{"id":230,"date":"2011-10-24T22:28:00","date_gmt":"2011-10-24T22:28:00","guid":{"rendered":"http:\/\/blog.uclm.es\/joseasanchez\/?p=230"},"modified":"2025-07-13T16:44:27","modified_gmt":"2025-07-13T16:44:27","slug":"jerusalem-show-on-off-language-2011","status":"publish","type":"post","link":"https:\/\/blog.uclm.es\/joseasanchez\/2011\/10\/24\/jerusalem-show-on-off-language-2011\/","title":{"rendered":"Jerusalem Show: On\/Off Language"},"content":{"rendered":"\n
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Al Ma\u2019mal Foundation for Contemporary Art<\/a>. <\/h4>\n\n\n\n

Curated by Lara Khaldi y Jos\u00e9 A. S\u00e1nchez<\/h4>\n\n\n\n

Jerusalem and Ramallah. 24\/10 – 2\/11\/2011<\/h6>\n\n\n\n

Conceived and directed by Jack Persekian and Al Ma\u2019mal Foundation for Contemporary Art<\/a>, the Jerusalem Show is an annual art and cultural event in the old city of Jerusalem. This year\u2019s programme, titled \u201con\/off Language\u201d, included a curated programme of performances, exhibitions, talks and workshops at a number of venues in the old city and Salah el din area, as well as events in Ramallah.<\/p>\n\n\n\n

Concebido y dirigido por Jack Persekian y Al Ma\u2019mal Foundation for Contemporary <\/a>Art<\/a>, el Jerusalem Show<\/a> es un evento anual que en 2011 alcanz\u00f3 su quinta edici\u00f3n. Como cada a\u00f1o, la ciudad vieja y la zona de Salah-ed-Din fue ocupada durante diez d\u00edas con exposiciones, instalaciones, proyecciones, charlas, acciones y actuaciones. El tema de este a\u00f1o fue \u201cOn\/Off Language\u201d. Del 24 de octubre al 2 de noviembre, artistas e intelectuales  palestinos e internacionales tuvieron oportunidad de presentar y discutir sus propuestas en las ciudades de Jerusal\u00e9n y Ramala.<\/p>\n\n\n\n

Texto curatorial \/ Curator’s text. <\/h4>\n\n\n\n

On\/Off Language (2011)<\/a><\/h4>\n\n\n\n
<\/div>\n\n\n\n

Programa \/<\/strong> Programme of Events<\/h4>\n\n\n\n

Monday 24.10.2011<\/strong><\/p>\n\n\n\n

18:00<\/p>\n\n\n\n

Opening of Jerusalem Show: On\/Off Language (Part I). Al-Ma\u2019mal Foundation for Contemporary Art, New Gate, Old City<\/p>\n\n\n\n

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18:30 – 19:30<\/p>\n\n\n\n

Tour begins to visit Art works at the Tile Factory, Anadiel Gallery, and Swedish Christian Study Centre<\/p>\n\n\n\n

18:30 \u2013 21:30<\/p>\n\n\n\n

Seven Shanzhai Pieces<\/a><\/em> \u2013 part I.\u00a0Durational Performance by Lan Hungh<\/a>.\u00a0The Tile Factory<\/p>\n\n\n\n

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19:30<\/p>\n\n\n\n

I Plan to Stay a Believer. <\/em>A solo performance by Rania Khalil . The Evangelical Lutheran Church, Muristan Road<\/p>\n\n\n\n

20:00<\/p>\n\n\n\n

Tour of Art works continues to Cafe al Haj Ahmad Al-A\u2019araj and The Khalidi Libraries<\/p>\n\n\n\n

21:00 Opening Reception at Al-Ma\u2019mal Foundation<\/p>\n\n\n\n

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Tuesday 25.10.2011<\/strong><\/p>\n\n\n\n

11:00 – 12:00<\/p>\n\n\n\n

Performing Language. <\/em>Screening of documented performances related to issues of Language curated by Victoria P\u00e9rez Royo. Al Quds University, Faculty of Arts, Abu Deis (programme below)<\/p>\n\n\n\n

18:00<\/p>\n\n\n\n

Opening Part II. Yabous Cultural Centre. Al-zahra St. Tour continues to Palestinian Art Court \u2013 al Hoash, Al Zahra St. Reception organized by the Palestinian Art Court \u2013 al Hoash<\/p>\n\n\n\n

