{"id":2700,"date":"2018-02-15T11:06:00","date_gmt":"2018-02-15T10:06:00","guid":{"rendered":"https:\/\/blog.uclm.es\/archivoartea\/?p=2700"},"modified":"2026-03-31T18:04:02","modified_gmt":"2026-03-31T16:04:02","slug":"the-words-of-others-miami-1","status":"publish","type":"post","link":"https:\/\/blog.uclm.es\/archivoartea\/2018\/02\/15\/the-words-of-others-miami-1\/","title":{"rendered":"The Words of Others-Miami"},"content":{"rendered":"\n<p><a href=\"https:\/\/blog.uclm.es\/archivoartea\/2017\/09\/16\/palabras-ajenas-de-leon-ferrari\/\" data-type=\"post\" data-id=\"11359\">Palabras ajenas, de Le\u00f3n Ferrari<\/a>. P\u00e9rez Art Museum Miami. 2018.<\/p>\n\n\n\n<p class=\"has-text-align-right\"><br><em>Conversations between God and <\/em><br><em>a few men and between a few men&nbsp;and a few men and God.<\/em><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>A project by Ruth Est\u00e9vez<\/p>\n\n\n\n<p>Direction, dramaturgy and set design: Jos\u00e9 A. S\u00e1nchez, Juan Ernesto D\u00edaz and Ruth Est\u00e9vez.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"832\" height=\"508\" src=\"https:\/\/blog.uclm.es\/archivoartea\/wp-content\/uploads\/sites\/323\/2018\/12\/The-Words-of-Others.-Leon-Ferrari.-PAMM.-Miami.-2018.-Primera-parte-3.png\" alt=\"\" class=\"wp-image-3967\" srcset=\"https:\/\/blog.uclm.es\/archivoartea\/wp-content\/uploads\/sites\/323\/2018\/12\/The-Words-of-Others.-Leon-Ferrari.-PAMM.-Miami.-2018.-Primera-parte-3.png 832w, https:\/\/blog.uclm.es\/archivoartea\/wp-content\/uploads\/sites\/323\/2018\/12\/The-Words-of-Others.-Leon-Ferrari.-PAMM.-Miami.-2018.-Primera-parte-3-300x183.png 300w, https:\/\/blog.uclm.es\/archivoartea\/wp-content\/uploads\/sites\/323\/2018\/12\/The-Words-of-Others.-Leon-Ferrari.-PAMM.-Miami.-2018.-Primera-parte-3-768x469.png 768w\" sizes=\"auto, (max-width: 832px) 100vw, 832px\" \/><\/figure>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-a89b3969 wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/vimeo.com\/336434724\" target=\"_blank\" rel=\"noreferrer noopener\"> Video 1<\/a><\/div>\n\n\n\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/vimeo.com\/336434724?fl=pl&amp;fe=ti\">Video 2<\/a><\/div>\n\n\n\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/www.facebook.com\/perezartmuseummiami\/videos\/1562066937207738\/\" target=\"_blank\" rel=\"noreferrer noopener\">Promo<\/a><\/div>\n<\/div>\n\n\n\n<ul class=\"wp-block-list\">\n<li>First published by Falbo Editor. Buenos Aires, 1967.&nbsp;<\/li>\n\n\n\n<li>English version published by REDCAT and X Artists\u2019 Books, Los Angeles, 2017.&nbsp;<\/li>\n\n\n\n<li>Research and edition: Ruth Est\u00e9vez,&nbsp;Agust\u00edn D\u00edez Fischer, Miguel A. L\u00f3pez. Associate researcher: Carmen Amengual. \/&nbsp;Assistant Researchers: Andrea Santizo and Juliana Luj\u00e1n.&nbsp;<\/li>\n\n\n\n<li>Translated by Antena (Jen Hofer with Tupac Cruz and Rom\u00e1n Luj\u00e1n).&nbsp;<\/li>\n\n\n\n<li>Script Adaptation: Jos\u00e9 A. S\u00e1nchez. \/&nbsp;Sound design: Juan Ernesto D\u00edaz.