{"id":1843,"date":"2000-08-16T18:04:00","date_gmt":"2000-08-16T18:04:00","guid":{"rendered":"https:\/\/blog.uclm.es\/artea\/?p=1843"},"modified":"2026-03-13T15:36:40","modified_gmt":"2026-03-13T15:36:40","slug":"anja-isabel-schneider","status":"publish","type":"post","link":"https:\/\/blog.uclm.es\/artea\/2000\/08\/16\/anja-isabel-schneider\/","title":{"rendered":"Anja Isabel Schneider"},"content":{"rendered":"\n<figure class=\"wp-block-image alignright size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"320\" height=\"290\" src=\"https:\/\/blog.uclm.es\/artea\/wp-content\/uploads\/sites\/250\/2025\/06\/Anja-Isabel-Schneider-1.jpg\" alt=\"\" class=\"wp-image-1846\" style=\"width:335px;height:auto\" srcset=\"https:\/\/blog.uclm.es\/artea\/wp-content\/uploads\/sites\/250\/2025\/06\/Anja-Isabel-Schneider-1.jpg 320w, https:\/\/blog.uclm.es\/artea\/wp-content\/uploads\/sites\/250\/2025\/06\/Anja-Isabel-Schneider-1-300x272.jpg 300w\" sizes=\"auto, (max-width: 320px) 100vw, 320px\" \/><\/figure>\n\n\n\n<p>Investigadora postdoctoral (Centre national des arts plastiques (Cnap), Par\u00eds\/Archives de la critique d\u2019art (ACA), Histoire et critique des Arts de l\u2019Universit\u00e9 Rennes 2, y miembro de ARTEA (Madrid). Su investigaci\u00f3n se centra en las pr\u00e1cticas art\u00edsticas transdisciplinarias en el cruce entre artes visuales, artes esc\u00e9nicas y literatura. Estudi\u00f3 Literatura en Los \u00c1ngeles (UCLA) y Tubinga (Eberhard Karls Universit\u00e4t), as\u00ed como Historia del Arte (The Courtauld Institute of Art) y Curadur\u00eda (Goldsmiths, University of London) en Londres. En su trayectoria doctoral (Investigaci\u00f3n Curatorial, LGC\/KU Leuven\/M HKA) ha comisariado exposicionesen el Museo de Arte Contempor\u00e1neode Amberes&nbsp;(M HKA) y la Fundaci\u00f3 Antoni T\u00e0pies, Barcelona. En 2023 fue becaria postdoctoral en el DFK, Par\u00eds. Ha realizado proyectos editoriales y curatoriales como&nbsp;formes br\u00e8ves, autres, 25, Frac Lorraine, Metz\/MARCO, Vigo (Premio MARCO \/ Frac Lorraine para J\u00f3venes Comisarios);&nbsp;Performing a Workshop, La Ene, Nuevo Museo Energ\u00eda de Arte Contempor\u00e1neo, Buenos Aires; \u201c. . .\u201d (Julia Sp\u00ednola, Ra\u00fal Hidalgo), The Mews Project, Londres;&nbsp;de uma l\u00edngua para outra \/ from one language to another, JA.CA, Centro de Arte Jardim Canad\u00e1\/Funda\u00e7\u00e3o Cl\u00f3vis Salgado, Belo Horizonte y Rond-Point Projects, Marsella. En 2021, fund\u00f3 el editorial apa press, Par\u00eds\/Madrid.<\/p>\n\n\n\n<p>L\u00edneas de investigaci\u00f3n: arte contempor\u00e1neo, artes esc\u00e9nicas, cine, literatura.<\/p>\n\n\n\n<p>Research Fellow en el DKF, Paris<\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Investigadora postdoctoral (Centre national des arts plastiques (Cnap), Par\u00eds\/Archives de la critique d\u2019art (ACA), Histoire et critique des Arts de l\u2019Universit\u00e9 Rennes 2, y miembro de ARTEA (Madrid). Su investigaci\u00f3n se centra en las pr\u00e1cticas art\u00edsticas transdisciplinarias en el cruce entre artes visuales, artes esc\u00e9nicas y literatura. Estudi\u00f3 Literatura en Los \u00c1ngeles (UCLA) y Tubinga [&hellip;]<\/p>\n","protected":false},"author":510,"featured_media":1846,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[110],"tags":[],"class_list":["post-1843","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-grupo-experimenta"],"_links":{"self":[{"href":"https:\/\/blog.uclm.es\/artea\/wp-json\/wp\/v2\/posts\/1843","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.uclm.es\/artea\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.uclm.es\/artea\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.uclm.es\/artea\/wp-json\/wp\/v2\/users\/510"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.uclm.es\/artea\/wp-json\/wp\/v2\/comments?post=1843"}],"version-history":[{"count":4,"href":"https:\/\/blog.uclm.es\/artea\/wp-json\/wp\/v2\/posts\/1843\/revisions"}],"predecessor-version":[{"id":2568,"href":"https:\/\/blog.uclm.es\/artea\/wp-json\/wp\/v2\/posts\/1843\/revisions\/2568"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.uclm.es\/artea\/wp-json\/wp\/v2\/media\/1846"}],"wp:attachment":[{"href":"https:\/\/blog.uclm.es\/artea\/wp-json\/wp\/v2\/media?parent=1843"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.uclm.es\/artea\/wp-json\/wp\/v2\/categories?post=1843"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.uclm.es\/artea\/wp-json\/wp\/v2\/tags?post=1843"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}