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19:00<\/p>\n\n\n\n

Black.\u00a0<\/em>Performance by Mette Edvardsen. Palestinian National Theatre (El Hakawati)<\/p>\n\n\n\n

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19:30<\/p>\n\n\n\n

I am human and I live in the city. <\/em>Public performance by Bisan Abu-Eisheh. Al Zahra St.<\/p>\n\n\n\n

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20:00<\/p>\n\n\n\n

Parallel event: Videos from Gaza, film screening curated by the French Cultural Centre. Reception at the French Cultural Centre<\/p>\n\n\n\n

Wednesday 26.10.2011<\/strong><\/p>\n\n\n\n

10:30 – 11:30<\/p>\n\n\n\n

Curators’ Talk: Lara Khaldi and Jos\u00e9 A. S\u00e1nchez. International Academy of Art Palestine, Ramallah<\/p>\n\n\n\n

11:30-12:30<\/p>\n\n\n\n

Stage-Screen- Language. <\/em>Screening of documented performances related to issues of language curated by Victoria P\u00e9rez Royo. International Academy of Art Palestine, Ramallah (programme below)<\/p>\n\n\n\n

19:00<\/p>\n\n\n\n

Panel talk on Revolutions by Toni Serra and Dr. Mahdi Abdul Hadi. Palestinian Art Court \u2013 al Hoash, Al Zahra St. organized in cooperation with Palestinian Court – al Hoash<\/p>\n\n\n\n

Thursday 27.10.2011<\/strong><\/p>\n\n\n\n

16:30 – 17:30 Performing Language. <\/em>Screening of documented performances related to issues of Language curated by Victoria P\u00e9rez Royo. Educational Bookshop, Salah El Din St (programme below)<\/p>\n\n\n\n

18:00<\/p>\n\n\n\n

Nablus Municipality Library: The Prisoners’ Section. <\/em>a needle in the binding<\/em>, project by Beatrice Catanzaro. Talks curated by Esmail Nashik. The Khalidi Library, Bab El-Silsilah Rd (programme below)<\/p>\n\n\n\n

Friday 28.10.2011<\/strong><\/p>\n\n\n\n

14:00-18:00<\/p>\n\n\n\n

Neighbors. <\/em>A collaboration performance and tour by Gustavo Cir\u00edaco and Andrea Sonnberger. Meeting point in front of Palestinian Art Court, Al Zahra St.<\/p>\n\n\n\n

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15:00 \u2013 20:00. Time has fallen asleep in the afternoon sunshine<\/em>  by Mette Edvardsen * . Educational Bookshop, Salah El Din St.<\/p>\n\n\n\n

18:30.\u00a0Nablus Soap.\u00a0<\/em>Presentation by Jack Persekian.\u00a0Al Mammal Foundation. (Presentation, Duration, 30 min)
Text: Jack Persekian. Images and sound: Jack Persekian & Tarek Atoui
Al Ma\u2019mal. In 1996 Jack Persekian invited artist Mona Hatoum to create a site-specific installation in his Anadiel Gallery in Jerusalem. The result was Present tense<\/em> (1996), a powerful and provocative work where the artist used bars of the famous Palestinian soap to recreate the devastating division of Palestinian Territory mapped out by the 1993 Oslo Accords. The ephemeral and perishable nature of the soap alludes most precisely to the unsustainability of the arrangements for control of the West Bank and Gaza, and over the years has forced Persekian to reflect on the failed promise of peace, the separation wall and the reality of a volatile, shifting and disintegrating country.<\/p>\n\n\n\n

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Saturday 29.10.2011<\/strong><\/p>\n\n\n\n

14:00-18:00. Neighbors<\/em> a collaboration performance and tour by Gustavo Cir\u00edaco and Andrea Sonnberger. Meeting spot in-front of Palestinian Art Court, Al Zahra St.<\/p>\n\n\n\n

15:00 \u2013 20:00. Time has fallen asleep in the afternoon sunshine<\/em>, by Mette Edvardsen *. Educational Bookshop, Salah El Din St.<\/p>\n\n\n\n

