{"id":7,"date":"2017-12-22T14:11:21","date_gmt":"2017-12-22T13:11:21","guid":{"rendered":"http:\/\/blog.uclm.es\/joseasanchez\/?page_id=7"},"modified":"2025-12-08T11:52:26","modified_gmt":"2025-12-08T11:52:26","slug":"inicio","status":"publish","type":"page","link":"https:\/\/blog.uclm.es\/joseasanchez\/","title":{"rendered":"Parataxis"},"content":{"rendered":"\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/blog.uclm.es\/joseasanchez\/2024\/06\/19\/esperpento\/\"><img loading=\"lazy\" decoding=\"async\" width=\"471\" height=\"649\" data-id=\"2624\" src=\"https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2024\/12\/Esperpento-libro.png\" alt=\"\" class=\"wp-image-2624\" srcset=\"https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2024\/12\/Esperpento-libro.png 471w, https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2024\/12\/Esperpento-libro-218x300.png 218w\" sizes=\"auto, (max-width: 471px) 100vw, 471px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/blog.uclm.es\/joseasanchez\/2021\/11\/11\/the-bodies-of-others\/\"><img loading=\"lazy\" decoding=\"async\" width=\"450\" height=\"696\" data-id=\"2039\" src=\"https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2021\/11\/The-Bodies-of-Others.png\" alt=\"\" class=\"wp-image-2039\" srcset=\"https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2021\/11\/The-Bodies-of-Others.png 450w, https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2021\/11\/The-Bodies-of-Others-194x300.png 194w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/blog.uclm.es\/joseasanchez\/2025\/11\/12\/materia-en-fuga\/\"><img loading=\"lazy\" decoding=\"async\" width=\"840\" height=\"1120\" data-id=\"4515\" src=\"https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2025\/11\/2025.11.Materia-en-fuga_21.jpeg\" alt=\"\" class=\"wp-image-4515\" srcset=\"https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2025\/11\/2025.11.Materia-en-fuga_21.jpeg 840w, https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2025\/11\/2025.11.Materia-en-fuga_21-225x300.jpeg 225w, https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2025\/11\/2025.11.Materia-en-fuga_21-768x1024.jpeg 768w\" sizes=\"auto, (max-width: 840px) 100vw, 840px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/blog.uclm.es\/joseasanchez\/2023\/04\/14\/teneis-la-palabra-apuntes-sobre-teatralidad-y-justicia\/\"><img loading=\"lazy\" decoding=\"async\" width=\"244\" height=\"361\" data-id=\"2303\" src=\"https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2023\/04\/2023.04.-Portada_Teneis-la-palabra.jpeg\" alt=\"\" class=\"wp-image-2303\" srcset=\"https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2023\/04\/2023.04.-Portada_Teneis-la-palabra.jpeg 244w, https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2023\/04\/2023.04.-Portada_Teneis-la-palabra-203x300.jpeg 203w\" sizes=\"auto, (max-width: 244px) 100vw, 244px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/blog.uclm.es\/joseasanchez\/2017\/06\/20\/cuerpos-ajenos-ensayos-sobre-etica-de-la-representacion-2017\/\"><img loading=\"lazy\" decoding=\"async\" width=\"244\" height=\"420\" data-id=\"3123\" src=\"https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2025\/06\/2017.-Cuerpos-ajenos.jpeg\" alt=\"\" class=\"wp-image-3123\" srcset=\"https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2025\/06\/2017.-Cuerpos-ajenos.jpeg 244w, https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2025\/06\/2017.-Cuerpos-ajenos-174x300.jpeg 174w\" sizes=\"auto, (max-width: 244px) 100vw, 244px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/blog.uclm.es\/joseasanchez\/2017\/09\/16\/palabras-ajenas-de-leon-ferrari-2017\/\"><img loading=\"lazy\" decoding=\"async\" width=\"560\" height=\"420\" data-id=\"3091\" src=\"https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2025\/06\/2017.09.16.-Palabras-ajenas.-Estreno.-LA-copia-2.jpg\" alt=\"\" class=\"wp-image-3091\" srcset=\"https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2025\/06\/2017.09.16.-Palabras-ajenas.-Estreno.-LA-copia-2.jpg 560w, https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2025\/06\/2017.09.16.-Palabras-ajenas.-Estreno.