{"id":11104,"date":"2018-03-26T15:41:00","date_gmt":"2018-03-26T13:41:00","guid":{"rendered":"https:\/\/blog.uclm.es\/archivoartea\/?p=11104"},"modified":"2026-03-29T14:01:12","modified_gmt":"2026-03-29T12:01:12","slug":"poeticas-posanarquistas","status":"publish","type":"post","link":"https:\/\/blog.uclm.es\/archivoartea\/2018\/03\/26\/poeticas-posanarquistas\/","title":{"rendered":"Po\u00e9ticas posanarquistas"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Clean Room de Juan Dom\u00ednguez<\/h2>\n\n\n\n<h4 class=\"wp-block-heading\"><a href=\"https:\/\/blog.uclm.es\/archivoartea\/2000\/11\/15\/diana-delgado-urena\/\" data-type=\"post\" data-id=\"5596\">Diana Delgado-Ure\u00f1a<\/a><\/h4>\n\n\n\n<h5 class=\"wp-block-heading\">2018<\/h5>\n\n\n\n<h5 class=\"wp-block-heading\">Referencia bibliogr\u00e1fica<\/h5>\n\n\n\n<p>TIEMPOS de Habitar: pr\u00e1cticas art\u00edsticas y mundos posibles. Oscar Cornago y Zara Rodr\u00edguez Prieto (eds.) [Cuenca, etc.]: Genueve Ediciones 2019<\/p>\n\n\n\n<div data-wp-interactive=\"core\/file\" class=\"wp-block-file\"><object data-wp-bind--hidden=\"!state.hasPdfPreview\" hidden class=\"wp-block-file__embed\" data=\"https:\/\/blog.uclm.es\/archivoartea\/wp-content\/uploads\/sites\/323\/2026\/03\/Reconectar-la-poesia-al-cuerpo.pdf\" type=\"application\/pdf\" style=\"width:100%;height:600px\" aria-label=\"Incrustado de Reconectar-la-poesi\u0301a-al-cuerpo.\"><\/object><a id=\"wp-block-file--media-6a42ca57-0a2d-49d6-a578-7e7deb7473e8\" href=\"https:\/\/blog.uclm.es\/archivoartea\/wp-content\/uploads\/sites\/323\/2026\/03\/Reconectar-la-poesia-al-cuerpo.pdf\">Reconectar-la-poesi\u0301a-al-cuerpo<\/a><a href=\"https:\/\/blog.uclm.es\/archivoartea\/wp-content\/uploads\/sites\/323\/2026\/03\/Reconectar-la-poesia-al-cuerpo.pdf\" class=\"wp-block-file__button wp-element-button\" download aria-describedby=\"wp-block-file--media-6a42ca57-0a2d-49d6-a578-7e7deb7473e8\">Descarga<\/a><\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Documentos relacionados<\/h4>\n\n\n\n<h5 class=\"wp-block-heading\">PROYECTOS I+D<\/h5>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/blog.uclm.es\/archivoartea\/2014\/02\/25\/las-practicas-escenicas-como-forma-social-del-conocimiento\/\" data-type=\"post\" data-id=\"9312\">Las pr\u00e1cticas esc\u00e9nicas como forma social del conocimiento: una revisi\u00f3n cr\u00edtica de la idea de participaci\u00f3n en el contexto de las democracias<\/a><\/li>\n<\/ul>\n\n\n\n<p><\/p>\n\n\n\n<h5 class=\"wp-block-heading\">OBRAS<\/h5>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em><a href=\"https:\/\/blog.uclm.es\/archivoartea\/2014\/09\/22\/clean-room-segunda-temporada\/\" data-type=\"post\" data-id=\"2498\">Clean Room \/ segunda temporada<\/a>,<\/em> Juan Dom\u00ednguez, 2014<\/li>\n<\/ul>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Clean Room de Juan Dom\u00ednguez. Diana Delgado-Ure\u00f1a, 2018<\/p>\n","protected":false},"author":561,"featured_media":6766,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[21],"tags":[164,111,107],"class_list":["post-11104","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-textos-es","tag-comunidad","tag-coreografia","tag-poesia"],"_links":{"self":[{"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/posts\/11104","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/users\/561"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/comments?post=11104"}],"version-history":[{"count":1,"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/posts\/11104\/revisions"}],"predecessor-version":[{"id":11106,"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/posts\/11104\/revisions\/11106"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/media\/6766"}],"wp:attachment":[{"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/media?parent=11104"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/categories?post=11104"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/tags?post=11104"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}