{"id":5929,"date":"2019-12-09T16:55:00","date_gmt":"2019-12-09T15:55:00","guid":{"rendered":"http:\/\/blog.uclm.es\/symolina\/?p=5929"},"modified":"2019-12-09T16:55:00","modified_gmt":"2019-12-09T15:55:00","slug":"recuperacion-synthi-100","status":"publish","type":"post","link":"https:\/\/blog.uclm.es\/sylviamolina\/2019\/12\/09\/recuperacion-synthi-100\/","title":{"rendered":"Recuperaci\u00f3n Synthi 100"},"content":{"rendered":"\n<p>Gracias al apoyo\ndel Patronato Universitario Cardenal Gil de Albornoz, comenzar\u00e1 la restauraci\u00f3n\ndel Synthi 100, alma mater del hist\u00f3rico Gabinete de M\u00fasica Electroac\u00fastica de\nCuenca (GME).<\/p>\n\n\n\n<p>Ahora, el nuevo\nGabinete de M\u00fasica Electroac\u00fastica (nGME) de Cuenca gestionado por el Grupo de Investigaci\u00f3n\nI+D+i FuzzyGab.4 (http:\/\/fuzzygab.uclm.es\/) de Bellas Artes que lidero,\nrestaurar\u00e1 este instrumento fundamental para comenzar la recuperaci\u00f3n de estos\nfondos en el Instituto de Tecnolog\u00eda, Construcci\u00f3n y Telecomunicaciones (ITCT)\nde la UCLM (https:\/\/www.uclm.es\/es\/centros-investigacion\/itct).<\/p>\n\n\n\n<p>Las labores t\u00e9cnicas\nser\u00e1n llevadas a cabo por Daniel Araya con el apoyo de los investigadores Julio\nSanz V\u00e1zquez, Joaku De Sotavento, Dien Uan, Javier Osona Segovia y yo misma, Sylvia\nMolina. <\/p>\n\n\n\n<p>Gracias a la\ncolaboraci\u00f3n de Carlos Juli\u00e1n Mart\u00ednez Soria que ha favorecido que todo esto\nvea la luz y devolvamos a la sociedad a trav\u00e9s de la UCLM, los fondos p\u00fablicos\nque le pertenecen. A todos los compositores vinculados a este magn\u00edfico\nproyecto\u2026 Empezamos!!!<\/p>\n\n\n\n<p>Gabriel Oliverio\nBrncic Isaza, Jose A Bornay, Carlos Garc\u00eda Cu\u00e9llar, Adolfo N\u00fa\u00f1ez, Arturo Moya Villen,\nDavid Alarc\u00f3n, Joaquin Medina Villena, Diego Saiz Izquierdo, Teresa Monsegur, Gregorio\nJimenez Paya, Josep Llu\u00eds Galiana, Eduardo Polonio, Jos\u00e9 Joaqu\u00edn Beeme, Jos\u00e9\nManuel Berenguer, Maria Cuevas, Jos\u00e9 Iges, Zulema de la Cruz, Clarence Barlow,\nHoracio Vaggione, Francisco Kr\u00f6pffel\u2026 y a todos los colectivos de creadores como\nla AMEE, la asociaci\u00f3n AVADI, Asociaci\u00f3n acci\u00f3n GME, Asociaci\u00f3n &nbsp;ACuOSO de una manera u otra vinculada a esta\ntrayectoria para volver a dar luz a los fondos y crear nuevos caminos.<\/p>\n\n\n\n<p>As\u00ed\nmismo, a todos los compositores participantes en la obra \u2018Let\u2019s save GME\u2018 a la\nCIME (Conferencia Internacional de la M\u00fasica Electroac\u00fastica de la UNESCO),\nDiputaci\u00f3n de Cuenca, Junta de Comunidades de Castilla-La Mancha y al\nUniversidad de Castilla La-Mancha. <\/p>\n\n\n\n<h1 class=\"wp-block-heading\">Recuperaci\u00f3n del Synthi 100: charla entre Julio Sanz V\u00e1zquez y Sylvia Molina<\/h1>\n\n\n\n<p>5 abril 2020<\/p>\n\n\n\n<p>La charla o entrevista de la que hablamos a continuaci\u00f3n tuvo lugar el pasado diciembre en el Instituto de tecnolog\u00eda construcci\u00f3n y telecomunicaciones de la Universidad de Castilla la Mancha, en Cuenca. Sus interlocutores son el compositor Julio Sanz V\u00e1zquez y la profesora de la Facultad de Bellas Artes, en la misma universidad, Sylvia Molina. Actualmente, el Synthi100 est\u00e1 ya en uso.Julio Sanz V\u00e1zquez y Sylvia Molina<\/p>\n\n\n\n<p><a href=\"https:\/\/sulponticello.com\/iii-epoca\/recuperacion-del-synthi-100-charla-entre-julio-sanz-vazquez-y-sylvia-molina\/\">https:\/\/sulponticello.com\/iii-epoca\/recuperacion-del-synthi-100-charla-entre-julio-sanz-vazquez-y-sylvia-molina\/<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"http:\/\/sylviamolina.es\/wp-content\/uploads\/2020\/04\/WhatsApp-Image-2019-12-04-at-13.43.01-1024x580.jpeg\" alt=\"\" class=\"wp-image-5969\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"http:\/\/sylviamolina.es\/wp-content\/uploads\/2020\/04\/IMG_0492-1013x760.jpg\" alt=\"\" class=\"wp-image-5932\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"http:\/\/sylviamolina.es\/wp-content\/uploads\/2020\/04\/IMG_0584-1013x760.jpg\" alt=\"\" class=\"wp-image-5935\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"http:\/\/sylviamolina.es\/wp-content\/uploads\/2020\/04\/IMG_0569-1013x760.jpg\" alt=\"\" class=\"wp-image-5938\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"http:\/\/sylviamolina.es\/wp-content\/uploads\/2020\/04\/IMG_0493-1013x760.jpg\" alt=\"\" class=\"wp-image-5940\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"http:\/\/sylviamolina.es\/wp-content\/uploads\/2020\/04\/IMG_0478-1013x760.jpg\" alt=\"\" class=\"wp-image-5943\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"http:\/\/sylviamolina.es\/wp-content\/uploads\/2020\/04\/IMG_0458-1013x760.jpg\" alt=\"\" class=\"wp-image-5947\" \/><figcaption>Julio