{"id":10246,"date":"2015-09-19T20:52:00","date_gmt":"2015-09-19T18:52:00","guid":{"rendered":"https:\/\/blog.uclm.es\/archivoartea\/?p=10246"},"modified":"2026-03-19T20:56:12","modified_gmt":"2026-03-19T19:56:12","slug":"a-pesquisa-artistica-e-a-arte-dos-dispositivos","status":"publish","type":"post","link":"https:\/\/blog.uclm.es\/archivoartea\/2015\/09\/19\/a-pesquisa-artistica-e-a-arte-dos-dispositivos\/","title":{"rendered":"A pesquisa art\u00edstica e a arte dos dispositivos"},"content":{"rendered":"\n<h4 class=\"wp-block-heading\"><a href=\"https:\/\/blog.uclm.es\/archivoartea\/2000\/02\/21\/jose-a-sanchez\/\" data-type=\"post\" data-id=\"5613\">Jos\u00e9 A. S\u00e1nchez<\/a>. 2015<\/h4>\n\n\n\n<p>Quest\u00e3o de Cr\u00edtica \u2013 Revista eletr\u00f4nica de cr\u00edticas e estudos teatrais, Vol. VIII, n\u00ba 65<\/p>\n\n\n\n<p>As artes contempor\u00e2neas t\u00eam sido absorvidas pelo paradigma da pesquisa. Embora a pesquisa art\u00edstica n\u00e3o seja conflituosa com a produ\u00e7\u00e3o nem com os jogos, os modos de fazer e estar de quem dela participa s\u00e3o diferentes dos assumidos por quem participava dos circuitos de produ\u00e7\u00e3o e exibi\u00e7\u00e3o art\u00edstica habituais d\u00e9cadas atr\u00e1s. A pesquisa art\u00edstica n\u00e3o \u00e9 incompat\u00edvel com o mercado, mas, sim, com a especula\u00e7\u00e3o. Tampouco \u00e9 incompat\u00edvel com as institui\u00e7\u00f5es, mas, sim, com o controle ideol\u00f3gico, a instrumentaliza\u00e7\u00e3o ou a censura. Pois o objetivo da pesquisa art\u00edstica n\u00e3o \u00e9 a produ\u00e7\u00e3o de obras (sejam materiais ou imateriais), sen\u00e3o a articula\u00e7\u00e3o de saberes e conhecimentos. E tanto a especula\u00e7\u00e3o como o controle pol\u00edtico s\u00e3o hostis ao enriquecimento do saber e \u00e0 dissemina\u00e7\u00e3o do conhecimento: os especuladores, ao ocult\u00e1-los e privatiz\u00e1-los em processos de monop\u00f3lio e vendas abusivas; os agentes pol\u00edticos, ao distorc\u00ea-los ou diretamente cerce\u00e1- los mediante a priva\u00e7\u00e3o de direitos fundamentais a quem os produz ou distribui.<\/p>\n\n\n\n<div data-wp-interactive=\"core\/file\" class=\"wp-block-file\"><object data-wp-bind--hidden=\"!state.hasPdfPreview\" hidden class=\"wp-block-file__embed\" data=\"https:\/\/blog.uclm.es\/archivoartea\/wp-content\/uploads\/sites\/323\/2026\/03\/Sanchez.-2015.-A-pesquisa.-Questao-de-critica.pdf\" type=\"application\/pdf\" style=\"width:100%;height:600px\" aria-label=\"Incrustado de Sanchez.-2015.-A-pesquisa.-Questao-de-critica.\"><\/object><a id=\"wp-block-file--media-a5c12d46-ce51-4ba3-972f-75410547f9bc\" href=\"https:\/\/blog.uclm.es\/archivoartea\/wp-content\/uploads\/sites\/323\/2026\/03\/Sanchez.-2015.-A-pesquisa.-Questao-de-critica.pdf\">Sanchez.-2015.-A-pesquisa.-Questao-de-critica<\/a><a href=\"https:\/\/blog.uclm.es\/archivoartea\/wp-content\/uploads\/sites\/323\/2026\/03\/Sanchez.-2015.-A-pesquisa.-Questao-de-critica.pdf\" class=\"wp-block-file__button wp-element-button\" download aria-describedby=\"wp-block-file--media-a5c12d46-ce51-4ba3-972f-75410547f9bc\">Descarga<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Jos\u00e9 A. S\u00e1nchez. 2015. Quest\u00e3o de Cr\u00edtica \u2013 Revista eletr\u00f4nica de cr\u00edticas e estudos teatrais, Vol. VIII, n\u00ba 65<\/p>\n","protected":false},"author":285,"featured_media":10248,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[475,499,224],"tags":[151,15],"class_list":["post-10246","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-teatralidades-disidentes","category-textos-cat-de-fr-pt","category-textos-de-jose-a-sanchez","tag-dispositivos","tag-investigacion-creacion"],"_links":{"self":[{"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/posts\/10246","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/users\/285"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/comments?post=10246"}],"version-history":[{"count":2,"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/posts\/10246\/revisions"}],"predecessor-version":[{"id":10250,"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/posts\/10246\/revisions\/10250"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/media\/10248"}],"wp:attachment":[{"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/media?parent=10246"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/categories?post=10246"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.uclm.es\/archivoartea\/wp-json\/wp\/v2\/tags?post=10246"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}