{"id":12423,"date":"2020-06-13T17:09:00","date_gmt":"2020-06-13T15:09:00","guid":{"rendered":"https:\/\/blog.uclm.es\/archivoartea\/?p=12423"},"modified":"2026-04-13T17:11:20","modified_gmt":"2026-04-13T15:11:20","slug":"reinaldo-ribeiro","status":"publish","type":"post","link":"https:\/\/blog.uclm.es\/archivoartea\/2020\/06\/13\/reinaldo-ribeiro\/","title":{"rendered":"Reinaldo Ribeiro"},"content":{"rendered":"\n<p>MPECV 2019-20<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/blog.uclm.es\/archivoartea\/wp-content\/uploads\/sites\/323\/2026\/04\/Reinaldo-1.jpeg\" alt=\"\" class=\"wp-image-12424\" srcset=\"https:\/\/blog.uclm.es\/archivoartea\/wp-content\/uploads\/sites\/323\/2026\/04\/Reinaldo-1.jpeg 1024w, https:\/\/blog.uclm.es\/archivoartea\/wp-content\/uploads\/sites\/323\/2026\/04\/Reinaldo-1-300x300.jpeg 300w, https:\/\/blog.uclm.es\/archivoartea\/wp-content\/uploads\/sites\/323\/2026\/04\/Reinaldo-1-150x150.jpeg 150w, https:\/\/blog.uclm.es\/archivoartea\/wp-content\/uploads\/sites\/323\/2026\/04\/Reinaldo-1-768x768.jpeg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>Artista transoce\u00e1nico \u2013 bitch conceptual \u2013 amante afrofuturista.<\/p>\n\n\n\n<p>Como creador transita entre los campos de la coreograf\u00eda, las artes esc\u00e9nicas y el perreo c\u00f3smico. Su trabajo explora lo que \u00e9l define como 4P Concept: la relaci\u00f3n entre lo pol\u00edtico, lo po\u00e9tico, lo personal y lo pat\u00e9tico.<\/p>\n\n\n\n<p><a href=\"https:\/\/linktr.ee\/reinaldoribeiro\">https:\/\/linktr.ee\/reinaldoribeiro<\/a><\/p>\n\n\n\n<p><a href=\"http:\/\/www.reinaldoribeiro.eu\/\">www.reinaldoribeiro.eu<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>MPECV 2019-20<\/p>\n","protected":false},"author":561,"featured_media":12424,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[121],"tags":[],"class_list":["post-12423","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mpecv"],"_links":{"self":[{"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/posts\/12423","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/users\/561"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/comments?post=12423"}],"version-history":[{"count":1,"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/posts\/12423\/revisions"}],"predecessor-version":[{"id":12425,"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/posts\/12423\/revisions\/12425"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/media\/12424"}],"wp:attachment":[{"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/media?parent=12423"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/categories?post=12423"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/tags?post=12423"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}