{"id":3770,"date":"2025-11-03T13:15:58","date_gmt":"2025-11-03T13:15:58","guid":{"rendered":"https:\/\/blog.uclm.es\/artea\/?p=3770"},"modified":"2026-02-09T10:38:40","modified_gmt":"2026-02-09T10:38:40","slug":"investigacion-en-practicas-escenicas-y-cultura-visual","status":"publish","type":"post","link":"https:\/\/blog.uclm.es\/artea\/2025\/11\/03\/investigacion-en-practicas-escenicas-y-cultura-visual\/","title":{"rendered":"Investigaci\u00f3n en pr\u00e1cticas esc\u00e9nicas y cultura visual"},"content":{"rendered":"\n<p>I Congreso Internacional ARTEA<\/p>\n\n\n\n<p>Ediciones de la Universidad de Castilla-La Mancha, 2025<\/p>\n\n\n\n<p>ISBN: 978-84-9044-735-2<\/p>\n\n\n\n<p>Isis Saz (Coord.)<\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"281\" height=\"400\" src=\"https:\/\/blog.uclm.es\/artea\/wp-content\/uploads\/sites\/250\/2025\/12\/Practicas-Escenicas-y-Cultura-Visual-1-281x400.png\" alt=\"\" class=\"wp-image-3772\" style=\"width:331px;height:auto\" srcset=\"https:\/\/blog.uclm.es\/artea\/wp-content\/uploads\/sites\/250\/2025\/12\/Practicas-Escenicas-y-Cultura-Visual-1-281x400.png 281w, https:\/\/blog.uclm.es\/artea\/wp-content\/uploads\/sites\/250\/2025\/12\/Practicas-Escenicas-y-Cultura-Visual-1-211x300.png 211w, https:\/\/blog.uclm.es\/artea\/wp-content\/uploads\/sites\/250\/2025\/12\/Practicas-Escenicas-y-Cultura-Visual-1-768x1092.png 768w, https:\/\/blog.uclm.es\/artea\/wp-content\/uploads\/sites\/250\/2025\/12\/Practicas-Escenicas-y-Cultura-Visual-1.png 978w\" sizes=\"auto, (max-width: 281px) 100vw, 281px\" \/><\/figure>\n\n\n\n<p>La creaci\u00f3n art\u00edstica en la segunda d\u00e9cada del siglo XXI se revela como un lugar de reflexi\u00f3n y experimentaci\u00f3n sobre los r\u00e1pidos cambios que surgen en las sociedades contempor\u00e1neas. En un contexto de fuerte presi\u00f3n tecnol\u00f3gica y burocr\u00e1tica sobre los cuerpos, la investigaci\u00f3n y en artes permite generar nuevas configuraciones entre personas, objetos y dispositivos que permitan otros escenarios de vida y trabajo alternativos a los impuestos por intereses particulares.<\/p>\n\n\n\n<p>Este volumen recoge los textos asociados y derivados del <a href=\"https:\/\/blog.uclm.es\/artea\/2024\/06\/24\/congreso-internacional\/\">I Congreso Internacional de Investigaci\u00f3n<\/a>, realizado el 24 y 25 de julio de 2024 en la Facultad de Bellas Artes de la Universidad de Castilla-La Mancha y la Fundaci\u00f3n Antonio P\u00e9rez, Cuenca.<\/p>\n\n\n\n<p>Textos de Magdalena Leite y An\u00edbal Conde, Francisco Mart\u00ednez V\u00e9lez, Youssef Taki, Irene Ortega L\u00f3pez y Roberto Herrero Garc\u00eda, Carolina Yav\u00e9n, Javier Aparicio Frago, Helena Salgueiro, Ayara Hern\u00e1ndez, Santiago Crespo Caurin, Christiana Dafni Tatsi, Sara G\u00f3mez, Dave Aidan &amp; Adolfo Sim\u00f3n, Dami\u00e1n Montesdeoca, Melania Olcina Yuguero, Irene Mahugo, Romina Casile y Tzu Han Hung, Lucero Medina H\u00fa, Natasha Rodrigues Padilha, Beatriz Morales Manzanaro, Marina \u00c1lvarez Carnero &amp; Marina Ll\u00e9s Bozzano, Concha Vidal, Pablo Zamorano Az\u00f3car, Mar\u00eda Cerd\u00e1, Calafia Pi\u00f1a y Mg. Alejandra Vieira Aliaga.