{"id":2950,"date":"2007-11-28T13:24:00","date_gmt":"2007-11-28T13:24:00","guid":{"rendered":"https:\/\/blog.uclm.es\/artea\/?p=2950"},"modified":"2026-03-01T19:30:27","modified_gmt":"2026-03-01T19:30:27","slug":"digitalizara-lo-efimero","status":"publish","type":"post","link":"https:\/\/blog.uclm.es\/artea\/2007\/11\/28\/digitalizara-lo-efimero\/","title":{"rendered":"Digitalizar lo ef\u00edmero"},"content":{"rendered":"\n<p>Digitalizar lo ef\u00edmero: creaci\u00f3n esc\u00e9nica y documentaci\u00f3n en el \u00e1mbito iberoamericano. <\/p>\n\n\n\n<p>Aula de Danza Estrella Casero (UAH, Alcal\u00e1 de Henares), La Casa Encendida (Madrid) y Facultad de Bellas Artes de Cuenca, del 20 al 28 de noviembre de 2007.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"65\" src=\"https:\/\/blog.uclm.es\/artea\/wp-content\/uploads\/sites\/250\/2007\/11\/2007.-Digitalizar-lo-efimero-banner-400x65.jpeg\" alt=\"\" class=\"wp-image-3343\" style=\"width:377px;height:auto\" srcset=\"https:\/\/blog.uclm.es\/artea\/wp-content\/uploads\/sites\/250\/2007\/11\/2007.-Digitalizar-lo-efimero-banner-400x65.jpeg 400w, https:\/\/blog.uclm.es\/artea\/wp-content\/uploads\/sites\/250\/2007\/11\/2007.-Digitalizar-lo-efimero-banner-300x48.jpeg 300w, https:\/\/blog.uclm.es\/artea\/wp-content\/uploads\/sites\/250\/2007\/11\/2007.-Digitalizar-lo-efimero-banner-768x124.jpeg 768w, https:\/\/blog.uclm.es\/artea\/wp-content\/uploads\/sites\/250\/2007\/11\/2007.-Digitalizar-lo-efimero-banner.jpeg 775w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/figure>\n\n\n\n<p><em>1.<\/em> Encuentro de investigaci\u00f3n&nbsp;(Cuenca) con el que se clausur\u00f3 la primera fase del proyecto que ha permitido la construcci\u00f3n del&nbsp;Archivo Virtual de Artes Esc\u00e9nicas,&nbsp;dedicado a la documentaci\u00f3n y cr\u00edtica de la creaci\u00f3n esc\u00e9nica contempor\u00e1nea en Iberoam\u00e9rica. Presentaci\u00f3n p\u00fablica del Archivo en La Casa Encendida en Madrid.<\/p>\n\n\n\n<p>2. <em>Ciclo de actuaciones, conferencias y mesas redondas&nbsp;<\/em>(Alcal\u00e1 de Henares) centradas en los lenguajes del cuerpo.  <\/p>\n\n\n\n<p>Mesas de trabajo:&nbsp;\u201cFormaci\u00f3n especializada en artes esc\u00e9nicas\u201d y Conferencias:&nbsp;\u00abEspacio en fases: entre el tiempo cinematogr\u00e1fico, esc\u00e9nico y real\u00bb y&nbsp;\u201cLas nuevas dramaturgias de la danza brasile\u00f1a\u201d.&nbsp;<\/p>\n\n\n\n<p>Participaron los siguientes investigadores del grupo: Isabel de Naver\u00e1n, Amparo \u00c9cija, Isis Saz, Mar\u00eda Dom\u00ednguez Alba, Carolina Mart\u00ednez, \u00d3scar Cornago, Ileana Di\u00e9guez, Silvana Garc\u00eda, Carmen M\u00e1rquez, Lorena Verzero, Luis Emilio Abraham, Ang\u00e9lica Garc\u00eda, Beatriz Trastoy, Jos\u00e9 A. S\u00e1nchez.<\/p>\n\n\n\n<p>Actuaciones:&nbsp;<\/p>\n\n\n\n<p>&#8211;<em>Danza contempor\u00e1nea a domicilio<\/em>, de Claudia M\u00fcller (Rio de Janeiro, Brasil)<\/p>\n\n\n\n<p>&#8211;<em>Dueto<\/em>, de Idoia Zabaleta (Pa\u00eds Vasco) y Filipa Francisco (Portugal) <\/p>\n\n\n\n<p>&#8211;<em>Mejorando la raza<\/em>, de Tatiana Fuentes (Per\u00fa).