{"id":42,"date":"2020-06-19T12:25:25","date_gmt":"2020-06-19T11:25:25","guid":{"rendered":"http:\/\/blog.uclm.es\/juanmancebo\/?page_id=42"},"modified":"2022-11-08T17:40:54","modified_gmt":"2022-11-08T17:40:54","slug":"docencia-2","status":"publish","type":"page","link":"https:\/\/blog.uclm.es\/juanmancebo\/docencia-2\/","title":{"rendered":"Docencia"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\"><strong>His<\/strong>t<strong>oria del Arte Contempor\u00e1neo<\/strong><\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a rel=\"noreferrer noopener\" href=\"https:\/\/blog.uclm.es\/juanmancebo\/wp-content\/uploads\/sites\/187\/2020\/06\/Papini-Giovanni-nnnn-ElEspejoQueHuye.pdf\" target=\"_blank\">El espejo que huye. Giovanni Papini (1908)<\/a><\/li>\n\n\n\n<li><a rel=\"noreferrer noopener\" href=\"https:\/\/blog.uclm.es\/juanmancebo\/wp-content\/uploads\/sites\/187\/2020\/06\/obra-arte-1934.pdf\" target=\"_blank\">La obra de arte en la \u00e9poca de su reproductibilidad t\u00e9cnica. Walter Benjamin(1934)<\/a><\/li>\n\n\n\n<li><a rel=\"noreferrer noopener\" href=\"https:\/\/blog.uclm.es\/juanmancebo\/wp-content\/uploads\/sites\/187\/2020\/06\/conversacion.pdf\" target=\"_blank\">Alles Fertig: se acab\u00f3 (una conversaci\u00f3n con Paul Virilio) (1995)<\/a><\/li>\n\n\n\n<li><a rel=\"noreferrer noopener\" href=\"https:\/\/blog.uclm.es\/juanmancebo\/wp-content\/uploads\/sites\/187\/2020\/06\/sebreli2.pdf\" target=\"_blank\">La aventura de las vanguardias. Juan Jos\u00e9 Sebreli (2000)<\/a><\/li>\n\n\n\n<li><a rel=\"noreferrer noopener\" href=\"https:\/\/blog.uclm.es\/juanmancebo\/wp-content\/uploads\/sites\/187\/2020\/06\/3umbral.pdf\" target=\"_blank\">El tercer umbral. Jos\u00e9 Lu\u00eds Brea (2003)<\/a><\/li>\n\n\n\n<li><a rel=\"noreferrer noopener\" href=\"https:\/\/blog.uclm.es\/juanmancebo\/wp-content\/uploads\/sites\/187\/2020\/06\/mmaa.pdf\" target=\"_blank\">Programa<\/a><\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Historia del Cine<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a rel=\"noreferrer noopener\" href=\"https:\/\/blog.uclm.es\/juanmancebo\/wp-content\/uploads\/sites\/187\/2020\/06\/Hcine.pdf\" target=\"_blank\">Programa<\/a><\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Literatura y Arte de Vanguardia (m\u00e1ster)<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a rel=\"noreferrer noopener\" href=\"https:\/\/blog.uclm.es\/juanmancebo\/wp-content\/uploads\/sites\/187\/2020\/06\/programa_drama.pdf\" target=\"_blank\">Programa<\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Historia del Arte Contempor\u00e1neo Historia del Cine Literatura y Arte de Vanguardia (m\u00e1ster)<\/p>\n","protected":false},"author":38,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-42","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/blog.uclm.es\/juanmancebo\/wp-json\/wp\/v2\/pages\/42","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.uclm.es\/juanmancebo\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blog.uclm.es\/juanmancebo\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blog.uclm.es\/juanmancebo\/wp-json\/wp\/v2\/users\/38"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.uclm.es\/juanmancebo\/wp-json\/wp\/v2\/comments?post=42"}],"version-history":[{"count":8,"href":"https:\/\/blog.uclm.es\/juanmancebo\/wp-json\/wp\/v2\/pages\/42\/revisions"}],"predecessor-version":[{"id":381,"href":"https:\/\/blog.uclm.es\/juanmancebo\/wp-json\/wp\/v2\/pages\/42\/revisions\/381"}],"wp:attachment":[{"href":"https:\/\/blog.uclm.es\/juanmancebo\/wp-json\/wp\/v2\/media?parent=42"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}