{"id":2100,"date":"2018-06-17T18:10:00","date_gmt":"2018-06-17T18:10:00","guid":{"rendered":"https:\/\/blog.uclm.es\/artea\/?p=2100"},"modified":"2025-06-17T18:17:14","modified_gmt":"2025-06-17T18:17:14","slug":"historia-de-la-danza-en-espana","status":"publish","type":"post","link":"https:\/\/blog.uclm.es\/artea\/2018\/06\/17\/historia-de-la-danza-en-espana\/","title":{"rendered":"Historia de la danza en Espa\u00f1a"},"content":{"rendered":"\n<p>Un manual de estudio para la danza publicado en la colecci\u00f3n\u00a0<em>Artes y Oficios de la escena<\/em>\u00a0de la Academia de las Artes Esc\u00e9nicas de Espa\u00f1a,\u00a0con el apoyo del Instituto Nacional de las Artes Esc\u00e9nicas y la M\u00fasica (INAEM).<\/p>\n\n\n\n<p>Colabora: <a href=\"https:\/\/blog.uclm.es\/artea\/2000\/12\/30\/isis-saz\/\" data-type=\"post\" data-id=\"1703\">Isis Saz<\/a><\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"146\" height=\"184\" data-id=\"2101\" src=\"https:\/\/blog.uclm.es\/artea\/wp-content\/uploads\/sites\/250\/2025\/06\/Historia-de-la-danza-1.png\" alt=\"\" class=\"wp-image-2101\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"184\" height=\"241\" data-id=\"2102\" src=\"https:\/\/blog.uclm.es\/artea\/wp-content\/uploads\/sites\/250\/2025\/06\/Historia-de-la-danza-2.png\" alt=\"\" class=\"wp-image-2102\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"140\" height=\"173\" data-id=\"2103\" src=\"https:\/\/blog.uclm.es\/artea\/wp-content\/uploads\/sites\/250\/2025\/06\/Historia-de-la-danza-3.png\" alt=\"\" class=\"wp-image-2103\" \/><\/figure>\n<\/figure>\n\n\n\n<p>Vol 1. <em>De los \u00faltimos a\u00f1os de la dictadura hasta 1992<\/em>. <a href=\"https:\/\/academiadelasartesescenicas.es\/revista\/24\/historia-de-la-danza-contemporanea-en-espana-vol-i\/\" target=\"_blank\" rel=\"noreferrer noopener\">Leer m\u00e1s<\/a><\/p>\n\n\n\n<p>Vol. 2. <em>De las celebraciones de 1992 a la crisis de 2008<\/em>. <a href=\"\/\/academiadelasartesescenicas.es\/revista\/34\/historia-de-la-danza-contemporanea-en-espana-vol-ii\/\" data-type=\"link\" data-id=\"ttps:\/\/academiadelasartesescenicas.es\/revista\/34\/historia-de-la-danza-contemporanea-en-espana-vol-ii\/\" target=\"_blank\" rel=\"noreferrer noopener\">Leer m\u00e1s<\/a><\/p>\n\n\n\n<p>Vol. 3. e la crisis econ\u00f3mica de 2008 a la crisis sanitaria de 2020. <a href=\"https:\/\/academiadelasartesescenicas.es\/revista\/41\/historia-de-la-danza-contemporanea-en-espana-vol-3\/\">Leer m\u00e1s<\/a><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Un manual de estudio para la danza publicado en la colecci\u00f3n\u00a0Artes y Oficios de la escena\u00a0de la Academia de las Artes Esc\u00e9nicas de Espa\u00f1a,\u00a0con el apoyo del Instituto Nacional de las Artes Esc\u00e9nicas y la M\u00fasica (INAEM). Colabora: Isis Saz Vol 1. De los \u00faltimos a\u00f1os de la dictadura hasta 1992. Leer m\u00e1s Vol. 2. [&hellip;]<\/p>\n","protected":false},"author":285,"featured_media":2101,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[60],"tags":[78,74],"class_list":["post-2100","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-libro","tag-danza","tag-historia"],"_links":{"self":[{"href":"https:\/\/blog.uclm.es\/artea\/wp-json\/wp\/v2\/posts\/2100","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.uclm.es\/artea\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.uclm.es\/artea\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.uclm.es\/artea\/wp-json\/wp\/v2\/users\/285"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.uclm.es\/artea\/wp-json\/wp\/v2\/comments?post=2100"}],"version-history":[{"count":1,"href":"https:\/\/blog.uclm.es\/artea\/wp-json\/wp\/v2\/posts\/2100\/revisions"}],"predecessor-version":[{"id":2104,"href":"https:\/\/blog.uclm.es\/artea\/wp-json\/wp\/v2\/posts\/2100\/revisions\/2104"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.uclm.es\/artea\/wp-json\/wp\/v2\/media\/2101"}],"wp:attachment":[{"href":"https:\/\/blog.uclm.es\/artea\/wp-json\/wp\/v2\/media?parent=2100"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.uclm.es\/artea\/wp-json\/wp\/v2\/categories?post=2100"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.uclm.es\/artea\/wp-json\/wp\/v2\/tags?post=2100"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}