La pel\u00edcula ruido \u00ea (the film)<\/em> es la condensaci\u00f3n de un proyecto<\/a> colectivo de investigaci\u00f3n-producci\u00f3n art\u00edstica. Ha trabajado \u201ccerca de\u201d las rayas el\u00e9ctricas Torpedo torpedo, especies abundantes en \u00e1reas submarinas urbanas del Mediterr\u00e1neo catal\u00e1n. Lo f\u00edlmico ha funcionado como coartada para tejer redes de trabajo con cient\u00edficos, buceadores y artistas en torno a cuestiones de atenci\u00f3n som\u00e1tica, percepci\u00f3n, vulnerabilidad y resistencia.<\/p>\n\n\n\n As a piece, ruido \u00ea<\/em> (the film<\/em>) takes a bastardized form. It is a musical documentary with thriller overtones that is interrupted and torn to pieces. Noise, beyond its acoustic impact, becomes a way of blurring legibility, a form of narrative purity, a shock passing between languages, a synesthetic buzz that hacks the vision, white making it erotic.<\/p>\n\n\n\n The film ruido \u00ea (the film)<\/em>, is the condensation of a collective proyecto<\/a> of artistic research and production. The project worked \u00abclose to\u201d what are known as electric rays (Torpedo torpedo<\/em>), an abundant species that lives in urban underwater areas of the Catalan Mediterranean. The film has functioned as an alibi to develop networks with scientists, divers, and artists that explore issues of somatic attention, perception, vulnerability, and resistance.<\/p>\n\n\n\n Ver TEASER<\/a><\/p>\n\n\n\n Todas las im\u00e1genes submarinas han sido filmadas entre 2020 y 2023 en zonas urbanas submarinas donde parad\u00f3jicamente habitan las rayas torpedo. <\/em>Estas \u00e1reas que la artista llama postpunk, <\/em>se encuentran en constante transformaci\u00f3n urban\u00edstica. Desde las obras mar\u00edtimas para la ampliaci\u00f3n del espig\u00f3n de la playa de San Sebasti\u00e1n en Barcelona, con una gr\u00faa-mano met\u00e1lica que lanza cubos de hormig\u00f3n, pasando por toda la zona postindustrial entre la desembocadura del r\u00edo Bes\u00f3s, Sant Adri\u00e1, hasta llegar al Pont del Petroli en Badalona, cuyos pilares fueron derrumbados por el temporal Gloria. Residuos y arquitecturas submarinas reapropiadas por la vida.<\/p>\n\n\n\n All the underwater images included were shot between 2020 and 2023 in underwater urban areas where, paradoxically, torpedo rays live. These areas, which the artist calls postpunk, are in a constant state of transformation. The area extends from the maritime works on the extension of the breakwater of San Sebastian beach in Barcelona, with a metal hand-crane throwing concrete buckets, to the entire post-industrial area between the mouth of the Bes\u00f3s river, Sant Adri\u00e1, to the Pont del Petroli in Badalona, whose pillars were collapsed by the Gloria storm. Waste and underwater architectures are re-appropriated here by the pulse of life.<\/p>\n\n\n\n Varios estos fen\u00f3menos funcionan mezclados en nosotras, ya no es posible observar solo desde fuera o en vertical. Entonces, desde dentro, aparecen fantasmas, agujeros violentos y canciones fugaces.<\/p>\n\n\n\n Como alguna de las m\u00faltiples relaciones que el proyecto ha ido tejiendo, ha colaborado con el bi\u00f3logo marino y especialista en rayas y tiburones Claudio Barr\u00eda, en la observaci\u00f3n continuada de \u00e1reas y creando un dispositivo de filmaci\u00f3n no invasiva o BRUV<\/em><\/strong> (Baited Remoted Underwater Video) que funcionar\u00e1 como dispositivo ampliable y compartible con otres. Con Barr\u00eda ha generado hip\u00f3tesis de ciencia-ficci\u00f3n en torno a un agujero de conocimiento real: cu\u00e1l es el impacto ac\u00fastico en los cuerpos y morfolog\u00eda ac\u00fastica de estos animales urbanos, para lo que han pedido ayuda al especialista en bioac\u00fastica Michel Andr\u00e9. Este conocimiento tendr\u00eda el potencial de impactar en la futura conservaci\u00f3n de esta especie. Ambos procesos siguen abiertos y desbordan la pel\u00edcula.<\/p>\n\n\n\n Several of these phenomena are blended in us\u2014it is no longer possible to observe only from the outside or vertically. Then, ghosts, violent holes and fleeting songs appear.<\/p>\n\n\n\n In one of the many relationships the project has been generating, Zayas has collaborated with marine biologist and specialist in rays and sharks Claudio Barr\u00eda, in the continuous observation of certain areas, and in creating a non-invasive filming device or BRUV (Baited Remoted Underwater Video) that will function as an expandable and sharable tool. With Barr\u00eda, members of the project have generated science-fiction hypotheses to tackle a real, existing gap in scientific knowledge: the acoustic impact on the bodies of these urban animals, and their acoustic morphology, with which they have asked the bioacoustics specialist Michel Andr\u00e9 for help. Deepening knowledge of this has the potential to impact the future conservation of this species. Both processes are still ongoing, and are beyond the scope of the film.