19:00<\/p>\n\n\n\n

Sound line,\u00a0<\/em>performance by Bartolom\u00e9 Ferrando.\u00a0Austrian Hospice of the Holy Family. Via Dolorosa 37. Duraci\u00f3n: 13 min. Ver v\u00eddeo<\/a><\/p>\n\n\n\n

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20:00<\/p>\n\n\n\n

The Culture,\u00a0<\/em>performance by Los Torreznos.\u00a0Centre for Jerusalem Studies, Khan Tankaz, Suq Al-Qattanin.<\/p>\n\n\n\n

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Sunday 30.10.2011<\/strong><\/p>\n\n\n\n

An evening of the Jerusalem Show in Ramallah<\/p>\n\n\n\n

19:00<\/p>\n\n\n\n

I Plan to Stay a Believer.\u00a0<\/em>A solo Performance by Rania Khalil.\u00a0<\/p>\n\n\n\n

20.00 <\/p>\n\n\n\n

Los torreznos: 35 minutos<\/strong>. Performance
Al Mahatta Gallery, Ein Misbah str, Ramallah<\/p>\n\n\n\n

<\/p>\n\n\n\n

Monday 31.10.2011<\/strong><\/p>\n\n\n\n

15:00 \u2013 20:00<\/p>\n\n\n\n

Time has fallen asleep in the afternoon sunshine, <\/em>by Mette Edvardsen *. Educational Bookshop, Salah El Din St.<\/p>\n\n\n\n

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Tuesday 1.11.2011<\/strong><\/p>\n\n\n\n

15:00 \u2013 20:00<\/p>\n\n\n\n

Time has fallen asleep in the afternoon sunshine, <\/em>by Mette Edvardsen *. Educational Bookshop, Salah El Din St.<\/p>\n\n\n\n

16:00-18:00<\/p>\n\n\n\n

Open Mic event. Palestinian Art Court \u2013 al Hoash, Al Zahra St., organized in cooperation with Palestinian Court – al Hoash<\/p>\n\n\n\n

Wednesday  <\/strong>2.11.2011<\/strong><\/p>\n\n\n\n

Closing<\/strong><\/p>\n\n\n\n

17:00<\/p>\n\n\n\n

Tour<\/strong> of all art works in the Jerusalem Show. Meeting point: Educational Bookshop, Salah El Din St.<\/p>\n\n\n\n

18:30<\/p>\n\n\n\n

The Great Gathering<\/em>, produced by Sabreen Studio. Performance during a walk, starting at Damascus Gate, ends at Centre for Jerusalem Studies<\/p>\n\n\n\n

19:30<\/p>\n\n\n\n

Seven Shanzhai Pieces<\/em> \u2013 part II. Durational Performance by Lan Hungh. The Tile Factory<\/p>\n\n\n\n

Closing Reception<\/strong><\/p>\n\n\n\n

Special event<\/strong><\/p>\n\n\n\n

Nablus Municipality Library: The Prisoner\u00b4s Section. a needle in the binding, <\/em>project by Beatrice Catanzaro. Talks around the Prisoners’ Library, curated by Esmail Nashif<\/p>\n\n\n\n

All talks will be held in Jerusalem at The Khalidi Library, Bab El-Silsilah Rd. Old City and in Ramallah at the International Academy of Art Palestine, Aref al-Aref Building, <\/strong>behind the Arab Bank, Al Bireh using simultaneous transmission<\/p>\n\n\n\n

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Thursday 20.10.2011<\/strong><\/p>\n\n\n\n

18:00.<\/p>\n\n\n\n

Opening Reception. Talks part I. The Imprisoned Book: A general introduction
Adel Samara, Waleed al Hodali<\/p>\n\n\n\n

Thursday 27.10.2011<\/strong><\/p>\n\n\n\n

18:00<\/p>\n\n\n\n

Talks part II. The Imprisoned Book: The experience of women political prisoners. Rula Abu Duhou and Etaf Elayan<\/p>\n\n\n\n

<\/p>\n\n\n\n

Friday 4.11.2011<\/strong><\/p>\n\n\n\n

18:00. Talks part III. The Imprisoned Book: A comparative perspective
Abid al Sattar Qassem, Hasan Obied.<\/p>\n\n\n\n