-LA-copia-2-300x225.jpg 300w\" sizes=\"auto, (max-width: 560px) 100vw, 560px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/blog.uclm.es\/joseasanchez\/2022\/12\/28\/presencias-y-haceres-de-maria-teresa-hincapie-the-presencies-and-doings-of-maria-teresa-hincapie\/\"><img loading=\"lazy\" decoding=\"async\" width=\"280\" height=\"350\" data-id=\"2197\" src=\"https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2022\/12\/MTH.jpeg\" alt=\"\" class=\"wp-image-2197\" srcset=\"https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2022\/12\/MTH.jpeg 280w, https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2022\/12\/MTH-240x300.jpeg 240w\" sizes=\"auto, (max-width: 280px) 100vw, 280px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/blog.uclm.es\/joseasanchez\/2020\/02\/17\/presence-and-disappearance\/\"><img loading=\"lazy\" decoding=\"async\" width=\"483\" height=\"629\" data-id=\"1638\" src=\"https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2020\/02\/Captura-de-pantalla-2020-02-22-a-las-23.09.43-1.png\" alt=\"\" class=\"wp-image-1638\" srcset=\"https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2020\/02\/Captura-de-pantalla-2020-02-22-a-las-23.09.43-1.png 483w, https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2020\/02\/Captura-de-pantalla-2020-02-22-a-las-23.09.43-1-230x300.png 230w\" sizes=\"auto, (max-width: 483px) 100vw, 483px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/blog.uclm.es\/joseasanchez\/2011\/10\/24\/jerusalem-show-on-off-language-2011\/\"><img loading=\"lazy\" decoding=\"async\" width=\"960\" height=\"640\" data-id=\"1012\" src=\"https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2018\/01\/Young-Hae-Chang-Heavy-Industries_Maybe-Even-in-Jerusalem-at-The-Tile-Factory.jpg\" alt=\"\" class=\"wp-image-1012\" srcset=\"https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2018\/01\/Young-Hae-Chang-Heavy-Industries_Maybe-Even-in-Jerusalem-at-The-Tile-Factory.jpg 960w, https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2018\/01\/Young-Hae-Chang-Heavy-Industries_Maybe-Even-in-Jerusalem-at-The-Tile-Factory-300x200.jpg 300w, https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2018\/01\/Young-Hae-Chang-Heavy-Industries_Maybe-Even-in-Jerusalem-at-The-Tile-Factory-768x512.jpg 768w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/><\/a><\/figure>\n<\/figure>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/blog.uclm.es\/joseasanchez\/2017\/12\/26\/un-teatro-del-presente-a-theatre-of-the-present-2017\/\"><img loading=\"lazy\" decoding=\"async\" width=\"288\" height=\"427\" data-id=\"3086\" src=\"https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2025\/06\/2017.-The-words-of-others-portada-copia-1.jpg\" alt=\"\" class=\"wp-image-3086\" srcset=\"https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2025\/06\/2017.-The-words-of-others-portada-copia-1.jpg 288w, https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2025\/06\/2017.-The-words-of-others-portada-copia-1-202x300.jpg 202w\" sizes=\"auto, (max-width: 288px) 100vw, 288px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/blog.uclm.es\/joseasanchez\/2014\/02\/26\/actuar-realizar-manifestar-2014\/\"><img loading=\"lazy\" decoding=\"async\" width=\"740\" height=\"1024\" data-id=\"3660\" src=\"https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2025\/06\/2014.-Perform-740x1024.png\" alt=\"\" class=\"wp-image-3660\" srcset=\"https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2025\/06\/2014.-Perform-740x1024.png 740w, https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2025\/06\/2014.-Perform-217x300.png 217w, https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2025\/06\/2014.-Perform-768x1063.png 768w, https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2025\/06\/2014.