{"id":12164,"date":"2015-04-05T16:49:00","date_gmt":"2015-04-05T14:49:00","guid":{"rendered":"https:\/\/blog.uclm.es\/archivoartea\/?p=12164"},"modified":"2026-04-05T21:07:34","modified_gmt":"2026-04-05T19:07:34","slug":"things-said-once-cosas-dichas-una-vez","status":"publish","type":"post","link":"https:\/\/blog.uclm.es\/archivoartea\/2015\/04\/05\/things-said-once-cosas-dichas-una-vez\/","title":{"rendered":"Things Said Once \/ Cosas dichas una vez"},"content":{"rendered":"\n

Esperanza Collado<\/a>. 2015-24<\/h4>\n\n\n\n

Performance and text \/ Performance y texto<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n
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See video \/ Ver v\u00eddeo (fragmento)<\/a><\/div>\n<\/div>\n\n\n\n
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Fabricated books, balloon, film reels, plants, prints and photographs, 35mm slides, 16mm film projector and slide projector <\/p>\n\n\n\n

<\/div>\n\n\n\n

Read text in English<\/a> \u23aa French<\/a>\u23aa Spanish<\/a> \u23aa Mandarin<\/a> \u23aa Persian <\/a>\u23aa Swedish<\/a><\/p>\n\n\n\n

Things Said Once<\/em> exists as a comic<\/a> too, with drawings by Paula Guerrero.<\/p>\n\n\n\n

As a performance, Things Said Once<\/em> has been presented in Teheran, Madrid, Taipei, Mexico City, Oberhausen, Montevideo, Barcelona, Cuenca, M\u00e1laga, Brussels, Bristol, New York.<\/p>\n\n\n\n

Thanks to: Rafa Mart\u00ednez del Pozo, Rouzbeh Rashidi, Isabel de Naver\u00e1n, Maximilian Le Cain, N\u00faria G\u00f3mez Gabriel, Toni D’Angela, \u00c9rik Bullot, Robert Smart, Pip Chodorov and New Media Society.<\/p>\n\n\n\n

Things Said Once<\/em> is an artistic statement and a tribute to film and cinema that acknowledges its history and our responsibility for its continuity in the present. Written as a poem, the text is built around the concept of cinema as experience in its spatial, temporal, and communitarian or social dimensions.As a performance, Things Said Once<\/em> is presented as a reading in a curated environment that includes a series of performative actions and objects through which the text unfolds.<\/p>\n\n\n\n

\u00ab[…] Esperanza Collado\u2019s insightful and generous essay \u2018Things Said Once\u2019, a rigorously constructed series of citations drawn in part from her research on paracinematic practices. One of the key figures that emerges here is Hollis Frampton who was the first figure to introduce us to the idea of the artist or filmmaker as \u2018metahistorian\u2019, revealing a means by which the history of cinema could be used to act upon itself thereby destabilising the apparent security of our current condition. <\/p>\n\n\n\n

[…]Esperanza\u2019s assemblage mimics those strategies devised by Walter Benjamin for Arcades Project, resulting in a work which gains its meaning through the arrangement of its material.\u00bb (Daniel Fitzpatrick and Alice Butler in \u00abIntroduction\u00bb, in Luminous Void: Experimental Film Society Documents, EFS Dublin, Ireland, 2017)<\/p>\n<\/div>\n\n\n\n

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Libros de creaci\u00f3n propia, globos, bobinas de pel\u00edcula, plantas, grabados y fotograf\u00edas, diapositivas de 35 mm, proyector de cine de 16 mm y proyector de diapositivas<\/p>\n\n\n\n

Leer el texto en ingl\u00e9s<\/a> \u23aa franc\u00e9s<\/a>\u23aa espa\u00f1ol<\/a> \u23aa mandar\u00edn<\/a> \u23aa persa <\/a>\u23aa sueco<\/a><\/p>\n\n\n\n

Things Said Once<\/em> tambi\u00e9n existe en formato c\u00f3mic, con dibujos de Paula Guerrero.<\/p>\n\n\n\n

Como performance, Things Said Once<\/em> se ha presentado en Teher\u00e1n, Madrid, Taip\u00e9i, Ciudad de M\u00e9xico, Oberhausen, Montevideo, Barcelona, Cuenca, M\u00e1laga, Bruselas, Bristol y Nueva York.<\/p>\n\n\n\n

Agradecimientos a: Rafa Mart\u00ednez del Pozo, Rouzbeh Rashidi, Isabel de Naver\u00e1n, Maximilian Le Cain, N\u00faria G\u00f3mez Gabriel, Toni D’Angela, \u00c9rik Bullot, Robert Smart, Pip Chodorov y New Media Society.<\/p>\n\n\n\n

Things Said Once<\/em> es una declaraci\u00f3n art\u00edstica y un homenaje al cine que reconoce su historia y nuestra responsabilidad por su continuidad en el presente. Escrito a modo de poema, el texto se articula en torno al concepto del cine como experiencia en sus dimensiones espaciales, temporales y comunitarias o sociales. Como performance, Things Said Once se presenta como una lectura en un entorno comisariado que incluye una serie de acciones performativas y objetos a trav\u00e9s de los cuales se desarrolla el texto.<\/p>\n\n\n\n

\u00ab[\u2026] El perspicaz y generoso ensayo de Esperanza Collado, \u00abThings Said Once\u00bb, una serie de citas rigurosamente elaboradas que se nutren en parte de su investigaci\u00f3n sobre las pr\u00e1cticas paracinem\u00e1ticas. Una de las figuras clave que surge aqu\u00ed es Hollis Frampton, quien fue el primero en presentarnos la idea del artista o cineasta como \u00abmetahistoriador\u00bb, revelando un medio por el cual la historia del cine podr\u00eda utilizarse para actuar sobre s\u00ed misma, desestabilizando as\u00ed la aparente seguridad de nuestra condici\u00f3n actual.<\/p>\n\n\n\n

[\u2026] El ensamblaje de Esperanza imita las estrategias ideadas por Walter Benjamin para el Proyecto de las Galer\u00edas, lo que da como resultado una obra que adquiere su significado a trav\u00e9s de la disposici\u00f3n de su material.\u00bb (Daniel Fitzpatrick y Alice Butler en \u00abIntroducci\u00f3n\u00bb, en Luminous Void: Experimental Film Society Documents, EFS Dubl\u00edn, Irlanda, 2017)<\/p>\n\n\n\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Ser more \/ Ver m\u00e1s<\/a><\/div>\n<\/div>\n\n\n\n

See also \/ Ver tambi\u00e9n:<\/p>\n\n\n\n

Things Said Once \/ Cosas dichas una vez<\/a> (printed edition \/ edici\u00f3n impress)<\/p>\n","protected":false},"excerpt":{"rendered":"

Esperanza Collado. 2015. Performance<\/p>\n","protected":false},"author":285,"featured_media":12165,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[28,159],"tags":[507,532],"class_list":["post-12164","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-obra","category-video-documento","tag-conferencia-performativa","tag-paracinema"],"_links":{"self":[{"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/posts\/12164","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/users\/285"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/comments?post=12164"}],"version-history":[{"count":4,"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/posts\/12164\/revisions"}],"predecessor-version":[{"id":12223,"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/posts\/12164\/revisions\/12223"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/media\/12165"}],"wp:attachment":[{"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/media?parent=12164"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/categories?post=12164"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/tags?post=12164"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}