&nbsp;<\/li>\n\n\n\n<li>Production assistant: Carmen Amengual. \/&nbsp;Stage manager:&nbsp; Mia Lewis<strong>Readers \/ Lectores:<\/strong>&nbsp;Ade Omotosho, Adler Guerrier, Aidil Oscariz, Alexandre Arrechea, Atena Sherry, Aubrey Kessler, Carmen Pel\u00e1ez, Cathy Byrd, Charles Sothers, Daniel Gil, Elyanis Sanchez, Felice Grodin, Francesca Menes, Gabril H. P\u00e9rez, Jason Fitzroy Jeffers, Lauren Jenkins, Leopoldo Maler, Luckner Bruno, Marcela Paguagua, Marco Barrios, Maria Trujillo, Maritza Lacayo, Mark Handforth, Meena Jagannath, Michelle Antelo, Mitch Lemos, Ninotchka Barrios, Oscar Quesada, Oscar Rieveling, Tai Thompson, Thiana Berrick, Vanya Allen.<\/li>\n<\/ul>\n\n\n\n<div data-wp-interactive=\"core\/file\" class=\"wp-block-file\"><object data-wp-bind--hidden=\"!state.hasPdfPreview\" hidden class=\"wp-block-file__embed\" data=\"https:\/\/blog.uclm.es\/archivoartea\/wp-content\/uploads\/sites\/323\/2018\/12\/2018.02.-The-words-of-others-Miami_compressed.pdf\" type=\"application\/pdf\" style=\"width:100%;height:600px\" aria-label=\"Incrustado de 2018.02.-The-words-of-others-Miami_compressed.\"><\/object><a id=\"wp-block-file--media-851ba9cc-6b79-4681-802e-2cec804cffc0\" href=\"https:\/\/blog.uclm.es\/archivoartea\/wp-content\/uploads\/sites\/323\/2018\/12\/2018.02.-The-words-of-others-Miami_compressed.pdf\">2018.02.-The-words-of-others-Miami_compressed<\/a><a href=\"https:\/\/blog.uclm.es\/archivoartea\/wp-content\/uploads\/sites\/323\/2018\/12\/2018.02.-The-words-of-others-Miami_compressed.pdf\" class=\"wp-block-file__button wp-element-button\" download aria-describedby=\"wp-block-file--media-851ba9cc-6b79-4681-802e-2cec804cffc0\">Descarga<\/a><\/div>\n\n\n\n<p>Noticias y documentos:<\/p>\n\n\n\n<p><a href=\"http:\/\/leedor.com\/2018\/02\/09\/leon-ferrari-y-su-historica-instalacion-palabras-ajenas-en-miami\/\" target=\"_blank\" rel=\"noreferrer noopener\">&gt;&gt; Leedor: Le\u00f3n Ferrari y su hist\u00f3rica instalaci\u00f3n Palabras ajenas en Miami<\/a>&nbsp;(9\/02\/2018)<\/p>\n\n\n\n<p><a href=\"https:\/\/www.clarin.com\/cultura\/inaugura-palabras-ajenas-leon-ferrari-critica-guerra-vietnam_0_SyYK681wM.html\" target=\"_blank\" rel=\"noreferrer noopener\">&gt;&gt; Clarin: Abre una muestra de Le\u00f3n Ferrari que se act\u00faa y se lee<\/a>&nbsp;(12\/02\/2018)<\/p>\n\n\n\n<p><a href=\"https:\/\/www.lanacion.com.ar\/2111673-la-pesadilla-del-papa-leon-ferrari-el-artista-blasfemo-que-no-se-calla\" target=\"_blank\" rel=\"noreferrer noopener\">&gt;&gt; La Naci\u00f3n: La pesadilla del Papa. Le\u00f3n Ferrari, el artista blasfemo que no se calla<\/a>&nbsp;(25\/02\/2018)<\/p>\n\n\n\n<p><a href=\"http:\/\/www.elnuevoherald.com\/ultimas-noticias\/article209710389.html\" target=\"_blank\" rel=\"noreferrer noopener\">&gt;&gt; Le\u00f3n Ferrari: el activismo social para el arte. El Nuevo Herald.&nbsp;<\/a><\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1014\" height=\"768\" data-id=\"3968\" src=\"https:\/\/blog.uclm.es\/archivoartea\/wp-content\/uploads\/sites\/323\/2018\/12\/The-Words-of-Others.-Leon-Ferrari.-PAMM.-Miami.-2018.-Primera-parte-1.jpg\" alt=\"\" class=\"wp-image-3968\" srcset=\"https:\/\/blog.uclm.es\/archivoartea\/wp-content\/uploads\/sites\/323\/2018\/12\/The-Words-of-Others.-Leon-Ferrari.-PAMM.-Miami.-2018.-Primera-parte-1.jpg 1014w, https:\/\/blog.uclm.es\/archivoartea\/wp-content\/uploads\/sites\/323\/2018\/12\/The-Words-of-Others.-Leon-Ferrari.-PAMM.-Miami.-2018.-Primera-parte-1-300x227.jpg 300w, https:\/\/blog.uclm.es\/archivoartea\/wp-content\/uploads\/sites\/323\/2018\/12\/The-Words-of-Others.-Leon-Ferrari.-PAMM.-Miami.-2018.