-Perform.png 890w\" sizes=\"auto, (max-width: 740px) 100vw, 740px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/blog.uclm.es\/joseasanchez\/2016\/12\/11\/nosotros-marcos-para-instituir-el-plural-2016\/\"><img loading=\"lazy\" decoding=\"async\" width=\"280\" height=\"404\" data-id=\"3383\" src=\"https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2016\/12\/Perez-Royo_-Componer-el-plural.jpeg\" alt=\"\" class=\"wp-image-3383\" srcset=\"https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2016\/12\/Perez-Royo_-Componer-el-plural.jpeg 280w, https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2016\/12\/Perez-Royo_-Componer-el-plural-208x300.jpeg 208w\" sizes=\"auto, (max-width: 280px) 100vw, 280px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/blog.uclm.es\/joseasanchez\/2013\/07\/14\/in-definitions-forschung-in-der-performativen-kunsten-2013\/\"><img loading=\"lazy\" decoding=\"async\" width=\"260\" height=\"395\" data-id=\"82\" src=\"https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2017\/12\/2013.-Das-Forschen-aller.jpg\" alt=\"\" class=\"wp-image-82\" srcset=\"https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2017\/12\/2013.-Das-Forschen-aller.jpg 260w, https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2017\/12\/2013.-Das-Forschen-aller-197x300.jpg 197w\" sizes=\"auto, (max-width: 260px) 100vw, 260px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/blog.uclm.es\/joseasanchez\/2017\/06\/25\/no-hay-mas-poesia-que-la-accion-2\/\"><img loading=\"lazy\" decoding=\"async\" width=\"192\" height=\"292\" data-id=\"3377\" src=\"https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2025\/06\/2015._no_hay_mas_poesia_que_la_accion.png\" alt=\"\" class=\"wp-image-3377\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/blog.uclm.es\/joseasanchez\/2014\/09\/11\/practicing-the-real-on-the-contemporary-stage-2014\/\"><img loading=\"lazy\" decoding=\"async\" width=\"475\" height=\"640\" data-id=\"3174\" src=\"https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2025\/06\/2015.-Practising-the-real.jpeg\" alt=\"\" class=\"wp-image-3174\" srcset=\"https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2025\/06\/2015.-Practising-the-real.jpeg 475w, https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2025\/06\/2015.-Practising-the-real-223x300.jpeg 223w\" sizes=\"auto, (max-width: 475px) 100vw, 475px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/blog.uclm.es\/joseasanchez\/2011\/02\/27\/dramaturgia-en-el-campo-expandido\/\"><img loading=\"lazy\" decoding=\"async\" width=\"460\" height=\"645\" data-id=\"85\" src=\"https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2017\/12\/Repensar_la_dramaturgia.jpg\" alt=\"\" class=\"wp-image-85\" srcset=\"https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2017\/12\/Repensar_la_dramaturgia.jpg 460w, https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2017\/12\/Repensar_la_dramaturgia-214x300.jpg 214w\" sizes=\"auto, (max-width: 460px) 100vw, 460px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/blog.uclm.es\/joseasanchez\/2009\/06\/12\/la-mirada-y-el-tiempo-2009\/\"><img loading=\"lazy\" decoding=\"async\" width=\"695\" height=\"1024\" data-id=\"145\" src=\"https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2017\/12\/2009.-Arquitecturas-de-la-mirada-695x1024.jpg\" alt=\"\" class=\"wp-image-145\" srcset=\"https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2017\/12\/2009.-Arquitecturas-de-la-mirada-695x1024.jpg 695w, https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2017\/12\/2009.-Arquitecturas-de-la-mirada-204x300.jpg 204w, https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2017\/12\/2009.-Arquitecturas-de-la-mirada-768x1131.jpg 768w, https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2017\/12\/2009.-Arquitecturas-de-la-mirada.jpg 813w\" sizes=\"auto, (max-width: 695px) 100vw, 695px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/blog.uclm.es\/joseasanchez\/2012\/10\/14\/practicas-de-lo-real-en-la-escena-contemporanea-2012\/\"><img loading=\"lazy\" decoding=\"async\" width=\"1038\" height=\"1631\" data-id=\"4264\" src=\"https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2023\/07\/2012.-Practicas-de-lo-real.jpg\" alt=\"\" class=\"wp-image-4264\" srcset=\"https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2023\/07\/2012.-Practicas-de-lo-real.jpg 1038w, https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2023\/07\/2012.-Practicas-de-lo-real-191x300.jpg 191w, https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2023\/07\/2012.-Practicas-de-lo-real-652x1024.jpg 652w, https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2023\/07\/2012.-Practicas-de-lo-real-768x1207.jpg 768w, https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2023\/07\/2012.