<\/p>\n\n\n\n<p>Adem\u00e1s participaron los siguientes profesionales e investigadores invitados: Carlos Marquerie, M\u00f3nica Valenciano,Toni Cots (L&#8217;animal a l&#8217;esquena, Girona), Christine Greiner (PUC de Sao Paolo), Carmen Gim\u00e9nez (Conservatorio de Valencia), Daniel Brine (Live Art Development Agency), Miren Eraso (Arteleku, San Sebastian), Bertha Berm\u00fadez (EG\/PC Research, \u00c1msterdam), Jaime Conde-Salazar (Las Palmas), Nuria Font (IDN, Barcelona), Tamara Cubas (FIVU, Montevideo), Rui Silveira (La Mekanica, Barcelona). El ciclo cont\u00f3 con la financiaci\u00f3n del MECD a trav\u00e9s de una acci\u00f3n especial, adem\u00e1s de ayudas de MCU, MAE-AECI, UCLM, FGUA y&nbsp;&nbsp;la colaboraci\u00f3n de Fundaci\u00f3n Antonio P\u00e9rez, Casa Encendida, La Mekanika, Circuito MERCOSUR de Videodanza, JCCM.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"300\" data-id=\"3743\" src=\"https:\/\/blog.uclm.es\/artea\/wp-content\/uploads\/sites\/250\/2007\/11\/2007.11.-Digitalizar-lo-efimero.1-copia-400x300.jpg\" alt=\"\" class=\"wp-image-3743\" srcset=\"https:\/\/blog.uclm.es\/artea\/wp-content\/uploads\/sites\/250\/2007\/11\/2007.11.-Digitalizar-lo-efimero.1-copia-400x300.jpg 400w, https:\/\/blog.uclm.es\/artea\/wp-content\/uploads\/sites\/250\/2007\/11\/2007.11.-Digitalizar-lo-efimero.1-copia-300x225.jpg 300w, https:\/\/blog.uclm.es\/artea\/wp-content\/uploads\/sites\/250\/2007\/11\/2007.11.-Digitalizar-lo-efimero.1-copia-768x576.jpg 768w, https:\/\/blog.uclm.es\/artea\/wp-content\/uploads\/sites\/250\/2007\/11\/2007.11.-Digitalizar-lo-efimero.1-copia.jpg 1280w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"300\" data-id=\"3744\" src=\"https:\/\/blog.uclm.es\/artea\/wp-content\/uploads\/sites\/250\/2007\/11\/2007.11.-Digitalizar-lo-efimero.2-copia-400x300.jpg\" alt=\"\" class=\"wp-image-3744\" srcset=\"https:\/\/blog.uclm.es\/artea\/wp-content\/uploads\/sites\/250\/2007\/11\/2007.11.-Digitalizar-lo-efimero.2-copia-400x300.jpg 400w, https:\/\/blog.uclm.es\/artea\/wp-content\/uploads\/sites\/250\/2007\/11\/2007.11.-Digitalizar-lo-efimero.2-copia-300x225.jpg 300w, https:\/\/blog.uclm.es\/artea\/wp-content\/uploads\/sites\/250\/2007\/11\/2007.11.-Digitalizar-lo-efimero.2-copia-768x576.jpg 768w, https:\/\/blog.uclm.es\/artea\/wp-content\/uploads\/sites\/250\/2007\/11\/2007.11.-Digitalizar-lo-efimero.2-copia.jpg 1280w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"300\" data-id=\"3749\" src=\"https:\/\/blog.uclm.es\/artea\/wp-content\/uploads\/sites\/250\/2007\/11\/2007.11.-Digitalizar-lo-efimero.8-copia-400x300.jpg\" alt=\"\" class=\"wp-image-3749\" srcset=\"https:\/\/blog.uclm.es\/artea\/wp-content\/uploads\/sites\/250\/2007\/11\/2007.11.-Digitalizar-lo-efimero.8-copia-400x300.jpg 400w, https:\/\/blog.uclm.es\/artea\/wp-content\/uploads\/sites\/250\/2007\/11\/2007.11.-Digitalizar-lo-efimero.8-copia-300x225.jpg 300w, https:\/\/blog.uclm.es\/artea\/wp-content\/uploads\/sites\/250\/2007\/11\/2007.11.-Digitalizar-lo-efimero.8-copia-768x576.jpg 768w, https:\/\/blog.uclm.es\/artea\/wp-content\/uploads\/sites\/250\/2007\/11\/2007.11.-Digitalizar-lo-efimero.8-copia.jpg 864w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"300\" data-id=\"3745\" src=\"https:\/\/blog.uclm.es\/artea\/wp-content\/uploads\/sites\/250\/2007\/11\/2007.11.