{"id":599,"date":"2014-04-14T20:01:24","date_gmt":"2014-04-14T19:01:24","guid":{"rendered":"http:\/\/blog.uclm.es\/joseasanchez\/?p=599"},"modified":"2025-07-13T14:48:19","modified_gmt":"2025-07-13T14:48:19","slug":"the-cabinet-of-events-el-gabinete-de-los-acontecimientos-2014","status":"publish","type":"post","link":"https:\/\/blog.uclm.es\/joseasanchez\/2014\/04\/14\/the-cabinet-of-events-el-gabinete-de-los-acontecimientos-2014\/","title":{"rendered":"The cabinet of events"},"content":{"rendered":"\n<figure class=\"wp-block-image alignright size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"754\" height=\"1024\" src=\"https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2014\/04\/2014.-Calonje_live_forever-754x1024.jpg\" alt=\"\" class=\"wp-image-4269\" style=\"width:234px;height:auto\" srcset=\"https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2014\/04\/2014.-Calonje_live_forever-754x1024.jpg 754w, https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2014\/04\/2014.-Calonje_live_forever-221x300.jpg 221w, https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2014\/04\/2014.-Calonje_live_forever-768x1044.jpg 768w, https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2014\/04\/2014.-Calonje_live_forever.jpg 995w\" sizes=\"auto, (max-width: 754px) 100vw, 754px\" \/><\/figure>\n\n\n\n<p><em><strong>Live Forever? Collecting Live Art<\/strong><\/em>, editado por Teresa Calonje, Koenig Verlag, K\u00f6ln &#8211; Manchester, 2014.<\/p>\n\n\n\n<p>A playful intervention. 11 cards inserted along the book:&nbsp;(a) The collector&#8217;s face,&nbsp;(q) Nautilus&#8217; Memory, (e) Duchamp&#8217;s Suitcase, (r) Fake!, (g) The artist&#8217;s stomach, (y) I would prefer not to, (x) The most tatooed man in the world, (e) Mr. Disorder, (t) Memory machines, (d) With a loud voice, (z) Anonymous deaths.<\/p>\n\n\n\n<p>Publicado en espa\u00f1ol:<\/p>\n\n\n\n<p><strong>\u00abEl gabinete de los acontecimientos\u00bb<\/strong>, en&nbsp;Daniel Lesmes e I\u00f1aki Estella (eds.), <em>Performance en el museo \/ el museo como performance<\/em>, Asim\u00e9tricas, Madrid, 2023.&nbsp;20 p\u00e1ginas insertadas a lo largo del libro.<\/p>\n\n\n\n<p>\u00abEl gabinete de los acontecimientos\u00bb . Una intervenci\u00f3n l\u00fadica. El texto se compone de 11 \u00abcartas\u00bb (imaginadas a partir de la lectura de&nbsp;<em>El gabinete de un aficionado<\/em>&nbsp;de George Perec, con los siguientes t\u00edtulos: (c) El rostro del coleccionista, (q) La memoria de Nautilus, (e) La maleta de Duchamp, (r) Fake!, (g) El est\u00f3mago del artista, (y) Preferir\u00eda no, (x) El hombre m\u00e1s tatuado del mundo, (e) Mr. Disorder, (t) Las m\u00e1quinas de la memoria, (d) De viva voz, (z) Muertes an\u00f3nimas.<\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A playful intervention. 11 cards inserted along the book:\u00a0(a) The collector&#8217;s face,\u00a0(q) Nautilus&#8217; Memory, (e) Duchamp&#8217;s Suitcase, (r) Fake!, (g) The artist&#8217;s stomach, (y) I would prefer not to, (x) The most tatooed man in the world, (e) Mr. Disorder, (t) Memory machines, (d) With a loud voice, (z) Anonymous deaths.<\/p>\n","protected":false},"author":285,"featured_media":4272,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[157,172],"tags":[],"class_list":["post-599","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-capitulo","category-chapter"],"_links":{"self":[{"href":"https:\/\/blog.uclm.es\/joseasanchez\/wp-json\/wp\/v2\/posts\/599","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.uclm.es\/joseasanchez\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.uclm.es\/joseasanchez\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.uclm.es\/joseasanchez\/wp-json\/wp\/v2\/users\/285"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.uclm.es\/joseasanchez\/wp-json\/wp\/v2\/comments?post=599"}],"version-history":[{"count":12,"href":"https:\/\/blog.uclm.es\/joseasanchez\/wp-json\/wp\/v2\/posts\/599\/revisions"}],"predecessor-version":[{"id":4271,"href":"https:\/\/blog.uclm.es\/joseasanchez\/wp-json\/wp\/v2\/posts\/599\/revisions\/4271"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.uclm.es\/joseasanchez\/wp-json\/wp\/v2\/media\/4272"}],"wp:attachment":[{"href":"https:\/\/blog.uclm.es\/joseasanchez\/wp-json\/wp\/v2\/media?parent=599"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.uclm.es\/joseasanchez\/wp-json\/wp\/v2\/categories?post=599"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.uclm.es\/joseasanchez\/wp-json\/wp\/v2\/tags?post=599"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}