<\/p>\n\n\n\n

Artist Talks<\/strong><\/p>\n\n\n\n

Artists give public informal talks about their work at the International Academy of Art Palestine, Aref al-Aref Building, <\/strong>behind the Arab Bank, Al Bireh Ramallah at 15:00 on the following dates.<\/p>\n\n\n\n

Monday 17.10. Rania Khalil<\/p>\n\n\n\n

Tuesday 18.10. Lan Hungh<\/p>\n\n\n\n

Wednesday 19.10. Andrea Sonnberger, Gustavo Cir\u00edaco<\/p>\n\n\n\n

Thursday 20.10.\u00a0Young-Hae Chang Heavy Industries<\/a><\/p>\n\n\n\n

Thursday 27.10. Tom Molloy<\/p>\n\n\n\n

Film Screenings<\/strong> curated by Victoria P\u00e9rez Royo<\/p>\n\n\n\n

Screenings of documented performances related to issues of Language<\/p>\n\n\n\n

Performing language<\/strong><\/p>\n\n\n\n

Bartolom\u00e9 Ferrando. Acciones breves<\/em> (Short actions) (5′)<\/p>\n\n\n\n

Ivana M\u00fcller. While we were holding it together<\/em> (excerpt of 14′ 24\u00bb)<\/p>\n\n\n\n

Gary Stevens. Not Tony<\/em> (excerpt of 14′)<\/p>\n\n\n\n

J\u00e9r\u00f4me Bel. Shirtology<\/em> (excerpt of 10′ 10\u00bb)<\/p>\n\n\n\n

Juan Dom\u00ednguez. All good spies are my age<\/em> (excerpt of 8′ 10\u00bb)<\/p>\n\n\n\n

Jonathan Burrows and Matteo Fargion. Speaking dance<\/em> (excerpt of 4′ 40\u00bb)<\/p>\n\n\n\n

Los Torreznos. 35 minutos<\/em> (35 minutes) (excerpt of 14′ 35\u00bb)<\/p>\n\n\n\n

stage \/ screen \/ language<\/strong><\/p>\n\n\n\n

OVNI archives Desrealitat<\/a><\/p>\n\n\n\n

Mar\u00eda Jerez: The movie<\/em> (excerpt of 16′ 06\u00bb)<\/p>\n\n\n\n

Bettina Atala: Season 1, episode 2<\/em> (excerpt of 15′ 42\u00bb)<\/p>\n\n\n\n

Amaia Urra: Time wasters<\/em>. (excerpt of 10\u2019 20\u00bb)<\/p>\n\n\n\n

Daniela Marini \/ Germ\u00e1n de la Riva: Tr\u00edo C<\/em> (10\u2019)<\/p>\n\n\n\n

+ in the foyer screening 30 minutes from programme screening time<\/p>\n\n\n\n

Ivana M\u00fcller: You are there but I cannot see you<\/em>. (15\u2019)<\/p>\n\n\n\n

Exhibition Opening hours October 24 \u2013 November 02, 2011,18:00 \u2013 21:00<\/p>\n\n\n\n

Al-Ma\u2019mal Foundation and Al Hoash Gallery 15:00 \u2013 21:00<\/p>\n\n\n\n

The Khaldi Library opening hours October 20 \u2013 November 4, 15:00 \u2013 21:00<\/p>\n\n\n\n

Yabous Association opening hours October 24 \u2013 November 02, 2011 16:00 \u2013 20:00<\/p>\n\n\n\n

Al-Ma\u2019mal Mounira Al Solh, Maha Maamoun, Tom Molloy. Tile Factory Noor Abed, Young Hae Heavy Industries. Anadiel Gallery Khalil Rabah. Al-Tannour Bakery, Al-Khanqa str Mounira Al Solh. The Swedish Christian Study Center Lawrence Abu Hamdan, Juliana Irene Smith. Cafe al Haj Ahmad Al-A\u2019araj Mounira Al Solh. The Khalidi Libraries Beatrice Catanzaro, Yazan Khalili. Hammam at the Center for Jerusalem Studies Mona Hatoum, Sharif Waked, Rania Khalil<\/p>\n\n\n\n

Yabous Cultural Centre Basel Abbas and Ruanne Abou Rahme, Yazan Khalili<\/p>\n\n\n\n

Palestinian Art Court \u2013 al Hoash Paul Chan, Disreality Archives, Maha Maamoun, Tom Molloy<\/p>\n\n\n\n

