{"id":415,"date":"2018-01-13T19:57:54","date_gmt":"2018-01-13T18:57:54","guid":{"rendered":"http:\/\/blog.uclm.es\/joseasanchez\/?page_id=415"},"modified":"2026-01-10T12:23:02","modified_gmt":"2026-01-10T12:23:02","slug":"resenas","status":"publish","type":"page","link":"https:\/\/blog.uclm.es\/joseasanchez\/resenas\/","title":{"rendered":"Rese\u00f1as"},"content":{"rendered":"\n

Rese\u00f1as de literatura, cine, filosof\u00eda y artes esc\u00e9nicas<\/strong><\/h4>\n\n\n\n
Lecturas<\/h5>\n\n\n\n

Del cuerpo a la red<\/a>, de Fernando Quesada (2013)<\/p>\n\n\n\n

Punto Omega<\/a>, de Don de Lillo (2010)<\/p>\n\n\n\n

Comunicaci\u00f3n y poder<\/a>,<\/a> de Manuel Castells (2009 \/ 2010)<\/p>\n\n\n\n

Tratado de ateolog\u00eda<\/a>, de Michel Onfray (2005)<\/p>\n\n\n\n

Lo real<\/a>, de Bel\u00e9n Gopegui (2001)<\/p>\n\n\n\n

Est\u00e9tica relacional<\/a>, de Nicol\u00e1s Bourriaud (1997)<\/p>\n\n\n\n

Las reglas del arte<\/a>, de Pierre Bourdieu (1992)<\/p>\n\n\n\n

Esperando a los b\u00e1rbaros<\/a>, de J.M. Coetzee (1980)<\/p>\n\n\n\n

Presencias<\/h5>\n\n\n\n

A Nublo<\/a><\/em>, de Mar\u00eda Jerez y Edurne Rubio (2021)<\/p>\n\n\n\n

Las ultracosas<\/a>, de Cuqui Jerez (2020)<\/p>\n\n\n\n

Ya llegan los personajes<\/a>, de Los Torreznos y Juan Dom\u00ednguez (2014)<\/p>\n\n\n\n

Atlas,<\/a> de Ana Borralho y Jo\u00e3o Galante (2011)<\/p>\n\n\n\n

While we were holding it together<\/a>, de Ivana M\u00fcller (2009)<\/p>\n\n\n\n

Ll\u00e1mame Mariachi<\/a>, de La Ribot (2009)<\/p>\n\n\n\n

La danza que se toca<\/a>, sobre Solo a ciegas, de Olga Mesa (2008)<\/p>\n\n\n\n

Kair\u00f3s, S\u00edsifos y Zombies<\/a>, de L’Alakran (2008)<\/p>\n\n\n\n

Memory<\/a>, de Living Dance Studio (2008)<\/p>\n\n\n\n

Perro muerto en tintorer\u00eda. Los fuertes<\/a>, de Ang\u00e9lica Liddell (2007)<\/p>\n\n\n\n

Moviendo fijamente la mirada<\/a>, sobre una pieza de La Ribot (2007)<\/p>\n\n\n\n

Testimoni de Llops<\/a>, de Mal Pelo (2006)<\/p>\n\n\n\n

La construcci\u00f3n del accidente<\/a>, sobre una pieza de Cuqui Jerez (2006)<\/p>\n\n\n\n

Pichet Klunchun and Myself<\/a>, de Jerome Bel (2005)<\/p>\n\n\n\n

Todos los buenos esp\u00edas tienen mi edad<\/a>, de Juan Dom\u00ednguez (2002)<\/p>\n\n\n\n

The Continuum. Beyond the Killing Fields<\/a>, de Ong Keng Sen (2002)<\/p>\n\n\n\n

Three posters<\/a>, de Rabih Mrou\u00e9 y Elias Khoury (2000 \/ 2006)<\/p>\n\n\n\n

Jeanne public \/ lab9<\/a>, de Barbara Manzetti (2000)<\/p>\n\n\n\n

Des\u00f3rdenes para un cuarteto<\/a>, de Olga Mesa (1998)<\/p>\n\n\n\n

ETIHW<\/a>, de Anne Carlson (1995)<\/p>\n\n\n\n

Ojo Caliente<\/a>, de John Jesurun (1993)<\/p>\n\n\n\n

Miradas<\/h5>\n\n\n\n

Tardes de soledad<\/a> (2024)<\/p>\n\n\n\n

La vida de los otros<\/a>, de Florian Henckel (2006)<\/p>\n\n\n\n

Madeinusa<\/a>, de Claudia Llosa (2005)<\/p>\n\n\n\n

Un cuento de cine<\/a>, de Hong Sang-soo (2005)<\/p>\n\n\n\n

S-21. La m\u00e1quina de matar<\/a>, de Rithy Pahn (2003)<\/p>\n\n\n\n

Ararat<\/a>, de Atom Egoyan (2002)<\/p>\n\n\n\n

La Commune (Paris, 1871)<\/a>, de Peter Watkins (1999)<\/p>\n\n\n\n

Los Idiotas<\/a>, de Lars von Trier (1998)<\/p>\n\n\n\n

Haonan Haonu<\/a>, de Hou Hsiao Asien (1995)<\/p>\n\n\n\n

Rel\u00e1mpago sobre el agua<\/a>, de Wim Wenders (1979)<\/p>\n\n\n\n

La regla de juego<\/a>, de Jean Renoir (1939)<\/p>\n","protected":false},"excerpt":{"rendered":"

Rese\u00f1as de literatura, cine, filosof\u00eda y artes esc\u00e9nicas Lecturas Del cuerpo a la red, de Fernando Quesada (2013) Punto Omega, de Don de Lillo (2010) Comunicaci\u00f3n y poder, de Manuel Castells (2009 \/ 2010) Tratado de ateolog\u00eda, de Michel Onfray (2005) Lo real, de Bel\u00e9n Gopegui (2001) Est\u00e9tica relacional, de Nicol\u00e1s Bourriaud (1997) Las reglas […]<\/p>\n","protected":false},"author":285,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-415","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/blog.uclm.es\/joseasanchez\/wp-json\/wp\/v2\/pages\/415","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.uclm.es\/joseasanchez\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blog.uclm.es\/joseasanchez\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blog.uclm.es\/joseasanchez\/wp-json\/wp\/v2\/users\/285"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.uclm.es\/joseasanchez\/wp-json\/wp\/v2\/comments?post=415"}],"version-history":[{"count":9,"href":"https:\/\/blog.uclm.es\/joseasanchez\/wp-json\/wp\/v2\/pages\/415\/revisions"}],"predecessor-version":[{"id":4578,"href":"https:\/\/blog.uclm.es\/joseasanchez\/wp-json\/wp\/v2\/pages\/415\/revisions\/4578"}],"wp:attachment":[{"href":"https:\/\/blog.uclm.es\/joseasanchez\/wp-json\/wp\/v2\/media?parent=415"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}