{"id":7613,"date":"2021-02-05T13:49:00","date_gmt":"2021-02-05T12:49:00","guid":{"rendered":"https:\/\/blog.uclm.es\/archivoartea\/?p=7613"},"modified":"2026-04-04T16:23:28","modified_gmt":"2026-04-04T14:23:28","slug":"reflexiones-en-torno-a-las-experiencias-cinematograficas-expandidas","status":"publish","type":"post","link":"https:\/\/blog.uclm.es\/archivoartea\/2021\/02\/05\/reflexiones-en-torno-a-las-experiencias-cinematograficas-expandidas\/","title":{"rendered":"Reflexiones en torno a las experiencias cinematogr\u00e1ficas expandidas"},"content":{"rendered":"\n

como formas de escenograf\u00eda virtual ut\u00f3picas<\/h2>\n\n\n\n

Carolina Mart\u00ednez L\u00f3pez<\/a><\/h4>\n\n\n\n
2021<\/h5>\n\n\n\n
Referencia bibliogr\u00e1fica<\/h5>\n\n\n\n

https:\/\/girona.academia.edu\/CarolinaMartinez<\/p>\n\n\n\n

Este art\u00edculo se enmarca dentro de una investigaci\u00f3n m\u00e1s amplia que busca tender puentes entre las formas esc\u00e9nicas y cinematogr\u00e1ficas del pasado y el presente utilizando una mirada postcinematogr\u00e1fica y postdram\u00e1tica en torno al concepto de lo virtual. Debido a la amplitud del denominado \u201ccine expandido\u201d y a la borrosidad de sus l\u00edmites, no se buscar\u00e1 aqu\u00ed hacer un cat\u00e1logo del mismo, sino que abriremos la puerta a la reflexi\u00f3n sobre \u00e9l a trav\u00e9s de unas ideas clave y de unos ejemplos paradigm\u00e1ticos que ir\u00e1n desde las experiencias precinematogr\u00e1ficas hasta los experimentos de la vanguardia norteamericana de los a\u00f1os \u201860. Independientemente de la tecnolog\u00eda y los soportes utilizados, lo que nos interesa son las experiencias que estos trabajos generan y sus efectos tanto a nivel est\u00e9tico y fenomenol\u00f3gico como social y pol\u00edtico. A partir de aqu\u00ed iremos desarrollando un hilo conductor alrededor de las posibles escenograf\u00edas virtuales que se crean en estas propuestas, y que, a modo de tela de ara\u00f1a invisible, comenzar\u00edan en el\/la creador\/a y acabar\u00edan de configurarse en los\/as espectadores\/as, con la vocaci\u00f3n \u00faltima de prolongarse en el mundo exterior y apuntar a una nueva ecolog\u00eda humana.
\u2014\u2014\u2014\u2014
This article is part of a broader investigation that seeks to build bridges between the scenic and cinematographic forms of the past and the present using a post-cinematic and post-dramatic look around the concept of the virtual. Due to the breadth of the so- called \u201cexpanded cinema\u201d and the blurriness of its limits, we will not seek here to make a catalog of it, but rather we will open the door to reflection on it through some key ideas and paradigmatic examples ranging from pre-cinematic experiences to the American avant-garde experiments of the 1960s. Regardless of the technology and the supports used, what interests us are the experiences that these works generate and their effects both on an aesthetic and phenomenological level as well as on a social and political level. From here we will develop a common thread around the possible virtual scenographies created in these proposals, and which, like an invisible spider web, would begin in the creator and end up being configured in the spectators, with the ultimate vocation of extending into the outside world and pointing to a new human ecology.<\/p>\n\n\n\n