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<div data-wp-interactive=\"core\/file\" class=\"wp-block-file\"><object data-wp-bind--hidden=\"!state.hasPdfPreview\" hidden class=\"wp-block-file__embed\" data=\"https:\/\/blog.uclm.es\/artea\/wp-content\/uploads\/sites\/250\/2025\/12\/2025.-Practica-escenica-y-cultura-visual_Congreso_INDICE.pdf\" type=\"application\/pdf\" style=\"width:100%;height:600px\" aria-label=\"Incrustado de 2025. Pr\u00e1ctica esc\u00e9nica y cultura visual_Congreso_INDICE.\"><\/object><a id=\"wp-block-file--media-5da3a395-4e95-4373-837a-f75f836dde92\" href=\"https:\/\/blog.uclm.es\/artea\/wp-content\/uploads\/sites\/250\/2025\/12\/2025.-Practica-escenica-y-cultura-visual_Congreso_INDICE.pdf\">2025. Pr\u00e1ctica esc\u00e9nica y cultura visual_Congreso_INDICE<\/a><a href=\"https:\/\/blog.uclm.es\/artea\/wp-content\/uploads\/sites\/250\/2025\/12\/2025.-Practica-escenica-y-cultura-visual_Congreso_INDICE.pdf\" class=\"wp-block-file__button wp-element-button\" download aria-describedby=\"wp-block-file--media-5da3a395-4e95-4373-837a-f75f836dde92\">Descarga<\/a><\/div>\n\n\n\n<p><a href=\"https:\/\/ruidera.uclm.es\/items\/ce0151b6-91dd-4ca5-843d-af4de2b4d84a\">Informaci\u00f3n completa en la web de al editorial<\/a><\/p>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-a89b3969 wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/ruidera.uclm.es\/bitstreams\/450ad86b-a555-41e2-89bd-080ce8065306\/download\">Descargar libro completo<\/a><\/div>\n<\/div>\n\n\n\n<p>Leer m\u00e1s<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I Congreso Internacional ARTEA Ediciones de la Universidad de Castilla-La Mancha, 2025 ISBN: 978-84-9044-735-2 Isis Saz (Coord.) La creaci\u00f3n art\u00edstica en la segunda d\u00e9cada del siglo XXI se revela como un lugar de reflexi\u00f3n y experimentaci\u00f3n sobre los r\u00e1pidos cambios que surgen en las sociedades contempor\u00e1neas. En un contexto de fuerte presi\u00f3n tecnol\u00f3gica y burocr\u00e1tica [&hellip;]<\/p>\n","protected":false},"author":511,"featured_media":3772,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[100,60],"tags":[32,218,25],"class_list":["post-3770","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-aeclm","category-libro","tag-artes-vivas","tag-congreso","tag-pensamiento"],"_links":{"self":[{"href":"https:\/\/blog.uclm.es\/artea\/wp-json\/wp\/v2\/posts\/3770","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.uclm.es\/artea\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.uclm.es\/artea\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.uclm.es\/artea\/wp-json\/wp\/v2\/users\/511"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.uclm.es\/artea\/wp-json\/wp\/v2\/comments?post=3770"}],"version-history":[{"count":7,"href":"https:\/\/blog.uclm.es\/artea\/wp-json\/wp\/v2\/posts\/3770\/revisions"}],"predecessor-version":[{"id":3931,"href":"https:\/\/blog.uclm.es\/artea\/wp-json\/wp\/v2\/posts\/3770\/revisions\/3931"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.uclm.es\/artea\/wp-json\/wp\/v2\/media\/3772"}],"wp:attachment":[{"href":"https:\/\/blog.uclm.es\/artea\/wp-json\/wp\/v2\/media?parent=3770"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.uclm.es\/artea\/wp-json\/wp\/v2\/categories?post=3770"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.uclm.es\/artea\/wp-json\/wp\/v2\/tags?post=3770"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}