Sanz &amp; Daniel Araya<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"http:\/\/sylviamolina.es\/wp-content\/uploads\/2020\/04\/IMG_0459-1013x760.jpg\" alt=\"\" class=\"wp-image-5949\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"http:\/\/sylviamolina.es\/wp-content\/uploads\/2020\/04\/IMG_0477-1013x760.jpg\" alt=\"\" class=\"wp-image-5952\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"http:\/\/sylviamolina.es\/wp-content\/uploads\/2020\/04\/IMG_0453-1013x760.jpg\" alt=\"\" class=\"wp-image-5955\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"http:\/\/sylviamolina.es\/wp-content\/uploads\/2020\/04\/IMG_0451-1013x760.jpg\" alt=\"\" class=\"wp-image-5959\" \/><figcaption>Daniel Araya &amp; Sylvia Molina<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"http:\/\/sylviamolina.es\/wp-content\/uploads\/2020\/04\/IMG_0448-1024x576.jpg\" alt=\"\" class=\"wp-image-5962\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"http:\/\/sylviamolina.es\/wp-content\/uploads\/2020\/04\/IMG_0446-1012x760.jpg\" alt=\"\" class=\"wp-image-5965\" \/><figcaption>Daniel Araya, Sylvia Molina, \u00c1lvaro Dien Uan<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"http:\/\/sylviamolina.es\/wp-content\/uploads\/2020\/04\/WhatsApp-Image-2019-12-04-at-13.40.40-1013x760.jpeg\" alt=\"\" class=\"wp-image-5967\" \/><\/figure>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Gracias al apoyo del Patronato Universitario Cardenal Gil de Albornoz, comenzar\u00e1 la restauraci\u00f3n del Synthi 100, alma mater del hist\u00f3rico Gabinete de M\u00fasica Electroac\u00fastica de Cuenca (GME). Ahora, el nuevo Gabinete de M\u00fasica Electroac\u00fastica (nGME) de Cuenca gestionado por el Grupo de Investigaci\u00f3n I+D+i FuzzyGab.4 (http:\/\/fuzzygab.uclm.es\/) de Bellas Artes que lidero, restaurar\u00e1 este instrumento fundamental &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/blog.uclm.es\/sylviamolina\/2019\/12\/09\/recuperacion-synthi-100\/\" class=\"more-link\">Continuar leyendo<span class=\"screen-reader-text\"> \u00abRecuperaci\u00f3n Synthi 100\u00bb<\/span><\/a><\/p>\n","protected":false},"author":181,"featured_media":7940,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,74,19,79,31,37,44,63],"tags":[],"class_list":["post-5929","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-acciongme","category-bbaa_uclm","category-entrevistas","category-grupos-idi","category-fuzzy-gab-4","category-id","category-medios","category-sist-educativos"],"_links":{"self":[{"href":"https:\/\/blog.uclm.es\/sylviamolina\/wp-json\/wp\/v2\/posts\/5929","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.uclm.es\/sylviamolina\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.uclm.es\/sylviamolina\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.uclm.es\/sylviamolina\/wp-json\/wp\/v2\/users\/181"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.uclm.es\/sylviamolina\/wp-json\/wp\/v2\/comments?post=5929"}],"version-history":[{"count":0,"href":"https:\/\/blog.uclm.es\/sylviamolina\/wp-json\/wp\/v2\/posts\/5929\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.uclm.es\/sylviamolina\/wp-json\/wp\/v2\/media\/7940"}],"wp:attachment":[{"href":"https:\/\/blog.uclm.es\/sylviamolina\/wp-json\/wp\/v2\/media?parent=5929"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.uclm.es\/sylviamolina\/wp-json\/wp\/v2\/categories?post=5929"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.uclm.es\/sylviamolina\/wp-json\/wp\/v2\/tags?post=5929"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}