rate what was lost and to pay homage to those who volunteered and wanted to see it continue. Defending this project that doens&#8217;t just scratch the surface, it goes beyond the teaching and beyond the frontier of exacerbated archivism or exhibitions here and there. Mi.Mo wants to continue to live and apart from some difficulties, here it continues, trying to thwart us with it&#8217;s aimless navigations whilst still doing it with emotion and triggering all your senses.<\/p>\n\n\n\n<p>Sylvia Molina. Mi.MO\u2019s Director, editor and coordinator.<\/p>\n\n\n\n<p>Olivia Caro. Mi.MO\u2019s interaction design<\/p>\n","protected":false},"excerpt":{"rendered":"<p>ISSN 1887-5033 http:\/\/bellasartes.uclm.es\/mimo Mi.MO es una revista digital inicializada en el a\u00f1o 2005 como espacio de encuentro de diferentes trabajos de la profesora Sylvia Molina y sus alumnos. Diferentes colaboraciones y co-ediciones (Prof. Ana Navarrete) es, desde sus inicios, la ex-alumna Olivia Caro quien ha estado ah\u00ed, adaptando las propuestas a la evoluci\u00f3n del tiempo, &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/blog.uclm.es\/sylviamolina\/2007\/06\/25\/mi-mo-2007\/\" class=\"more-link\">Continuar leyendo<span class=\"screen-reader-text\"> \u00abMi.MO 2007\u00bb<\/span><\/a><\/p>\n","protected":false},"author":181,"featured_media":8251,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[74,16,24,26,27,36,45,52,56,68],"tags":[],"class_list":["post-6302","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bbaa_uclm","category-educacion","category-exposiciones","category-gab-num-13","category-gab-num-09","category-interactivos","category-mi-mo-2012","category-proy-docente","category-publicaciones","category-videomatch13"],"_links":{"self":[{"href":"https:\/\/blog.uclm.es\/sylviamolina\/wp-json\/wp\/v2\/posts\/6302","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.uclm.es\/sylviamolina\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.uclm.es\/sylviamolina\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.uclm.es\/sylviamolina\/wp-json\/wp\/v2\/users\/181"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.uclm.es\/sylviamolina\/wp-json\/wp\/v2\/comments?post=6302"}],"version-history":[{"count":0,"href":"https:\/\/blog.uclm.es\/sylviamolina\/wp-json\/wp\/v2\/posts\/6302\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.uclm.es\/sylviamolina\/wp-json\/wp\/v2\/media\/8251"}],"wp:attachment":[{"href":"https:\/\/blog.uclm.es\/sylviamolina\/wp-json\/wp\/v2\/media?parent=6302"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.uclm.es\/sylviamolina\/wp-json\/wp\/v2\/categories?post=6302"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.uclm.es\/sylviamolina\/wp-json\/wp\/v2\/tags?post=6302"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}