-Digitalizar-lo-efimero.3-copia-400x300.jpg\" alt=\"\" class=\"wp-image-3745\" srcset=\"https:\/\/blog.uclm.es\/artea\/wp-content\/uploads\/sites\/250\/2007\/11\/2007.11.-Digitalizar-lo-efimero.3-copia-400x300.jpg 400w, https:\/\/blog.uclm.es\/artea\/wp-content\/uploads\/sites\/250\/2007\/11\/2007.11.-Digitalizar-lo-efimero.3-copia-300x225.jpg 300w, https:\/\/blog.uclm.es\/artea\/wp-content\/uploads\/sites\/250\/2007\/11\/2007.11.-Digitalizar-lo-efimero.3-copia-768x576.jpg 768w, https:\/\/blog.uclm.es\/artea\/wp-content\/uploads\/sites\/250\/2007\/11\/2007.11.-Digitalizar-lo-efimero.3-copia.jpg 1280w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"320\" height=\"213\" data-id=\"3340\" src=\"https:\/\/blog.uclm.es\/artea\/wp-content\/uploads\/sites\/250\/2007\/11\/2007.-Digitalizar.-Mejorando-la-raza.-Tatiana-Sadowski-1.jpeg\" alt=\"\" class=\"wp-image-3340\" srcset=\"https:\/\/blog.uclm.es\/artea\/wp-content\/uploads\/sites\/250\/2007\/11\/2007.-Digitalizar.-Mejorando-la-raza.-Tatiana-Sadowski-1.jpeg 320w, https:\/\/blog.uclm.es\/artea\/wp-content\/uploads\/sites\/250\/2007\/11\/2007.-Digitalizar.-Mejorando-la-raza.-Tatiana-Sadowski-1-300x200.jpeg 300w\" sizes=\"auto, (max-width: 320px) 100vw, 320px\" \/><\/figure>\n<\/figure>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-a89b3969 wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/blog.uclm.es\/archivoartea\/2007\/11\/28\/digitalizar-lo-efimero-2\/\" target=\"_blank\" rel=\"noreferrer noopener\">Ver informaci\u00f3n completa en AVAE<\/a><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>2007. Creaci\u00f3n esc\u00e9nica y documentaci\u00f3n en el \u00e1mbito iberoamericano.<\/p>\n","protected":false},"author":285,"featured_media":3334,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[196,151,149,40],"tags":[],"class_list":["post-2950","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-digitalizar-lo-efimero","category-politicas-del-cuerpo-y-de-la-imagen","category-programacion","category-seminario-contexto"],"_links":{"self":[{"href":"https:\/\/blog.uclm.es\/artea\/wp-json\/wp\/v2\/posts\/2950","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.uclm.es\/artea\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.uclm.es\/artea\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.uclm.es\/artea\/wp-json\/wp\/v2\/users\/285"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.uclm.es\/artea\/wp-json\/wp\/v2\/comments?post=2950"}],"version-history":[{"count":9,"href":"https:\/\/blog.uclm.es\/artea\/wp-json\/wp\/v2\/posts\/2950\/revisions"}],"predecessor-version":[{"id":4147,"href":"https:\/\/blog.uclm.es\/artea\/wp-json\/wp\/v2\/posts\/2950\/revisions\/4147"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.uclm.es\/artea\/wp-json\/wp\/v2\/media\/3334"}],"wp:attachment":[{"href":"https:\/\/blog.uclm.es\/artea\/wp-json\/wp\/v2\/media?parent=2950"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.uclm.es\/artea\/wp-json\/wp\/v2\/categories?post=2950"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.uclm.es\/artea\/wp-json\/wp\/v2\/tags?post=2950"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}