-Primera-parte-1-768x582.jpg 768w\" sizes=\"auto, (max-width: 1014px) 100vw, 1014px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"912\" height=\"529\" data-id=\"3969\" src=\"https:\/\/blog.uclm.es\/archivoartea\/wp-content\/uploads\/sites\/323\/2018\/12\/The-Words-of-Others.-Leon-Ferrari.-PAMM.-Miami.-2018.-Primera-parte-1.png\" alt=\"\" class=\"wp-image-3969\" srcset=\"https:\/\/blog.uclm.es\/archivoartea\/wp-content\/uploads\/sites\/323\/2018\/12\/The-Words-of-Others.-Leon-Ferrari.-PAMM.-Miami.-2018.-Primera-parte-1.png 912w, https:\/\/blog.uclm.es\/archivoartea\/wp-content\/uploads\/sites\/323\/2018\/12\/The-Words-of-Others.-Leon-Ferrari.-PAMM.-Miami.-2018.-Primera-parte-1-300x174.png 300w, https:\/\/blog.uclm.es\/archivoartea\/wp-content\/uploads\/sites\/323\/2018\/12\/The-Words-of-Others.-Leon-Ferrari.-PAMM.-Miami.-2018.-Primera-parte-1-768x445.png 768w\" sizes=\"auto, (max-width: 912px) 100vw, 912px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"225\" height=\"225\" data-id=\"11540\" src=\"https:\/\/blog.uclm.es\/archivoartea\/wp-content\/uploads\/sites\/323\/2018\/12\/2018.02.-Palabras-ajenas-Miami.jpeg\" alt=\"\" class=\"wp-image-11540\" srcset=\"https:\/\/blog.uclm.es\/archivoartea\/wp-content\/uploads\/sites\/323\/2018\/12\/2018.02.-Palabras-ajenas-Miami.jpeg 225w, https:\/\/blog.uclm.es\/archivoartea\/wp-content\/uploads\/sites\/323\/2018\/12\/2018.02.-Palabras-ajenas-Miami-150x150.jpeg 150w\" sizes=\"auto, (max-width: 225px) 100vw, 225px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"907\" height=\"680\" data-id=\"11539\" src=\"https:\/\/blog.uclm.es\/archivoartea\/wp-content\/uploads\/sites\/323\/2018\/12\/2018.-Palabras-ajenas-Miami-1.jpg\" alt=\"\" class=\"wp-image-11539\" srcset=\"https:\/\/blog.uclm.es\/archivoartea\/wp-content\/uploads\/sites\/323\/2018\/12\/2018.-Palabras-ajenas-Miami-1.jpg 907w, https:\/\/blog.uclm.es\/archivoartea\/wp-content\/uploads\/sites\/323\/2018\/12\/2018.-Palabras-ajenas-Miami-1-300x225.jpg 300w, https:\/\/blog.uclm.es\/archivoartea\/wp-content\/uploads\/sites\/323\/2018\/12\/2018.-Palabras-ajenas-Miami-1-768x576.jpg 768w\" sizes=\"auto, (max-width: 907px) 100vw, 907px\" \/><\/figure>\n<\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Perez Art Museum. 2018<\/p>\n","protected":false},"author":510,"featured_media":3969,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[479,28,34],"tags":[318,425,315],"class_list":["post-2700","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-teatralidades-expandidas","category-obra","category-video-obra","tag-political-theatre","tag-politics","tag-violence"],"_links":{"self":[{"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/posts\/2700","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/users\/510"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/comments?post=2700"}],"version-history":[{"count":9,"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/posts\/2700\/revisions"}],"predecessor-version":[{"id":11640,"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/posts\/2700\/revisions\/11640"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/media\/3969"}],"wp:attachment":[{"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/media?parent=2700"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/categories?post=2700"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/tags?post=2700"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}