{"id":5985,"date":"2020-09-10T17:10:00","date_gmt":"2020-09-10T17:10:00","guid":{"rendered":"http:\/\/blog.uclm.es\/symolina\/?p=5985"},"modified":"2020-09-10T17:10:00","modified_gmt":"2020-09-10T17:10:00","slug":"sounded-notebook_neomudejar","status":"publish","type":"post","link":"https:\/\/blog.uclm.es\/sylviamolina\/2020\/09\/10\/sounded-notebook_neomudejar\/","title":{"rendered":"Sounded Notebook_neomud\u00e9jar"},"content":{"rendered":"\n<p>Sounded Notebook es una intervenci\u00f3n sonora partiendo de las piezas \u2018Kintsugi\u2019 cuya materia, contraste, disposici\u00f3n, troqueles, etc. constituyen los par\u00e1metros sonoros que definen la partitura. <\/p>\n\n\n\n<p>La obra gr\u00e1fica se convierte en partitura diluyendo as\u00ed las fronteras entre las distintas artes para acercarse m\u00e1s al concepto de arte total wagneriano. No es la visualizaci\u00f3n del sonido ni la sonorizaci\u00f3n de la imagen. <\/p>\n\n\n\n<p>Lo que Sounded Notebook nos presenta es, sin embargo, un encuentro para plantear preguntas, para favorecer los aspectos sinest\u00e9sicos del arte favoreciendo as\u00ed el di\u00e1logo entre los elementos visuales y sonoros. Es la b\u00fasqueda del multif\u00f3nico, de lo que no est\u00e1 y puede crearse, de lo que nace en ese espacio intermedio, en ese conjunto difuso, en esa porosidad. <\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"http:\/\/sylviamolina.es\/wp-content\/uploads\/2020\/09\/catalogo_sylvia_digital-3_Pa\u0301gina_58-1024x512.png\" alt=\"\" class=\"wp-image-6421\" \/><figcaption>Cat\u00e1logo ISBN 978-84-09-23495-0<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"http:\/\/sylviamolina.es\/wp-content\/uploads\/2020\/09\/catalogo_sylvia_digital-3_Pa\u0301gina_59-1024x512.png\" alt=\"\" class=\"wp-image-6422\" \/><figcaption>Cat\u00e1logo ISBN 978-84-09-23495-0<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"http:\/\/sylviamolina.es\/wp-content\/uploads\/2020\/09\/catalogo_sylvia_digital-3_Pa\u0301gina_60-1024x512.png\" alt=\"\" class=\"wp-image-6423\" \/><figcaption>Cat\u00e1logo ISBN 978-84-09-23495-0<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"http:\/\/sylviamolina.es\/wp-content\/uploads\/2020\/09\/catalogo_sylvia_digital-3_Pa\u0301gina_61-1024x512.png\" alt=\"\" class=\"wp-image-6425\" \/><figcaption>Cat\u00e1logo ISBN 978-84-09-23495-0<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Sounded Notebook es una intervenci\u00f3n sonora partiendo de las piezas \u2018Kintsugi\u2019 cuya materia, contraste, disposici\u00f3n, troqueles, etc. constituyen los par\u00e1metros sonoros que definen la partitura. La obra gr\u00e1fica se convierte en partitura diluyendo as\u00ed las fronteras entre las distintas artes para acercarse m\u00e1s al concepto de arte total wagneriano. No es la visualizaci\u00f3n del sonido &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/blog.uclm.es\/sylviamolina\/2020\/09\/10\/sounded-notebook_neomudejar\/\" class=\"more-link\">Continuar leyendo<span class=\"screen-reader-text\"> \u00abSounded Notebook_neomud\u00e9jar\u00bb<\/span><\/a><\/p>\n","protected":false},"author":181,"featured_media":6873,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12,42,48,62,64],"tags":[],"class_list":["post-5985","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cv-part01","category-kintsugi","category-narrativas-borrosas_neomudejar","category-sinestesia","category-sonido"],"_links":{"self":[{"href":"https:\/\/blog.uclm.es\/sylviamolina\/wp-json\/wp\/v2\/posts\/5985","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.uclm.es\/sylviamolina\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.uclm.es\/sylviamolina\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.uclm.es\/sylviamolina\/wp-json\/wp\/v2\/users\/181"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.uclm.es\/sylviamolina\/wp-json\/wp\/v2\/comments?post=5985"}],"version-history":[{"count":0,"href":"https:\/\/blog.uclm.es\/sylviamolina\/wp-json\/wp\/v2\/posts\/5985\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.uclm.es\/sylviamolina\/wp-json\/wp\/v2\/media\/6873"}],"wp:attachment":[{"href":"https:\/\/blog.uclm.es\/sylviamolina\/wp-json\/wp\/v2\/media?parent=5985"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.uclm.es\/sylviamolina\/wp-json\/wp\/v2\/categories?post=5985"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.uclm.es\/sylviamolina\/wp-json\/wp\/v2\/tags?post=5985"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}