{"id":8311,"date":"2016-02-11T12:42:00","date_gmt":"2016-02-11T11:42:00","guid":{"rendered":"https:\/\/blog.uclm.es\/archivoartea\/?p=8311"},"modified":"2026-03-20T19:19:27","modified_gmt":"2026-03-20T18:19:27","slug":"explorando-la-prehistoria-de-la-videodanza","status":"publish","type":"post","link":"https:\/\/blog.uclm.es\/archivoartea\/2016\/02\/11\/explorando-la-prehistoria-de-la-videodanza\/","title":{"rendered":"Explorando la prehistoria de la videodanza"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">a trav\u00e9s de \u00abA Study in Choreography for Camera\u00bb, de Maya Deren, y \u00abDance in the Sun\u00bb, de Shirley Clarke<\/h2>\n\n\n\n<h4 class=\"wp-block-heading\"><a href=\"https:\/\/blog.uclm.es\/archivoartea\/2000\/05\/20\/carolina-martinez\/\" data-type=\"post\" data-id=\"7240\">Carolina Mart\u00ednez L\u00f3pez<\/a><\/h4>\n\n\n\n<h5 class=\"wp-block-heading\">2016<\/h5>\n\n\n\n<p>La presente investigaci\u00f3n tiene como objetivo explorar los or\u00edgenes de la relaci\u00f3n entre el cine y la danza a trav\u00e9s del an\u00e1lisis y la comparaci\u00f3n de los cortometrajes A Study in Choreography for Camera, de Maya Deren \u2013pel\u00edcula que supone el nacimiento del denominado coreocine\u2013 y Dance in the Sun, de Shirley Clarke, ambas ejemplo de la experimentaci\u00f3n m\u00e1s temprana entre c\u00e1mara, montaje, movimiento y coreograf\u00eda, y que representan los primeros duetos y simbiosis entre un medio org\u00e1nico, el cuerpo, y otro inorg\u00e1nico, la c\u00e1mara, que, por primera vez en la historia del cine adoptaba un rol activo respecto a la danza. Abstract This research aims to explore the origins of the relationship between film and dance through the analysis and comparison of short films A Study in Choreography for Camera by Maya Deren \u2013movie representing the birth of the so called choreocinema\u2013 and Dance in the Sun by Shirley Clarke, both examples of the earliest experimentation among camera, edition, movement and choreography, and representing the first duets and symbiosis between an organic medium, the body, and an inorganic one, the camera, which for the first time in cinema history took on an active role towards dance.<\/p>\n\n\n\n<div data-wp-interactive=\"core\/file\" class=\"wp-block-file\"><object data-wp-bind--hidden=\"!state.hasPdfPreview\" hidden class=\"wp-block-file__embed\" data=\"https:\/\/blog.uclm.es\/archivoartea\/wp-content\/uploads\/sites\/323\/2026\/02\/Explorando_la_prehistoria_de_la_videodan.pdf\" type=\"application\/pdf\" style=\"width:100%;height:600px\" aria-label=\"Incrustado de Explorando_la_prehistoria_de_la_videodan.\"><\/object><a id=\"wp-block-file--media-4f367e15-0b1a-40c7-bf16-c6a44b8dd2fa\" href=\"https:\/\/blog.uclm.es\/archivoartea\/wp-content\/uploads\/sites\/323\/2026\/02\/Explorando_la_prehistoria_de_la_videodan.pdf\">Explorando_la_prehistoria_de_la_videodan<\/a><a href=\"https:\/\/blog.uclm.es\/archivoartea\/wp-content\/uploads\/sites\/323\/2026\/02\/Explorando_la_prehistoria_de_la_videodan.pdf\" class=\"wp-block-file__button wp-element-button\" download aria-describedby=\"wp-block-file--media-4f367e15-0b1a-40c7-bf16-c6a44b8dd2fa\">Descarga<\/a><\/div>\n\n\n\n<p><a href=\"https:\/\/girona.academia.edu\/CarolinaMartinez\">https:\/\/girona.academia.edu\/CarolinaMartinez<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>a trav\u00e9s de \u00abA Study in Choreography for Camera\u00bb, de Maya Deren, y \u00abDance in the Sun\u00bb, de Shirley Clarke. Carolina Mart\u00ednez L\u00f3pez, 2016<\/p>\n","protected":false},"author":561,"featured_media":10351,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[519,21],"tags":[],"class_list":["post-8311","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-textos-carolina-martinez","category-textos-es"],"_links":{"self":[{"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/posts\/8311","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/users\/561"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/comments?post=8311"}],"version-history":[{"count":1,"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/posts\/8311\/revisions"}],"predecessor-version":[{"id":8313,"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/posts\/8311\/revisions\/8313"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/media\/10351"}],"wp:attachment":[{"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/media?parent=8311"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/categories?post=8311"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/tags?post=8311"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}