Yazan<\/strong>\u00a0Khalili\u00a0\u00a0On Love and other Landscapes
<\/strong>Artist Book, size 46.4 x 32cm, 2011
Commissioned for the Jerusalem Show, Al-Ma\u2019mal Foundation
Khalidi Library \/ Yabous Association<\/p>\n\n\n\n

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Basel Abbas and Ruanne<\/strong> Abou<\/strong> Rahme
The Zone<\/a> (2011) >>><\/a>
<\/strong>(Built Structure, dimensions and material variable, 15 minute two channel video\/four channel sound) \/  Yabous Association                    Ver V\u00eddeo \/ See video:  >>1<\/a>  >>2<\/a>       <\/p>\n\n\n\n

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Sharif Waked  To Be Continued <\/a>(2009) <\/strong>Center for Jerusalem Studies \u2013 Hammam El Ein<\/p>\n\n\n\n

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Mona\u00a0Hatoum<\/strong>. So much I want to say, 1983\u00a0Video<\/a>(Black and white video, sound, 4 minutes 42 seconds). Center for Jerusalem Studies \u2013 Hammam El Ein<\/p>\n\n\n\n

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Mounira Al Solh<\/strong>. The Mute Tongue:<\/em> 19 Short Video Scenes of 19 Arabic Proverbs and Sayings, 2010. At Taboun Bakery<\/p>\n\n\n\n

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Rania<\/strong> KhalilWhite Dove of Peace (It\u2019s still not over) <\/strong>(Video, 2011)Center for Jerusalem Studies \u2013 Hammam El Ein. Project commissioned for the Jerusalem Show, Al-Ma\u2019mal Foundation<\/p>\n\n\n\n

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Lawrence Abu Hamdan<\/strong> Aural Contract: The Courtroom Interpreter  >>><\/a>
(Audio installation, 2011). Produced for The Jerusalem Show, Al-Ma\u2019mal Foundation
The Swedish Christian Study Center<\/p>\n\n\n\n

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Juliana Irene Smith<\/strong>. <\/a>Part Three: Nobody Mourned. (Site Specific Installation with Sound, 2011). The Swedish Christian Study Center Unadikum.Clips from Palestine 2011<\/a><\/p>\n\n\n\n

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Khalil Rabah<\/strong>. After 12 Years <\/strong>(installation, 2011). Gallery Anadiel. After 12 Years is a legal case brought before the United Nations and the Swiss legal systems by the Botanical Department of the Palestinian Museum of Natural History and Humankind on behalf of a family of five Olive Trees that arrived from Ramallah, Palestine to Ariana Park at the United Nations Office, Geneva, in 1995. The case argues the Trees legal right to be granted Swiss citizenships, since they have fulfilled the Swiss naturalization requirements for the past 12 years, or the Trees legal Right of Return. The case is supported by the Museum\u2019s collection, comprehensive research, and documentation of these trees and their lives.<\/p>\n\n\n\n

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Noor Abed<\/strong>. Bio Video \u2013 \u2018Loop\u2019. Other works. Where to?<\/a><\/p>\n\n\n\n

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Maha Maamoun<\/a>
2026<\/em><\/a>\u00a0\u00a0<\/strong>Based on a text from the Egyptian novel The Revolution of 2053: The Beginning, by Mahmoud Uthman (2007), and referencing a scene from Chris Marker\u2019s\u00a0La\u00a0Jet\u00e9e<\/em>\u00a0(1962), a time-traveller recounts his vision of the future of the Pyramids area, and by extension Egypt, in the year 2026 \u2013 a vision that strains to reach beyond, yet remains severely confined by the present\u2019s imaginal constraints. Actor: Ahmad Kamal. Production: Tamer Eissa, Doa Aly. Lighting: Kareem Seif
Editing: Louly Seif, Maha Maamoun.<\/p>\n\n\n\n

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Maha<\/strong>\u00a0Maamoum –\u00a0<\/strong>Night<\/strong>\u00a0visito<\/strong><\/em>r<\/strong> Palestinian Art Court \u2013 Al Hoash. Historically, the term \u2018Night Visitor\u2019 referred to undercover police investigators who would attack houses and arrest political activists in the dark of the night. On this night the roles are reversed, at least for a few hours, and the hunted become the hunters. Using material that documents the recent Egyptian revolution, shot by the protagonists of events while storming the state security offices, and later posted on the Internet, the video Night Visitor, by Maha Maamoun, address different layers of sentiment accompanying this time of rupture and blurring of demarcation lines.<\/p>\n\n\n\n

