{"id":1816,"date":"2003-07-26T13:04:00","date_gmt":"2003-07-26T11:04:00","guid":{"rendered":"https:\/\/blog.uclm.es\/archivoartea\/?p=1816"},"modified":"2026-04-04T17:05:39","modified_gmt":"2026-04-04T15:05:39","slug":"susite-au-dernier-mot","status":"publish","type":"post","link":"https:\/\/blog.uclm.es\/archivoartea\/2003\/07\/26\/susite-au-dernier-mot\/","title":{"rendered":"Suite au dernier mot"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">(au fond tout est surface)<\/h2>\n\n\n\n<h4 class=\"wp-block-heading\"><a href=\"https:\/\/blog.uclm.es\/archivoartea\/1998\/01\/26\/olga-mesa\/\" data-type=\"post\" data-id=\"1814\">Olga Mesa<\/a>. 2001<\/h4>\n\n\n\n<figure class=\"wp-block-image aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"340\" height=\"233\" src=\"https:\/\/blog.uclm.es\/archivoartea\/wp-content\/uploads\/sites\/323\/2025\/07\/Olga-Mesa-2003-Suite-au-dernier-mot-Foto-Marc-Hwang.jpeg\" alt=\"\" class=\"wp-image-1817\" style=\"aspect-ratio:1.4593096497858402;width:650px;height:auto\" srcset=\"https:\/\/blog.uclm.es\/archivoartea\/wp-content\/uploads\/sites\/323\/2025\/07\/Olga-Mesa-2003-Suite-au-dernier-mot-Foto-Marc-Hwang.jpeg 340w, https:\/\/blog.uclm.es\/archivoartea\/wp-content\/uploads\/sites\/323\/2025\/07\/Olga-Mesa-2003-Suite-au-dernier-mot-Foto-Marc-Hwang-300x206.jpeg 300w\" sizes=\"auto, (max-width: 340px) 100vw, 340px\" \/><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-a89b3969 wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/vimeo.com\/404602924\" target=\"_blank\" rel=\"noreferrer noopener\">Ver v\u00eddeo 1<\/a><\/div>\n\n\n\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/vimeo.com\/404602754\" target=\"_blank\" rel=\"noreferrer noopener\">Ver v\u00eddeo 2<\/a><\/div>\n<\/div>\n\n\n\n<p>Int\u00e9rpretes: Olga Mesa<\/p>\n\n\n\n<p>Colaboradores:<br>Espacio audiovisual y sonoro: Daniel Miracle. Asistente coreogr\u00e1fico: Marc Hwang. Textos para (no) ser escuchados: Olga Mesa, con la inspiraci\u00f3n de Jean Luc Godard. Fotografia: Marc Hwang, Daniel Miracle, Ir\u00fan. Traducci\u00f3n: Caroline Coutau. Agradecimientos: La Ribot, Isabelle Morell, Neokinok.tv, Gregorio Viera, Carmelo Fern\u00e1ndez, Juan Ben\u00edtez, Valerie Lanciaux, Yann Marussich, Agn\u00e8s Hardy, Sophie Lepoutre, Charo Calvo, Jeroen Smits<\/p>\n\n\n\n<p>Producci\u00f3n:<br>Compa\u00f1\u00eda Olga Mesa. Coproducci\u00f3n: Centre National de la Danse (CND &#8211; Paris), El Ojo de la Faraona (Canarias), Espace Pier Paolo Pasolini (Valenciennes), Consejer\u00eda de las Artes (Comunidad de Madrid). Colaboraci\u00f3n: Th\u00e9\u00e2tre de la Ville (Paris). Apoyos: Association pour la Danse Contemporaine (ADC &#8211; Ginebra), Th\u00e9\u00e2tre de l&#8217;usine (Ginebra). Lugar estreno: CND (Par\u00eds)<\/p>\n\n\n\n<h5 class=\"wp-block-heading\">Estructura del espect\u00e1culo:<\/h5>\n\n\n\n<p>TABLEAU 1: Prologue<br>TABLEAU 2: Visibilit\u00e9<br>TABLEAU 3: Une histoire<br>TABLEAU 4: Nana<br>TABLEAU 5: En construction<br>TABLEAU 6: On continue?<br>TABLEAU 7: Sans image<br>TABLEAU 8: Lettre \u00e0 Joan<br>TABLEAU 9: Yeux ferm\u00e9s<br>TABLEAU 10: La petite danse<br>TABLEAU 11: Storyboard<br>TABLEAU 12: Invitation<br>TABLEAU 13: En construction II, on continue?<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"512\" src=\"https:\/\/blog.uclm.es\/archivoartea\/wp-content\/uploads\/sites\/323\/2025\/07\/Olga-Mesa-2003-Suite-1.avif\" alt=\"\" class=\"wp-image-1945\" srcset=\"https:\/\/blog.uclm.es\/archivoartea\/wp-content\/uploads\/sites\/323\/2025\/07\/Olga-Mesa-2003-Suite-1.avif 640w, https:\/\/blog.uclm.es\/archivoartea\/wp-content\/uploads\/sites\/323\/2025\/07\/Olga-Mesa-2003-Suite-1-300x240.jpg 300w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/figure>\n\n\n\n<p>Textos<\/p>\n\n\n\n<p><a href=\"https:\/\/blog.uclm.es\/archivoartea\/2011\/07\/26\/la-imagen-del-pensamiento\/\">La imagen del pensamiento<\/a> &#8211; Amparo \u00c9cija &#8211; 2011<\/p>\n\n\n\n<h5 class=\"wp-block-heading\">Cr\u00edtica<\/h5>\n\n\n\n<p><a href=\"https:\/\/blog.uclm.es\/archivoartea\/wp-content\/uploads\/sites\/323\/2025\/07\/Olga-Mesa-2003-Suite-critica.pdf\">Profunda y sincera autopsia del deseo<\/a> &#8211; Julia Mart\u00edn &#8211; El Mundo &#8211; 2001<\/p>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-a89b3969 wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/vimeo.com\/404602924\" target=\"_blank\" rel=\"noreferrer noopener\">Ver v\u00eddeo 1<\/a><\/div>\n\n\n\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/vimeo.com\/404602754\">Ver v\u00eddeo 2<\/a><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Olga Mesa. 2003. Coreograf\u00eda y dispositivo audiovisual<\/p>\n","protected":false},"author":285,"featured_media":1817,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[28,34],"tags":[151,339],"class_list":["post-1816","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-obra","category-video-obra","tag-dispositivos","tag-nueva-danza"],"_links":{"self":[{"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/posts\/1816","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/users\/285"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/comments?post=1816"}],"version-history":[{"count":9,"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/posts\/1816\/revisions"}],"predecessor-version":[{"id":11459,"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/posts\/1816\/revisions\/11459"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/media\/1817"}],"wp:attachment":[{"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/media?parent=1816"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/categories?post=1816"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/tags?post=1816"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}