{"id":2961,"date":"2008-09-27T17:00:00","date_gmt":"2008-09-27T15:00:00","guid":{"rendered":"https:\/\/blog.uclm.es\/archivoartea\/?p=2961"},"modified":"2026-03-27T19:08:43","modified_gmt":"2026-03-27T18:08:43","slug":"1-poor-and-one-0","status":"publish","type":"post","link":"https:\/\/blog.uclm.es\/archivoartea\/2008\/09\/27\/1-poor-and-one-0\/","title":{"rendered":"1 poor and one 0"},"content":{"rendered":"\n

BADco<\/a>. 2008<\/h4>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\n
Ver v\u00eddeo (fragmento)<\/a><\/div>\n<\/div>\n\n\n\n

Directores: Tomislav Medak & Goran Sergej Prista\u0161
Autores e int\u00e9rpretes: Pravdan Devlahovi , Ivana Ivkovi , Aleksandra \u0107 \u0107 Janeva Imfeld, Ana Kreitmeyer, Tomislav Medak, Goran Sergej Prista\u0161, Nikolina Prista\u0161, Zrinka U\u017ebinec
Dramaturgia: Ivana Ivkovi\u0107
Escenograf\u00eda: Slaven Tolj
Vestuario: Silvio Vuji\u010di\u0107
V\u00eddeo: Ana Hu\u0161man
Iluminaci\u00f3n: Alan Vukeli\u0107
Sonido: Ivan Maru\u0161i\u0107-Klif
Inspirado en los trabajos de Auguste and Lois Lumi\u00e8re, Samuel Beckett, Vlado Kristl, Jean-Luc Godard y Harun Farocki.
Coproducci\u00f3n: BADco., Steirischer Herbst, SC Culture of Change – Theatre &TD
Apoyos: Consejer\u00eda de Educaci\u00f3n, Cultura y Deporte de Zagreb, Ministerio de Cultura de Croacia<\/p>\n\n\n\n

Lugar estreno: Dom im Berg, Steirischer Herbst, Graz, Austria<\/p>\n\n\n\n

En \u201c1 poor and one 0\u201d se retorna a la primera escena rodada en cine \u2013\u201c Los trabajadores saliendo de la f\u00e1brica Lumi\u00e8re\u201d: las puertas de la f\u00e1brica. Las im\u00e1genes en movimiento mostraban por primera vez a los obreros saliendo de su lugar de trabajo. El traslado de la plantilla desde el lugar de trabajo industrial al mundo del cine es el punto de partida para abordar la problem\u00e1tica relaci\u00f3n entre el cine y la representaci\u00f3n del trabajo. Desde sus inicios el cine ha tendido a dejar el \u00e1mbito laboral fuera del marco y se ha centrado en las historias de los trabajadores individuales una vez que han dejado su lugar de trabajo: sus romances, sus transgresiones, sus destinos en el curso de los acontecimientos mundiales. El cine comienza donde termina el trabajo. Partiendo de estas im\u00e1genes iniciales, \u201c1 poor and one 0\u201d explora los m\u00faltiples modos de dejar el trabajo a un lado. \u00bfQu\u00e9 ocurre cuando est\u00e1s cansado? \u00bfCu\u00e1l es el trabajo al que nos dedicamos para agotarnos? \u00bfQu\u00e9 viene despu\u00e9s del trabajo? \u00bfM\u00e1s trabajo? \u00bfQu\u00e9 pasa cuando no hay m\u00e1s trabajo? \u00bfCu\u00e1l es la complicidad entre la historia de la danza contempor\u00e1nea y la historia de la post-industrializaci\u00f3n? \u201c1 poor and one 0\u201d es una performance con doble funci\u00f3n: mientras los int\u00e9rpretes desarrollan ante la audiencia m\u00faltiples formas de disoluci\u00f3n del sujeto trabajador, el p\u00fablico es arrastrado poco a poco a un proceso de transformaci\u00f3n: desde el medio popular del cine al teatro pol\u00edtico del populismo. El teatro agotado en las im\u00e1genes en movimiento, las im\u00e1genes agotadas en el teatro de movimiento. Un cambio de perspectiva.<\/p>\n\n\n\n