-Practicas-de-lo-real-978x1536.jpg 978w\" sizes=\"auto, (max-width: 1038px) 100vw, 1038px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/blog.uclm.es\/joseasanchez\/2007\/04\/14\/el-teatro-en-el-campo-expandido-2007\/\"><img loading=\"lazy\" decoding=\"async\" width=\"460\" height=\"489\" data-id=\"464\" src=\"https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2018\/01\/2007.-El_teatro_en_el_campo_expandido.jpg\" alt=\"\" class=\"wp-image-464\" srcset=\"https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2018\/01\/2007.-El_teatro_en_el_campo_expandido.jpg 460w, https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2018\/01\/2007.-El_teatro_en_el_campo_expandido-282x300.jpg 282w\" sizes=\"auto, (max-width: 460px) 100vw, 460px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/blog.uclm.es\/joseasanchez\/2003\/06\/29\/cuerpos-sobre-blanco\/\"><img loading=\"lazy\" decoding=\"async\" width=\"705\" height=\"1024\" data-id=\"143\" src=\"https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2017\/12\/Cuerpos-sobre-blanco-e1514147373544-705x1024.jpg\" alt=\"\" class=\"wp-image-143\" srcset=\"https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2017\/12\/Cuerpos-sobre-blanco-e1514147373544-705x1024.jpg 705w, https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2017\/12\/Cuerpos-sobre-blanco-e1514147373544-207x300.jpg 207w, https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2017\/12\/Cuerpos-sobre-blanco-e1514147373544-768x1115.jpg 768w, https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2017\/12\/Cuerpos-sobre-blanco-e1514147373544.jpg 932w\" sizes=\"auto, (max-width: 705px) 100vw, 705px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/blog.uclm.es\/joseasanchez\/2006\/04\/12\/escribir-como-mirar-imagen-escenica-y-accion-cinematografica-en-la-obra-de-samuel-beckett-2006\/\"><img loading=\"lazy\" decoding=\"async\" width=\"591\" height=\"872\" data-id=\"3396\" src=\"https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2006\/04\/tentativas_beckett-copy.jpg\" alt=\"\" class=\"wp-image-3396\" srcset=\"https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2006\/04\/tentativas_beckett-copy.jpg 591w, https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2006\/04\/tentativas_beckett-copy-203x300.jpg 203w\" sizes=\"auto, (max-width: 591px) 100vw, 591px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"765\" height=\"1024\" data-id=\"150\" src=\"https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2017\/12\/Enciclopedia1-765x1024.jpg\" alt=\"\" class=\"wp-image-150\" srcset=\"https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2017\/12\/Enciclopedia1-765x1024.jpg 765w, https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2017\/12\/Enciclopedia1-224x300.jpg 224w, https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2017\/12\/Enciclopedia1-768x1028.jpg 768w, https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2017\/12\/Enciclopedia1-1147x1536.jpg 1147w, https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2017\/12\/Enciclopedia1-1530x2048.jpg 1530w, https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2017\/12\/Enciclopedia1.jpg 1630w\" sizes=\"auto, (max-width: 765px) 100vw, 765px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/blog.uclm.es\/joseasanchez\/2003\/05\/28\/la-danza-liberada\/\"><img loading=\"lazy\" decoding=\"async\" width=\"706\" height=\"1024\" data-id=\"144\" src=\"https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2017\/12\/Duncan-706x1024.jpg\" alt=\"\" class=\"wp-image-144\" srcset=\"https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2017\/12\/Duncan-706x1024.jpg 706w, https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2017\/12\/Duncan-207x300.jpg 207w, https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2017\/12\/Duncan-768x1114.jpg 768w, https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2017\/12\/Duncan-1059x1536.jpg 1059w, https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2017\/12\/Duncan.jpg 1359w\" sizes=\"auto, (max-width: 706px) 100vw, 706px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/blog.uclm.es\/joseasanchez\/1999\/11\/12\/la-escena-moderna\/\"><img