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Tom Molloy <\/strong>Handshake.<\/em> Al-Ma\u2019mal Foundation for Contemporary Art. An act of shaking a person\u2019s hand with one\u2019s own, used as a greeting or to finalize an agreement.<\/p>\n\n\n\n

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Tom Molloy Word<\/strong>. Palestinian Art Court \u2013 Al Hoash. A single distinct conceptual unit of language, comprising inflected and variant forms; as a greeting or to finalize an agreement.<\/p>\n\n\n\n

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Young<\/strong> Hae Chang Heavy Industries  >>><\/a><\/strong>. May beEven in Jerusalem <\/strong>Flash animation transferred to video. Produced for the Jerusalem Show \u2013 Al-Ma\u2019mal Foundation.<\/p>\n\n\n\n

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Paul Chan<\/strong><\/p>\n\n\n\n

Untitled Video on Lynne Stewart and Her Conviction, The Law, and Poetry (2006)
Palestinian Art Court \u2013 Al Hoash<\/p>\n\n\n\n

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BISAN ABU-EISHEH\u00a0
I am human and I live in the city
<\/strong>Public performance (2011). Al Zahra St.<\/p>\n\n\n\n

I am no writer, no politician, no party supporter, and no sociologist. I am a human and I live in this city.<\/p>\n\n\n\n

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OTHER TEXTS IN ENGLISH:<\/h5>\n\n\n\n

Language and checkpoints (2011)<\/a><\/p>\n\n\n\n

Language, revolution, conversation (2011)<\/a><\/p>\n\n\n\n

Language manifestation action (2011)<\/a><\/p>\n\n\n\n

Parataxis 2.0 (2011)<\/a><\/p>\n\n\n\n

OTROS TEXTOS EN ESPA\u00d1OL:<\/h5>\n\n\n\n

Primavera en Jerusal\u00e9n<\/a> (2011)<\/p>\n\n\n\n

Cuerpo, memoria y lenguaje<\/a> (2012)<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Al Ma\u2019mal Foundation for Contemporary Art. Curated by Lara Khaldi y Jos\u00e9 A. S\u00e1nchez Jerusalem and Ramallah. 24\/10 – 2\/11\/2011 Conceived and directed by Jack Persekian and Al Ma\u2019mal Foundation for Contemporary Art, the Jerusalem Show is an annual art and cultural event in the old city of Jerusalem. This year\u2019s programme, titled \u201con\/off Language\u201d, included […]<\/p>\n","protected":false},"author":285,"featured_media":1012,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[166,148],"tags":[17,33,66,68,75],"class_list":["post-230","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-curaduria","category-project","tag-accion","tag-cuerpo","tag-justicia","tag-lenguaje","tag-memoria"],"_links":{"self":[{"href":"https:\/\/blog.uclm.es\/joseasanchez\/wp-json\/wp\/v2\/posts\/230","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.uclm.es\/joseasanchez\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.uclm.es\/joseasanchez\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.uclm.es\/joseasanchez\/wp-json\/wp\/v2\/users\/285"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.uclm.es\/joseasanchez\/wp-json\/wp\/v2\/comments?post=230"}],"version-history":[{"count":24,"href":"https:\/\/blog.uclm.es\/joseasanchez\/wp-json\/wp\/v2\/posts\/230\/revisions"}],"predecessor-version":[{"id":4306,"href":"https:\/\/blog.uclm.es\/joseasanchez\/wp-json\/wp\/v2\/posts\/230\/revisions\/4306"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.uclm.es\/joseasanchez\/wp-json\/wp\/v2\/media\/1012"}],"wp:attachment":[{"href":"https:\/\/blog.uclm.es\/joseasanchez\/wp-json\/wp\/v2\/media?parent=230"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.uclm.es\/joseasanchez\/wp-json\/wp\/v2\/categories?post=230"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.uclm.es\/joseasanchez\/wp-json\/wp\/v2\/tags?post=230"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}