<\/p>\n\n\n\n Todo el proyecto ruido \u00ea<\/em> ha sido dirigido por Silvia Zayas y ha contado con la colaboraci\u00f3n permanente del bi\u00f3logo marino Claudio Barr\u00eda y la Asociaci\u00f3n para la conservaci\u00f3n de elasmobranquios Catsharks<\/a> y la colaboraci\u00f3n puntual del bioac\u00fastico Michel Andr\u00e9. Tambi\u00e9n con el acompa\u00f1amiento de Susana Jim\u00e9nez Carmona y Clara Piazuelo. Ha colaborado adem\u00e1s Anabel Colmenero, Instituto de Ciencias del Mar, Sara Riera, Underwater Barcelona, el club de buceo Sasba Badalona, Miguel \u00c1ngel de Heras, Xose Quiroga, Carmen Pardo, Mar Medina, Cris Blanco, Eli Lloveras, Sara Riera, y el grupo de estudiantes del programa GRAPA: Emma Prats, Isaac Marrero, Marta Martinez Riera, Irene Riera, Ramiro Arga\u00f1araz, Stella Dikmans, Carolina Almeida, Jes\u00fas B\u00e9jar P\u00e9rez, Lluc Falgueras, Alba Herrera, Louise Fernandez, Emma Prats, Guiu \u00dabeda, \u00d3scar Morales, Lucas De La Fuente, Darwin Buyll\u00e9 Goyri, Mia Sala-Patau, Irene Masqu\u00e9\u2026 entre otras. La pel\u00edcula cuenta adem\u00e1s con el etalonaje de Quiela Nuc y la posproducci\u00f3n de sonido de Josefina Rozenwasser.<\/p>\n\n\n\n The whole \u201cruido \u00ea\u201d project has been directed by Silvia Zayas and has included the permanent collaboration of the marine biologist Claudio Barr\u00eda and the Association for the conservation of elasmobranchs Catsharks; the biologists Sara Riera and Anabel Colmenero; the Institute of Marine Sciences (ICM); and the punctual collaboration of the bioacoustician Michel Andr\u00e9 and Marta Sol\u00e9 from LAB. It has also been informed by collaboration with Susana Jim\u00e9nez Carmona and Clara Piazuelo. Zayas has also collaborated with Underwater Barcelona, the diving club Sasba Badalona, Miguel \u00c1ngel de Heras, Xose Quiroga, Carmen Pardo, Mar Medina, Cris Blanco, Eli Lloveras. The group of students of the GRAPA program participated and collaborated in parts of the filming with the following people: Isaac Marrero, Marta Martinez Riera, Irene Riera, Ramiro Arga\u00f1araz, Stella Dikmans, Carolina Almeida, Jes\u00fas B\u00e9jar P\u00e9rez, Lluc Falgueras, Alba Herrera, Louise Fernandez, Emma Prats, Guiu \u00dabeda, \u00d3scar Morales, Lucas De La Fuente, Darwin Buyll\u00e9 Goyri, Mia Sala-Patau, and Irene Masqu\u00e9, among others. Color correction of the film was by Quiela Nuc, and sound post-production by Josefina Rozenwasser.<\/p>\n\n\n\n ruido \u00ea<\/em> ha sido apoyado por Artea \u2013 investigaci\u00f3n y creaci\u00f3n esc\u00e9nica<\/a>. Ha formado parte de GRAPA, un programa piloto impulsado por Hangar <\/a>y CCCB<\/a> para acompa\u00f1ar, abrir y relatar procesos de creaci\u00f3n art\u00edstica que se sit\u00faan en la intersecci\u00f3n del arte, la ciencia y la tecnolog\u00eda. Asimismo este programa es parte del proyecto RED ACTS impulsado por la Fundaci\u00f3n Daniel y Nina Carasso y liderado por UOC y Hac Te. ruido \u00ea <\/em>ha contado con el apoyo de \u201cComponer saberes para imaginar y construir futuros sostenibles 2021\u201d de la Fundaci\u00f3n Daniel y Nina Carasso<\/a>. La pel\u00edcula ha recibido tambi\u00e9n el soporte de TBA21 on st_age. <\/a><\/p>\n\n\n\n The project \u201cruido \u00ea\u201d has been supported by Artea \u2013 investigaci\u00f3n y creaci\u00f3n esc\u00e9nica<\/a>. ruido \u00ea <\/em>has been part of GRAPA, a pilot program promoted by Hangar and CCCB to accompany, open, and relate to artistic creation processes that are located at the intersection of art, science, and technology. This program is also part of the RED ACTS project promoted by the Daniel and Nina Carasso Foundation and led by UOC and Hac Te. ruido \u00ea<\/em> has been supported by the umbrella project \u201cComposing knowledge to imagine and build sustainable futures 2021\u201d of the Daniel and Nina Carasso Foundation. The film was also supported by TBA21 on st_age.<\/p>\n\n\n\n ruido \u00ea<\/em> and research materials. Season 05 \/ Episode 9. TBA21 onst_age.<\/a><\/p>\n\n\n\n Preestreno<\/a> en Kosmopolis<\/a> el 28 de octubre a las 11.30. CCCB. Barcelona.<\/p>\n\n\n\n April 12, 2024 \u2013 ruido \u00ea (the film)<\/a>. Rarefacci\u00f3 2024<\/a> curated by Sergi Botella. Hangar Barcelona.<\/p>\n\n\n\n June 1 \u2013 ruido \u00ea (the film).<\/a> Festival Tramas<\/a> curated by Juan Dom\u00ednguez. La Casa Encendida, Madrid.<\/p>\n\n\n\n November 18-24 \u2013 ruido \u00ea (the film) in the video library<\/strong><\/em>, Rencontres Internationales Paris\/Berlin, Par\u00eds, France.<\/p>\n","protected":false},"excerpt":{"rendered":" Silvia Zayas. 2023. 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