loading=\"lazy\" decoding=\"async\" width=\"720\" height=\"1024\" data-id=\"141\" src=\"https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2017\/12\/Escena-720x1024.jpg\" alt=\"\" class=\"wp-image-141\" srcset=\"https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2017\/12\/Escena-720x1024.jpg 720w, https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2017\/12\/Escena-211x300.jpg 211w, https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2017\/12\/Escena-768x1092.jpg 768w, https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2017\/12\/Escena-1081x1536.jpg 1081w, https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2017\/12\/Escena.jpg 1341w\" sizes=\"auto, (max-width: 720px) 100vw, 720px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/blog.uclm.es\/joseasanchez\/1994\/05\/27\/dramaturgias-de-la-imagen-1994\/\"><img loading=\"lazy\" decoding=\"async\" width=\"671\" height=\"1024\" data-id=\"140\" src=\"https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2017\/12\/Dramaturgias-671x1024.jpg\" alt=\"\" class=\"wp-image-140\" srcset=\"https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2017\/12\/Dramaturgias-671x1024.jpg 671w, https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2017\/12\/Dramaturgias-197x300.jpg 197w, https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2017\/12\/Dramaturgias-768x1172.jpg 768w, https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2017\/12\/Dramaturgias-1006x1536.jpg 1006w, https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2017\/12\/Dramaturgias.jpg 1233w\" sizes=\"auto, (max-width: 671px) 100vw, 671px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/blog.uclm.es\/joseasanchez\/1992\/10\/12\/brecht-y-el-expresionismo-1992\/\"><img loading=\"lazy\" decoding=\"async\" width=\"322\" height=\"458\" data-id=\"4329\" src=\"https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/1992\/10\/1992.-Brecht-y-el-expresionismo.png\" alt=\"\" class=\"wp-image-4329\" srcset=\"https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/1992\/10\/1992.-Brecht-y-el-expresionismo.png 322w, https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/1992\/10\/1992.-Brecht-y-el-expresionismo-211x300.png 211w\" sizes=\"auto, (max-width: 322px) 100vw, 322px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/blog.uclm.es\/joseasanchez\/1986\/10\/14\/el-problema-de-la-abstraccion-en-el-pensamiento-plastico-de-paul-klee-1986\/\"><img loading=\"lazy\" decoding=\"async\" width=\"460\" height=\"485\" data-id=\"349\" src=\"https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2018\/01\/Klee._Cupulas.jpg\" alt=\"\" class=\"wp-image-349\" srcset=\"https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2018\/01\/Klee._Cupulas.jpg 460w, https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2018\/01\/Klee._Cupulas-285x300.jpg 285w\" sizes=\"auto, (max-width: 460px) 100vw, 460px\" \/><\/a><\/figure>\n<\/figure>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/blog.uclm.es\/artea\/2025\/06\/01\/experimenta\/\" target=\"_blank\" rel=\" noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"768\" data-id=\"2807\" src=\"https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2024\/11\/Experimenta.jpeg\" alt=\"\" class=\"wp-image-2807\" srcset=\"https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2024\/11\/Experimenta.jpeg 768w, https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2024\/11\/Experimenta-300x300.jpeg 300w, https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2024\/11\/Experimenta-150x150.jpeg 150w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/blog.uclm.es\/artea\/\" target=\"_blank\" rel=\" noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"1020\" height=\"932\" data-id=\"2745\" src=\"https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2025\/06\/Captura-de-pantalla-2025-06-21-a-las-12.13.53.png\" alt=\"\" class=\"wp-image-2745\" srcset=\"https:\/\/blog.uclm.es\/joseasanchez\/wp-content\/uploads\/sites\/195\/2025\/06\/Captura-de-pantalla-2025-06-21-a-las-12.13.53.png 1020w, 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href=\"https:\/\/blog.uclm.es\/joseasanchez\/proximas-actividades\/\">Pr\u00f3ximas 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