Rese\u00f1as<\/strong><\/p>\n\n\n\n

The crystal-clear theatrical work whose methodical inexorability is reminiscent of analysis of the documentarian Harun Farocki, the perfection of dance performance and staging – make \u00ab1 [poor and one] 0\u00bb one of the highlights of this year’s steirischer herbst festival.
Willi Hengster, \u00absteirischer herbst: Festival des Also Ob\u00bb, Korso, November 2008 <\/strong><\/em><\/p>\n\n\n\n

[…] In the [cave of] Dom im Berg Zagreb-based BADco., in full reflective mode and dressed head-to-toe in denim, tread the trail of the first film ever made, \u00abWorkers Leaving the Factory\u00bb (1895). In the puzzlingly titled performance, \u00ab1 poor and one 0\u00bb, those people in blue used their bodies to contemplate issues of labor, film and dance in a post-industrial age, age of exhaustion and free time.
Thomas Wolkinger, \u00abDer Wahnsinn macht so m\u00fcde \u2013 steirischer herbst, die dritte Woche: Wir fressen Torte, wir saufen Schnaps\u00bb, Falter, 24-30. October 2008 <\/strong><\/em><\/p>\n\n\n\n

\u00ab1 poor and one 0\u00bb setts out from the first moving images in history – the workers exiting the Lumi\u00e8re factory – and it is a fitting coincidence that the first film image is also a document of the age of industrialization… this collaborative performance by BADco. should be read as an essayistic contemplation on the stoic movement through history of mechanization of labor, viewed from the particular perspective of film history.
J\u00fcrgen Berger, \u00abKuscheln zur Ungl\u00fccksvermeidung, Das Unfassbare is spielbar: Mag Stewart, Gis\u00e8le Vienne und die Zagreber Performancegruppe BADco beim Steirischen Herbst in Graz\u00bb, S\u00fcddeutsche Zeitung, 24. October 2008 <\/strong><\/em><\/p>\n\n\n\n

\u00ab1 poor and one 0\u00bb is less a theater performance and more multimedia theory presented live, a performed ans sampled essay that starts out with the first film ever made, \u00abWorkers Leaving the Factory\u00bb and deals with consequences of labor faced by the subject and by history of contemporary dance.
Astrid Hackel, \u00abDas Spiel vom Serienkiller\u00bb, Tageszeitung online (taz.de), 23. October 2008 <\/strong><\/em><\/p>\n\n\n\n

[…] BADco. in its production \u00ab1 poor and one 0\u00bb presents the working community, a world of labor in its passage into film. Commencing from the first film ever made, \u00abWorkers Leaving the Factory\u00bb from 1895.
Helmut Plebst, \u00abDie Analyse seelischer Sumpfgebiete\u00bb, Der Standard, 14. October 2008 <\/strong><\/em><\/p>\n\n\n\n

The innovative moment of this production can be found in a seductive coupling of the lyrical and the didactic, the intended imbalance of the \u00abscientific\u00bb (elucidated in lecture; declamatory; almost preaching) in contrast with the \u00abpoetic\u00bb (intimate, rebelliously illogical, rhetorically varied) approach to the body as an anti-machine.
Nata\u0161a Govedi\u0107, \u00abThe Speed of Light or Slowness of Hand\u00bb, Novi list, 17. January 2009<\/strong><\/em><\/p>\n\n\n\n

\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n<\/figure>\n","protected":false},"excerpt":{"rendered":"

BADco. 2008<\/p>\n","protected":false},"author":285,"featured_media":2965,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[28,34],"tags":[],"class_list":["post-2961","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-obra","category-video-obra"],"_links":{"self":[{"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/posts\/2961","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/users\/285"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/comments?post=2961"}],"version-history":[{"count":4,"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/posts\/2961\/revisions"}],"predecessor-version":[{"id":11252,"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/posts\/2961\/revisions\/11252"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/media\/2965"}],"wp:attachment":[{"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/media?parent=2961"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/categories?post=2961"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/tags?post=2961"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}